A new selection of far-reaching poems from an outstanding literary doyen of our times. Kunwar Narain is widely regarded as one of India’s finest contemporary poets and thinkers, with a universal appeal. Awarded with the Jnanpith, his work bears witness to how the lived and the written coalesce. His poems say more than their words—taking us into and out of the morass of our bizarre worlds, signalling inner disquiets in their solicitudes, waking us up to hope in the interstices between lines, and creating entire worldviews in their collectivity. This is the first book-length translation of the author’s poetry to appear after his passing away in 2017. It has an eclectic, wide-ranging selection of poems from his latest five collections. This bilingual edition is also substantive, with over a hundred poems—translated and introduced by Apurva Narain, who has spent years with his father’s poems. Among the most accomplished translators of Hindi poetry into English today, he brings here a compelling level of precision and evocation that Kunwar Narain’s poems demand—slowly expansive as they are in their visionary insights, tender intimations, austere surfaces and silent remembrances; conversing with their readers and urging them to re-read. and is among the most accomplished translators of Hindi poetry into English today.

In a personal journey of remembrances, Gloria Jean Pinkney shows how she came to recognize the many miraculous events in her life. In her engaging voice, Ms. Pinkney narrates thirty-three short "tellings" and uses quotes from the Bible to frame each story. This heartfelt work offers an inspiring call for her readers to enter their own "Forest of Remembrance." As Clifton Taulbert writes in his wonderful foreword, "As we read, we will be challenged to become 'dear hearers' within our own daily lives. This book will help many to personalize and anticipate the joy of 'unselfish living.'" A book to be shared with the whole family, this spiritual memoir is also a family project. Ms. Pinkney's husband, Jerry, and two of their sons, Brian and Myles, provide illustrations, with each artist using a different medium.

Commonplace Witnessing examines how citizens, politicians, and civic institutions have adopted idioms of witnessing in recent decades to serve a variety of social, political, and moral ends. The book encourages us to continue expanding and diversifying our normative assumptions about which historical subjects bear witness and how they do so. Commonplace Witnessing presupposes that witnessing in modern public culture is a broad and inclusive rhetorical act; that many different types of historical subjects now think and speak of themselves as witnesses; and that the rhetoric of witnessing can be mundane, formulaic, or popular instead of rare and refined. This study builds upon previous literary, philosophical, psychoanalytic, and theological studies of its subject matter in order to analyze witnessing, instead, as a commonplace form of communication and as a prevalent mode of influence regarding the putative realities and lessons of historical injustice or tragedy. It thus weighs both the uses and disadvantages of witnessing as an ordinary feature of modern public life.

What is the symbolic impact of the Vietnam War Memorial? How does television change our engagement with the past? Can the efforts to wipe out Communist legacies succeed? Should victims of the Holocaust be celebrated as heroes or as martyrs? These questions have a great deal in common, yet they are typically asked separately by people working in distinct research areas in different disciplines. Frames of Remembrance shares ideas and concerns across such divides.

What is the role of the survivor testimony in Holocaust remembrance? In this book, a concise, rigorously argued, and provocative work of cultural and intellectual history, the author seeks to answer this surpassingly complex question.

In a book that will touch hearts and minds, acclaimed cultural historian Marilyn Yalom presents firsthand accounts of six witnesses to war, each offering lasting memories of how childhood trauma transforms lives. The violence of war leaves indelible marks, and memories last a lifetime for those who experienced this trauma as children. Marilyn Yalom experienced World War II from afar, safely protected in her home in Washington, DC. But over the course of her life, she came to be close friends with many less lucky, who grew up under bombardment across Europe—in France, Germany, Hungary, Czechoslovakia, England, Finland, Sweden, Norway, and Holland. With Innocent Witnesses, Yalom collects the stories from these accomplished luminaries and brings us voices of a vanishing generation, the last to remember World War II. Memory is notoriously fickle: it forgets most of the past, holds on to bits and pieces, and colors the truth according to unconscious wishes. But in the circle of safety Marilyn Yalom created for her friends, childhood memories return in all their startling vividness. This powerful collage of testimonies offers us a greater understanding of what it is to be human, not just then but also today. With this book, her final and most personal work of cultural history, Yalom considers the lasting impact of such young experiences—and asks whether we will now force a new generation of children to spend their lives reconciling with such memories.

"Memory has fueled merciless, violent strife, and it has been at the core of reconciliation and reconstruction. It has been used to justify great crimes, and yet it is central to the pursuit of justice. In these and more everyday ways, we live surrounded by memory, individual and social: in our habits, our names, the places where we live, street names, libraries, archives, and our citizenship, institutions, and laws. Still, we wonder what to make of memory and its gifts, though sometimes we are hardly even certain that they are gifts. Of the many chambers in this vast palace, I mean to ask particularly after the place of memory in politics, in the identity of political communities, and in their practices of doing justice."—from the Preface W. James Booth seeks to understand the place of memory in the identity, ethics, and practices of justice of political communities. Identity is, he believes, a particular kind of continuity across time, one central to the possibility of agency and responsibility, and memory plays a central role in grounding that continuity. Memory-identity takes two forms: a habitlike form, the deep presence of the past that is part of a life-led-in-common; and a more fragile, vulnerable form in which memory struggles to preserve identity through time—notably in bearing witness—a form of memory work deeply bound up with the identity of political communities. Booth argues that memory holds a defining place in determining how justice is administered. Memory is tied to the very possibility of an ethical community, one responsible for its own past, able to make commitments for the future, and driven to seek justice. "Underneath (and motivating) the politics of memory, understood as contests over the writing of history, over memorials, museums, and canons," he writes, "there lies an intertwining of memory, identity, and justice." Communities of Memory both argues for and maps out that intertwining.