"Zipf focuses on five gifted women in various parts of the country. In San Diego, Hazel Wood Waterman parlayed her Arts and Crafts training into a career in architecture. Cincinnati's Mary Louise McLaughlin expanded on her interest in Arts and Crafts pottery by inventing new ceramic technology. New York's Candace Wheeler established four businesses that used Arts and Crafts production to help other women earn a living. In Syracuse, both Adelaide Alsop Robineau and Irene Sargent were responsible for disseminating Arts and Crafts-related information through the movement's publications. Each woman's story is different, but each played an important part in the creation of professional opportunities for women in a male-dominated society.".

Celebrate the diverse work of people of color in the craft community and explore the personal, political, and creative potential of textile arts and crafts. In early 2019, the craft community experienced a reckoning when crafters of color began sharing personal stories about exclusion and racial injustice in their field, pointing out the inequity and lack of visible diversity within the crafting world. Author Jen Hewett, who is one of a few prominent women of color in the fiber crafts community, now brings together this book as a direct response to the need to highlight the diverse voices of artists working in fiber arts and crafts. Weaving together interviews, first-person essays, and artist profiles, This Long Thread explores the work and contributions of people of color across the fiber arts and crafts community, representing a wide spectrum of race, age, region, cultural identity, education, and economic class. These conversations explore techniques and materials, belonging, identity, pride of place, cultural misappropriation, privilege, the value (or undervaluing) of craft, community support structures, recognition or exclusion, intergenerational dialogue, and much more. Be inspired by the work and stories of innovative people of color who are making exceptional contributions to the world of craft. The diverse range of textile artists and craftspeople featured include knitters, quilters, sewers, weavers, and more who are making inspiring and innovative work, yet who are often overlooked by mainstream media.

This book interprets the fiber art and craft-inspired sculpture by eight US and Latin American women artists whose works incite embodied affective experience. Grounded in the work of Gilles Deleuze and Félix Guattari, John Corso-Esquivel posits craft as a material act of intuition. The book provocatively asserts that fiber art—long disparaged in the wake of the high–low dichotomy of late Modernism—is, in fact, well-positioned to lead art at the vanguard of affect theory and twenty-first-century feminist subjectivities.

Collection of 12 essays examining the social and cultural issues surrounding the decline in women's traditional craft practices, and the commercialisation of these crafts. Crafts studied include weaving in Thailand, the Philippines, Australia and Tonga, dough sculptures in China and carpet making in refugee camps. A chapter on tribal and folk art in India has been adapted from an essay first published in 'Art and AsiaPacific'. Includes references and a bibliography. Contributors have qualifications in fields such as ethnology, art theory and anthropology.