When a poor girl witnesses a murder in Victorian London, the secret threatens her life as a wealthy lady in this classic from the Golden Age of mystery. Whenever she needed to escape the menace of her scolding stepmother, little Polly Spencer snuck off to her favorite corner among the rooftops of London. But her innocent hiding spot gets her into serious trouble when she spies a crime scene through an open window. Too afraid to go to the police, Polly is instead sent to live with her well-born mother’s family. Many years later, her life has changed considerably. As the wealthy and titled Lady Warchester, she inhabits a world utterly removed from the one she knew as a girl. But when she encounters the pale-faced killer once again, the past and its dangers are suddenly terrifyingly close.

Polly Spencer of London has a habit of hiding on the rooftops in order to escape from family problems. One day, during her roof adventures, Polly accidentally witnesses a break-in. Startled and confused, Polly peeps through a window and realizes that the robbery turns into a murder. Petrified, Poly keeps her secret from anyone as she moves to a wealthier part of town. A decade goes by and Poly is now Lady Warchester, married to a wealthy gentleman. But it finally comes the time for her secret to come back and haunt her.

In a rundown apartment building, in an unnamed city in Uruguay, a father and daughter close themselves off from the world. "The world is this house," says Clara, and the rooftop becomes their last recess of freedom. A pet canary is their only witness. As Clara’s connection to the outside is stripped away—the neighbor who stops coming by, the lover whose existence is only known by a pregnancy—desperation and paranoia take hold. It's a stifling embrace, and we are there with her, our narrator, dreading what we know the future holds.

When a famous telescope goes missing at the planetarium, Nancy and her friends must zoom in on the culprit in the third book in an all-new, interactive Nancy Drew chapter book mystery series. Includes space for readers to jot down their own ideas and solutions to the case! As the newest member of the River Heights Astronomy Club, George brings Nancy and Bess on a special field trip to the city’s high-tech planetarium. There they meet famous astronomer Dr. Winston Arnot, learn about the planets and the stars, and even get to see an awesome planetarium show. After dinner, they’re supposed to meet on the museum’s roof to gaze at the night sky using the Starship 5000, one of the world’s most powerful telescopes. But when they arrive they discover the famous telescope has been stolen! Can Nancy and her friends solve the case before Dr. Arnot becomes the main suspect?

Autumn 1945 saw the start of the Nuremberg trials, in which high ranking representatives of the Nazi government were called to account for their war crimes. In a curious yet fascinating twist, witnesses for the prosecution and the defense were housed together in a villa on the outskirts of town. In this so-called Witness House, perpetrators and victims confronted each other in a microcosm that reflected the events of the high court. Presiding over the affair was the beautiful Countess Ingeborg Kálnoky (a woman so blond and enticing that she was described as a Jean Harlowe look-alike) who took great pride in her ability to keep the household civil and the communal dinners pleasant. A comedy of manners arose among the guests as the urge to continue battle was checked by a sudden and uncomfortable return to civilized life. The trial atmosphere extends to the small group in the villa. Agitated victims confront and avoid perpetrators and sympathizers, and high-ranking officers in the German armed forces struggle to keep their composure. This highly explosive mixture is seasoned with vivid, often humorous, anecdotes of those who had basked in the glory of the inner circles of power. Christiane Kohl focuses on the guilty, the sympathizers, the undecided, and those who always manage to make themselves fit in. The Witness House reveals the social structures that allowed a cruel and unjust regime to flourish and serves as a symbol of the blurred boundaries between accuser and accused that would come to form the basis of postwar Germany.

At lunchtime on a bitterly cold January day in 1969, the strains of guitar chords could be heard in the streets surrounding London’s Savile Row. Crowds gathered – At ground level and above. People climbed onto roofs and postboxes, skipped lunch to gather and listen: For the first time in more than two years, The Beatles were playing live. Ringing from the rooftops, disturbing the well-to-do ears of the tailors below, they upset the establishment and bewildered the police. It was filmed by director Michael Lindsay-Hogg, who hoped the footage would act as the finale to a celebratory TV special. When it finally surfaced, it was in the bleak, tumultuous documentary Let It Be. And The Beatles would never play live again. Tony Barrell examines the concert within the context of its time. He speaks to those who were there: the fans, film-makers, roadies, Apple Corps staff and police. He explores the politics of 1968, when peace gave way to protest, and how music promotion began to collide with cinéma vérité and reality TV. The Beatles on the Roof makes essential reading for anyone interested in the band’s reinventions and relationships, revealing why the rooftop concert happened at all, why it happened the way that it did, and why it would never happen again.

In this #1 New York Times bestselling thriller, after taking on a foreclosure case, defense attorney Mickey Haller fights to prove his client’s innocence—but first he must follow a trail of black market evidence to its sinister end. Mickey Haller has fallen on tough times. He expands his business into foreclosure defense, only to see one of his clients accused of killing the banker she blames for trying to take away her home. Mickey puts his team into high gear to exonerate Lisa Trammel, even though the evidence and his own suspicions tell him his client is guilty. Soon after he learns that the victim had black market dealings of his own, Haller is assaulted, too -- and he's certain he's on the right trail. Despite the danger and uncertainty, Haller mounts the best defense of his career in a trial where the last surprise comes after the verdict is in. Connelly proves again why he "may very well be the best novelist working in the United States today" (San Francisco Chronicle).