Witness to War presents a compelling visual record of a young American man’s venture in Mexico as the country veered into revolution in the early 1900s. Walter Elias Hadsell, a skilled photographer who had recently graduated as a mining engineer, documented a critical period of foreign investment in Mexico’s mining industry and, in the process, captured scenes of Mexican life in other cities. Susan Toomey Frost draws from an extensive collection of Hadsell’s original photographic prints to narrate his ten years in Mexico. The images in Witness to War follow him from his time as a mining engineer in Mexico to his 1917 return to mining in Arizona, his home state. Planning for a future career in photography, Hadsell soon acquired the Kodak franchise for Veracruz, Mexico’s most important port since colonial times. He documented the damage done in Mexico City during a ten-day uprising in 1913 that led to the assassination of Mexican president Francisco Madero. Veracruz became a vortex for U.S. interference in the Mexican Revolution when President Woodrow Wilson invaded the country in 1914 in an attempt to thwart Mexico's successor president and to favor opposing forces. Hadsell, as a resident American citizen, had immediate access to the military operation as it unfolded. His images are essential historical records of Wilson’s intervention in Mexican affairs. Hadsell’s camera recorded images of a defenseless city disrupted by the landing of thousands of American troops. With no exit plan, U.S. forces remained for seven months before abruptly departing. Hadsell’s personal life took a tragic turn with the death of his wife, who left him with three young children, all born in Mexico. He endured another tragedy with the loss of his Veracruz studio during a period of anti-Americanism, though he ultimately left a rich legacy documenting U.S.-Mexico relations at a critical time.

For four bloody years, the Civil War ravaged America. Those at home could only imagine the sights and events overtaking their husbands and sons, fathers and brothers who were under arms. Frank Leslie's Illustrated Newspaper was a primary source of information during those dark days. The reporters and artists who traveled with the armies were eyewitnesses to events, great and small, for their captivated readers. Sometimes the news was sensational. At other times it was tragic. But it was always eagerly sought after. Here are the accounts, in pictures and stories, of those first wartime journalists. Here are their reports from the front lines. Here is the Civil War's news as originally presented to loved ones at home. Here you will find images of the battles, the leaders, the camp life, and of the soldiers who gave their all for North and South. In your hands you hold the testimony of those who were Witness to the Civil War.

Witness to History, a comprehensive book on the Holocaust aimed at both laymen and Jewish high school and college students, is unique in that it is a fully sourced, academically reliable history of the Holocaust, with particular emphasis on the experiences of religious Jews.

“A masterpiece” (The Guardian) from the Nobel Prize–winning writer, an oral history of children’s experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich’s collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded—a trauma that would change the course of the Russian nation. Collectively, this symphony of children’s stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses “There is a special sort of clear-eyed humility to [Alexievich’s] reporting.”—The Guardian “A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.”—The New Republic “A profound triumph.”—The Big Issue “[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.”—The Washington Post