Provides encyclopedic coverage of female sexuality in 1940s popular culture. 2015 CHOICE Outstanding Academic Title Popular culture in the 1940s is organized as patriarchal theater. Men gaze upon, evaluate, and coerce women, who are obliged in their turn to put themselves on sexual display. In such a thoroughly patriarchal society, what happens to female sexual desire? Wolf-Women and Phantom Ladies unearths this female desire by conducting a panoramic survey of 1940s culture that analyzes popular novels, daytime radio serials, magazines and magazine fiction, marital textbooks, Hollywood and educational films, jungle comics, and popular music. In addition to popular works, Steven Dillon discusses many lesser-known texts and artists, including Ella Mae Morse, a key figure in the founding of Capitol Records, and Lisa Ben, creator of the first lesbian magazine in the United States. Steven Dillon is Professor of English at Bates College and the author of Derek Jarman and Lyric Film: The Mirror and the Sea and The Solaris Effect: Art and Artifice in Contemporary American Film.

When she married forty-nine-year-old President Grover Cleveland in a White House ceremony on June 2, 1886, Frances Folsom Cleveland was only twenty-one years old, making her the nation's youngest First Lady. Despite her age, however, Washington society marveled at how quickly the inexperienced Mrs. Cleveland (known as "Frank" to her family and friends) established herself as a social leader and capable spouse. Her popular Saturday receptions and glittering formal social events, combined with the warm and winning personality she displayed during her first two years in the White House, made her one of America's most popular First Ladies. Yet, as Annette Dunlap demonstrates in Frank, there was more to this charming and resolute woman than her social and entertaining skills. Active in New York society during the four years between the two Cleveland administrations, Frances built relationships with many of the nation's elite that helped return her husband to the White House for a second term. She played a pivotal role in keeping Cleveland's operation for cancer a secret, and as the country's economic picture and Cleveland's political popularity deteriorated, she coped admirably with criticism of herself and her husband, as well as lies about her children's health. Even though she shared her husband's opposition to women's suffrage, favoring instead an exalted role for women in the home, she struggled with Cleveland's possessiveness. A strong and opinionated woman in her own right, she developed her own network of associations that promoted kindergartens, mission work, and charitable activities that alleviated conditions for the poor. The first widowed former First Lady to remarry, Frances found new life as a political activist, taking a strong stand for military preparedness and promoting the need for a just and lasting peace at the end of World War I. She maintained leadership roles in several organizations well into her seventies, including the board of trustees of her alma mater, Wells College. Her lasting contributions to both early and higher education, as well as her work on behalf of the poor, may well make Frances Folsom Cleveland one of America's most underrated First Ladies.

“There is much to enjoy in this sumptuous novel.”—Sunday Mirror “My name is Mary Seymour and I am the daughter of one queen and the niece of another.” Browsing an antiques shop in Wiltshire, Alison Bannister stumbles across a delicate old portrait—identified as the doomed Tudor queen, Anne Boleyn. Except Alison knows better. The subject is Mary Seymour, the daughter of Katherine Parr, who was taken to Wolf Hall in 1557 and presumed dead after going missing as a child. And Alison knows this because she, too, lived at Wolf Hall and knew Mary...more than four hundred years ago. The painting of Mary is more than just a beautiful object for Alison—it holds the key to her past life, the unlocking of the mystery surrounding Mary’s disappearance and how Alison can get back to her own time. To when she and Mary were childhood enemies yet shared a pact that now, finally, must be fulfilled, no matter the cost. Bestselling author of House of Shadows Nicola Cornick offers a provocative alternate history of rivals, secrets and danger, set in a time when a woman’s destiny was determined by the politics of men and luck of birth. A spellbinding tale for fans of Kate Morton, Philippa Gregory and Barbara Erskine.

In this passionate report from the front lines, a "New York" magazine writer examines the enormous cultural impact of the newest wave of post-feminism.

A colorful ethnography of an Italian ladies' club, this book explores the historical and linguistic importance of the women's language and behavior.

Jewish Feminism and Intersectionality explores a range of opportunities to apply and build intersectionality studies from within the life and work of Jewish feminism in the United States today. Marla Brettschneider builds on the best of what has been done in the field and offers a constructive internal critique. Working from a nonidentitarian paradigm, Brettschneider uses a Jewish critical lens to discuss the ways different politically salient identity signifiers cocreate and mutually constitute each other. She also includes analyses of matters of import in queer, critical race, and class-based feminist studies. This book is designed to demonstrate a range of ways that Jewish feminist work can operate with the full breadth of what intersectionality studies has to offer.