A grieving widow and professional mortician discovers there was more to the hit-and-run accident that took her husband's life than she originally thought, and vows to find out and get revenge on those responsible.

Bubba Snoddy is a good old country boy with a big problem. Although he's personable, handsome, and lives in a historical Southern mansion in a small Texas town, he has just discovered the dead body of a woman to whom he was once engaged to marry. His ex-fiancée was responsible for Bubba being thrown out of the military which in turn caused his shameful return to the tiny town of Pegramville, where everyone is a consummate gossip and no one has any secrets. Sheriff John Headrick, the townsfolk, and his own mother believes Bubba killed his ex-fiancée in a fit of vengeful rage. To top it all off, there are some mighty strange goings-on at the Snoddy Mansion, where ghosts walk the halls rattling chains in the midnight hour, and Bubba's own sainted mother, Miz Demetrice, runs an illegal gambling ring. Rumors run merrily rampant about Bubba, decadent Snoddy ancestors, missing Civil War gold, a to-die-for sheriff's deputy with the greenest eyes Bubba's ever seen, and a Basset Hound named Precious who likes to nip first and ask questions later. Bubba has to find out exactly who did murder his ex-fiancée and quickly before he goes to jail for the crime, or before someone murders him.

Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once

Alice Notley's Alma, or The Dead Women is a cross-genre book, poem/novel, poetry/prose, comedy/tragedy, that submits to no discipline but its own and was conceived by the author in a state of personal, national and planetary grief. In this book, Alma, the true god of our world, is a foul-mouthed middle-aged working-class woman, a junkie who injects heroin into the center of her forehead and dreams and suffers our nightmares with us. With the Dead Women, a community of spirits she attracts before but especially after September 11, 2001, Alma surveys with disbelief and horror the actions of the United States government as it perpetrates one war and prepares for another.

First published in 1836, Th�ophile Gautier's 'The Dead Woman in Love' is a supernatural tale, recounting the life of the priest named Romuald who falls in love with the beautiful and enigmatic Clarimonde, who the reader later learns to be a vampire. At the beginning of the tale, Romuald is asked whether he has ever loved and to which he responds, "yes." On the day of his Ordination, when he was a young man, he sees a beautiful woman whose hypnotic voice promises to love him and to make him happier than he would be in heaven. Torn between his amorous attraction to her and his Christian beliefs, he finishes the ceremony despite her appeals. However, he is captured by her beauty and he is taken away from his life as a priest to live in Venice with the alluring vampire, who subsists by drinking his blood while he sleeps.

Since 1993 over 500 women have been murdered in Ciudad Juárez. Residents believe the true number of disappeared stands at 5,000. When a new disappearance is reported, Kelly Courter, a washed-up Texan boxer, and Rafael Sevilla, a Mexican detective, are sucked into an underworld of organised crime, believing they can outwit the corruption all around. The Dead Women of Juárez follows these two men obsessed with seeking the truth about the female victims of the Mexican border wars.

It’s drow god vs. drow god in this thrilling second installment of the Lady Penitent series When drow goddesses Lolth and Eilistraee sit down to a game of sava, they play for control of the dark elves of Faerûn and their own immortality. Unable to resist such high stakes, Kiaransalee—the goddess of the dead and of vengeance—asks to join the fray, turning the game into an even more cutthroat race for power. Though the goddesses' drow pawns will survive the game, the very nature of what it means to be a dark elf may change forever.