If, as has been said, exiles, refugees, and emigrants are the defining figures for the twentieth century, the thirteen women of Women in Exile give unforgettable life to the metaphor. Their stories offer a rare and special opportunity to witness the harrowing experience of flight and dislocation and to marvel at the resilience of the human spirit.

The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated. That much is indisputable. So, First-Wave feminists held rallies for women's suffrage. Second-Wave feminists marched for Prohibition, jobs, and abortion. Today, Third-Wave feminists stand firmly for nobody's quite sure what. But modern women--who use psychotherapeutic antidepressants at a rate never before seen in history--need liberating now more than ever. The truth is, feminists don't know what liberation is. They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important. It dismisses the pencil-skirted and stiletto-heeled executives of TV, the outspoken feminists freed from all that hinders them, the brave career women in charge of their own destinies. Once those fictionalized stereotypes are out of the way--whether they're things that make you gag or things you think look pretty fun--Christians can focus on real women. What did God make real women for?

When a girl is found dead with a signed copy of Rudian Stefa’s latest book in her possession, the author finds himself summoned for an interview by the Party Committee. Unable to guess what transgression he has committed Rudian goes fearfully to meet his interrogators. He has never met the girl in question but he remembers signing the book. As the influence of a paranoid regime steals up on him, Rudian finds himself swept along on a surreal quest to discover what really happened to the mysterious girl to whom he wrote the dedication – to Linda B. ‘Powerful, empathetic, at times harrowing... executed with an elegant combination of horror, absurdity, indignation, and other-worldliness... A chilling, humane and strangely beautiful work’ Independent

Juliana Starosolska was taken by the Stalinists from her parents home in the western Ukrainian city of Lviv and deported in a sealed boxcar to a distant and primitive outpost in Siberian Kazakhstan. In Woman in Exile, she records her ordeals in a series of vignettes that capture the horrific, the humane, and even the occasionally humorous aspects of her experience. Her father was arrested by the Stalinists and sent to a forced labor camp deep in Russian Siberia, where he died less than two years later. In the spring of 1940, the rest of his family, who had remained behind in UkraineJuliana; her frail mother, Daria; and her brother, Ihorwere forcibly deported by the Soviet government. They were forced to live and work under the most brutally primitive and backbreaking conditions. After the death of her mother and the reassignment of her brother to a different part of Kazakhstan, Juliana found herself alone. When World War II ended, as a former Polish citizen, Juliana was allowed to leave Kazakhstan for Poland in 1946. She immigrated to the United States in 1967, where she resumed her journalistic and literary career. Now she tells the story of those difficult yearsof her time as a Woman in Exile.

Exile and Identity focuses on the experiences of hundreds of thousands of Polish women forcibly transported deep into the USSR as prisoners or "special settlers" after the Soviet invasion and annexation of eastern Poland in 1939. Using firsthand accounts ranging from the briefly factual to the intensely personal, Katherine R. Jolluck reconstructs the daily lives and attitudes of Polish women based on reports collected upon their amnesty and evacuation from the USSR. These moving stories provide a clear and detailed picture of the conditions in which these women were forced to live, and examine how those victimized interpreted and coped with their daily traumas.

Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

Women and Exile in Contemporary Irish Fiction examines how contemporary Irish authors have taken up the history of the Irish woman migrant. It situates these writers' work in relation to larger discourses of exile in the Irish literary tradition and examines how they engage with the complex history of Irish emigration.