Using all available sources, Boatwright explores the constraints and activities of the women of Rome's imperial families from 35 BCE to 235 CE. Livia, Agrippina the Younger, Julia Domna, and others feature in this richly illustrated investigation of change, continuity, historical contingency, and personal agency in imperial women's pursuits and representations.

This highly acclaimed collection provides a unique look into the public and private lives and legal status of Greek and Roman women of all social classes-from wet nurses, prostitutes, and gladiatrixes to poets, musicians, intellectuals, priestesses, and housewives. The third edition adds new texts to sections throughout the book, vividly describing women's sentiments and circumstances through readings on love, bereavement, and friendship, as well as property rights, breast cancer, female circumcision, and women's roles in ancient religions, including Christianity and pagan cults.

The written history of the Roman Republic is nearly devoid of exceptional women. Among the few who are mentioned, Cornelia Sciponis Africanus stands out. Born to one of Rome¿s most prestigious families, and the daughter of Publius Scipio, the general who defeated Hannibal in the Second Punic War, Cornelia is remembered as Rome¿s first noted woman intellectual and as the ideal Roman mother.Her two sons, Tiberius and Gaius Gracchus, spent their lives trying to give greater voice to the common citizen in a governmental system dominated by the aristocracy. The two brothers each made huge, all but revolutionary, impacts on Roman politics, but Cornelia, as well as her daughter Sempronia, were also important players during the turbulent years of the late Republic. The tragic story of the Gracchi family, Cornelia and her three children, represents an important but little known chapter in Roman history that begs to be retold because of its historical significance and how it reflects on current times, both in the evolution of democracy and the position of women in society.Sempronia, the oldest child, tells her family¿s story through the fifteen years of her brothers¿ tumultuous and controversial political careers. Sempronia¿s narrative reveals Cornelia through her relationships with each of her children, either assisting her sons navigate the extreme politics of Rome eighty years before the death of Caesar or helping Sempronia cope with a serious disability compounded by an abusive marriage to the most powerful man in Rome. This little known and poignant story of ancient Rome accents the strength of a middle-aged woman standing with her sons and her daughter against an increasingly repressive and brutal political regime.

The first in an unforgettable historical saga from the New York Times bestselling author of The Alice Network and The Diamond Eye. “So gripping, your hands are glued to the book, and so vivid it burns itself into your mind’s eye and stays with you long after you turn the final page.”—Diana Gabaldon, #1 New York Times bestselling author First-century Rome: One young woman will hold the fate of an empire in her hands. Thea, a captive from Judaea, is a clever and determined survivor hiding behind a slave’s docile mask. Purchased as a toy for the spoiled heiress Lepida Pollia, Thea evades her mistress’s spite and hones a secret passion for music. But when Thea wins the love of Rome’s newest and most savage gladiator and dares to dream of a better life, the jealous Lepida tears the lovers apart and casts Thea out. Rome offers many ways for the resourceful to survive, and Thea remakes herself as a singer for the Eternal ’City’s glittering aristocrats. As she struggles for success and independence, her nightingale voice attracts a dangerous new admirer: the Emperor himself. But the passions of an all-powerful man come with a heavy price, and Thea finds herself fighting for both her soul and her destiny. Many have tried to destroy the Emperor: a vengeful gladiator, an upright senator, a tormented soldier, a Vestal Virgin. But in the end, the life of Rome’s most powerful man lies in the hands of one woman: the Emperor’s mistress.

They said she was a tyrant, a murderer and the most wicked woman in history. She kicked her way into the male spaces of politics and demanded to be recognised as an equal and a leader. For her audacity, she was murdered by her son and reviled by history. She was the sister, niece, wife and mother of emperors. She was an empress in her own right. And she was a nuanced, fearless trailblazer in the Roman world. The story of Agrippina – the first empress of Rome – is the story of an empire at its bloody, extravagant, chaotic, ruthless height.