Daughters of the Diaspora features the creative writing of 20 Hispanophone women of African descent, as well as the interpretive essays of 15 literary critics. The collection is unique in its combination of genres, including poetry, short stories, essays, excerpts from novels and personal narratives, many of which are being translated into English for the first time. They address issues of ethnicity, sexuality, social class and self-representation and in so doing shape a revolutionary discourse that questions and subverts historical assumptions and literary conventions. Miriam DeCosta-Willis's comprehensive Introduction, biographical sketches of the authors and their chronological arrangement within the text, provide an accessible history of the evolution of an Afra-Hispanic literary tradition in the Caribbean, Africa and Latin America. The book will be useful as textbook in courses in Africana Studies, Women's Studies, Caribbean, Latina and Latin American Studies as well as courses in literature and the humanities.

"Technicians of the Sacred presents 'primitive' and ancient poetries as the incantations they are, loaded with power and very full of the magic that invests all good poetry. A fresh, ingenious selection of ritual and sacred poetry from around the world, translated with irreverence and raw attitude. Rothenberg finds incredibly powerful language in places where it wouldn't occur to most people to look, and he's not afraid of crudeness and hilarity" --publisher.

"A wide-ranging anthology of ethnopoetry including origin texts, visionary texts, texts about death, texts about events--collected from Africa, the Americas, Asia, Europe and the Ancient Near East, and Oceania."--Provided by publiher.

This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).

The Spring Feasts rehearse the Engagement and the Fall Feast are a rehearsal of the Wedding. We should approach our celebration of these Moedim from that standpoint. If we do, not only will we please Yahuah, but we will mature from the milk of the Word to the meat of it. In the process, we will fulfill “the letter” and properly prepare ourselves as the Bride; and have our candles lit when Yahusha returns to receive us unto himself. We read in 1 Corinthians 2:7 that Sha’ul mention “predestined before the ages to our glory”! We are going to go back to the very beginning, before the Feasts of Yahuah were given orally to Adam and before they were written down in detailed instructions in The Mosaic Covenant. Why? Because now, in The Yahushaic Covenant, they have found their ultimate meaning Spiritually; meaning which was ordained before the foundation of the world and predestined before the ages, as Sha’ul stated.

"…a group of outstanding poets, many of whom, despite their obvious merit, are known only within their own countries…The fluent translations not only recreate faithfully the poets' works, but, more significantly, reflect the personal, intellectual, and emotional circumstances that prompted them." —Choice