A multidisciplinary reader on an acoustic phenomenon conventionally deemed undesirable When a bowed stringed instrument is played, the vibrations of certain notes can resonate at the same frequency as the vibrations of the instrument itself. The dissonant effect that results is referred to as a "wolf tone," for its howl, and is almost universally characterized as an unpleasant deviance. For Maximilian Goldfarb, Nancy Shaver and Sterrett Smith, however, the wolf tone has come to serve as a productive analogy for describing forces at work in a visual field and a model for their ongoing collaboration, Wolf Tones. Here, the artists present an orchestrated cacophony of images from their individual and collaborative practices alongside texts by contributors from the realms of music and sound, art, poetry, art criticism and architecture. Referencing landscape, temporality, sonic surpluses, improvisation, Éliane Radigue's Naldjorlakand more, this book addresses the artists' collaboration as well as the acoustic phenomenon itself, reimagining the wolf tone as something to be celebrated.

Fiction. Christy Stillwell's THE WOLF TONE won the Elixir Press 2017 Fiction Award. This novel, set in a Montana college town, takes us on a journey through such issues as motherhood and freedom, accompanied by a buoyant soundtrack like no other. Debra Spark had this to say about it: "For me, Christy Stillwell's novel THE WOLF TONE was like a wonderful vacation to a beautiful, arty Montana town, where I got to live for a season among musicians, art patrons, locals, and owls. I met a tough-minded single mother, a solitary classical musician, and a vet with a start-up medical marijuana dispensary. By the time my stay was over, I'd heard the unexpected and profound story of these unlikely literary bedfellows, a resonant tale about the choices we make, the secrets we keep, and our (often misguided) expectations regarding love, children, and career. No Airbnb booking required."

You escaped the past. Here comes the present. Fifteen years ago, Rolf was destined for the gutter. His luck has changed. Now a cellist with the Salzburg City Orchestra, he has his dream job and dizzying prospects. All because of her. Smart, sexy, well connected and crazy about him, Leonor is his fantasy woman. She made him and he'll never forget it. Neither will she. She chooses Rolf's diet, his friends, his decisions and career path. She knows best. When does a champion turn controller? While he submits to domination at home, he struggles at work. The maestro is determined to break down and rebuild his new cellist. Clash after clash shatter Rolf's confidence until he doubts everything about himself. Then a rumour reaches his ear. Has he misjudged his new friends? Is something more sinister pulling the orchestra's strings? Regardless of the drama behind the scenes, the show must go on. It's the only way to escape his past. A classic artist, Rolf presents the best side of himself, hiding the pain of imperfection. A strategy with devastating results.

While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.

This edition of the writings of Theobald Wolfe Tone (1763-98), barrister, United Irishman, agent of the Catholic Committee and later an officer in the French revolutionary army, is intended to comprehend all his writings and largely to supersede the two-volume Life of Theobald Wolfe Tone ... written by himself that was edited by his son, William, and published at Washington in 1826. It consists mainly of Tone's correspondence, diaries, autobiography, pamphlets, public addresses and miscellaneous memoranda (both personal and public); it is based on the original MSS if extant or on the most reliable printed sources. Tone's participation in Irish politics in the early 1790s and his presence on the periphery of the ruling circle in revolutionary France from February 1796 to September 1798 would be sufficient to make his writings a major historical source. The literary quality of his letters, diaries and autobiography enhances their importance. The unique quality of Tone's writings isthat they are the production of a gifted and convivial young Irishman who moved widely in intellectual and political circles. This volume _ Tone's career in Ireland to June 1975 _ is the first of three. It is to be followed shortly by volumes II _ ('America, France and Bantry Bay, August 1795 to December 1796') and III ('France, the Rhine, Lough Swilly and death of Tone, January 1797 to November 1798'). A bibliography of Theobald Wolfe Tone and index to all three volumes are to appear in volume III.