The second thrilling WOLFBLOOD book - based on the smash-hit CBBC series! On a snowy night on Stoneybridge Moor, three wild wolves pursue another lone wolf, closing in on him. Meanwhile, Maddy and her parents take shelter in their underground 'den', away from the full moon and the danger of transforming into Wolfbloods in the open air. When the young wolf is chased desperately to their house, they realise with shock that it's Rhydian - back from the wild, where he's been in self-inflicted exile with his mother and the 'wild' pack. Danger is hot on Rhydian's heels, though. The pack leader, Alric, is hunting him, claiming that he broke their rules, that he tried to win the wolves around to being open to human ways. Maddy and her family must, once again, try to keep Rhydian safe, and protect the Wolfblood secret from being exposed. Things are complicated, though, with the arrival of another young wild Wolfblood - unkempt, feisty Jana, who poses a threat to Maddy in more ways than one . . . Another thrilling and tense instalment in the CBBC WOLFBLOOD series.

With Rhydian and Maddy in the wilds of Canada, Wolfblood Jana has found her way to the big city. Newcastle - a place full of life and activity, but also new threats. Now working for Segolia, the corporation protecting the interests of Wolfbloods, Jana soon finds herself at odds with her boss Imara when she comes across two young orphaned and homeless Wolfbloods. Jana's protective instincts tell her that she needs to help them, but Imara has other ideas. The world of the wild city is a dangerous one, and Jana will need to call on new and old friends to meet the dangers head on ...

The first thrilling WOLFBLOOD book - based on the smash-hit CBBC series! The first thrilling WOLFBLOOD book - based on the smash-hit CBBC series! WOLFBLOOD follows teenage Wolfbloods. Humans with the ability to transform into wolves at the full moon and at times when they're stressed. This mysterious race has lived among us for centuries. Wolfbloods have superhuman powers in the form of strength, speed, agility and heightened senses, and retain these even when in human form. Fourteen-year-old Maddy lives with her mother and father high in the moors of the beautiful Northumbrian countryside. Her Wolfblood nature - and that of her parents - is her most closely guarded secret. She tries to live as normal a life as possible, but there is danger at every turn, with her best friend determined to track down the secret of the 'beasts of the moors'; and the pull of the full moon every month tempting the Wolfbloods. And on top of this, the trials and tribulations of ordinary teenage life . . . Then into her life steps a stranger, Rhydian, and one who she realises with shock is just like her . . . Maddy and Rhydian must hide their secret from even their closest friends, or the Wolfblood race could be in deadly danger. PULL OF THE MOON is the first in the series of four WOLFBLOOD books.

The Wolf Hunters – After managing to survive an attack by a pack of wolfs Roderick Drew becomes close friend with Wabigoon. Determined to earn some money to help his mother, young Rod travels to Canada to hunt and trap with his new friend. When Rod and Wabi get together with Mukoki, an old Indian guide and Wabi's cousin, three companions are ready to turn their faces to the adventures that await them in the great North. The Gold Hunters is the sequel of the story of friendship and discovery in the wilds of North America, between Roderick Drew, Wabigoon and Mukoki. After tracking and rescuing a kidnapped Indian princess three friends start the search of a gold mine, following a treasure map they found in the hand of a skeleton, a map that caused two Frenchmen to kill each other many years ago. James Oliver Curwood (1878-1927) was an American action-adventure writer and conservationist. His adventure writing followed in the tradition of Jack London. Like London, Curwood set many of his works in the wilds of the Great White North. He often took trips to the Canadian northwest which provided the inspiration for his wilderness adventure stories. At least eighteen movies have been based on or inspired by Curwood's novels and short stories.

The Wolf Hunters – After managing to survive an attack by a pack of wolfs Roderick Drew becomes close friend with Wabigoon. Determined to earn some money to help his mother, young Rod travels to Canada to hunt and trap with his new friend. When Rod and Wabi get together with Mukoki, an old Indian guide and Wabi's cousin, three companions are ready to turn their faces to the adventures that await them in the great North. The Gold Hunters is the sequel of the story of friendship and discovery in the wilds of North America, between Roderick Drew, Wabigoon and Mukoki. After tracking and rescuing a kidnapped Indian princess three friends start the search of a gold mine, following a treasure map they found in the hand of a skeleton, a map that caused two Frenchmen to kill each other many years ago. James Oliver Curwood (1878-1927) was an American action-adventure writer and conservationist. His adventure writing followed in the tradition of Jack London. Like London, Curwood set many of his works in the wilds of the Great White North. He often took trips to the Canadian northwest which provided the inspiration for his wilderness adventure stories. At least eighteen movies have been based on or inspired by Curwood's novels and short stories.

The wolf is one of the most widely distributed canid species, historically ranging throughout most of the Northern Hemisphere. For millennia, it has also been one of the most pervasive images in human mythology, art, and psychology. Wolves and the Wolf Myth in American Literature examines the wolf’s importance as a figure in literature from the perspectives of both the animal’s physical reality and the ways in which writers imagine and portray it. Author S. K. Robisch examines more than two hundred texts written in North America about wolves or including them as central figures. From this foundation, he demonstrates the wolf’s role as an archetype in the collective unconscious, its importance in our national culture, and its ecological value. Robisch takes a multidisciplinary approach to his study, employing a broad range of sources: myths and legends from around the world; symbology; classic and popular literature; films; the work of scientists in a number of disciplines; human psychology; and field work conducted by himself and others. By combining the fundamentals of scientific study with close readings of wide-ranging literary texts, Robisch astutely analyzes the correlation between actual, living wolves and their representation on the page and in the human mind. He also considers the relationship between literary art and the natural world, and argues for a new approach to literary study, an ecocriticism that moves beyond anthropocentrism to examine the complicated relationship between humans and nature.