Hidden treasure and betrayal mingle with unexpected love within the walls of Avonthorpe Hall. After studying art under Miss Drake, a renowned painter, Phoebe Radcliff is certain she can finally move beyond the childish mistake that’s kept her away from home. She is thrilled when Miss Drake employs her to complete a complicated ballroom renovation. Everything changes, however, the moment Miss Drake is murdered. With her last breath she imparts the location of a clue to Phoebe. Can the biggest secret of Avonthorpe Hall be true—the rumored treasure real? Phoebe is tasked to finish her work in the ballroom by Miss Drake’s infuriatingly regimented yet all-too-handsome nephew, Lt. Graham Burke. Determined to fulfill the promise she made to her beloved teacher to find the treasure, Phoebe also works to uncover the truth about Miss Drake’s death—and she must do so before Lt. Burke leases the house. But dark shadows line the gilded halls of Avonthorpe, and soon enough Phoebe realizes she’s not the only person who knows about the clues. What’s worse, she needs Lt. Burke’s help to stay ahead of whoever is hard on her heels. If only she weren’t so attracted to him. Caught up in a deadly race for answers, Phoebe must find a way to breach the shroud of lies that surrounds every last resident in the house and, more importantly, face a past she’s been running away from for far too long. Regency romance and mystery Stand-alone novel Book length: approximately 95,000 words Includes discussion questions for book clubs Also by author: Twilight at Moorington Cross, Masquerade at Middlecrest Abbey, and The Vanishing at Loxby Manor

A brainy, shy high school outcast interning at a Chicago hotel discovers that the hotel staff has an evil agenda planned for her classmates on prom night.

A story of second chances and secrets, this mysterious Regency romance will transport you to 19th-century England as one young lady reunites with her childhood love to find his missing sister. Her friend is missing. After five years abroad, Charity Halliwell finally returns to Loxby Manor, the home of dear friends—and her lost love. No longer a young girl, she is now haunted by a painful secret and the demise of her dreams. Instead of the healing and happiness she hopes to find, she encounters a darkness lurking in the shadows of the once-familiar house. When her friend, Seline, disappears the very night of her arrival, Charity is determined to uncover the truth. Her only hope is the man who broke her heart. Branded a coward, Piers Cavanaugh has lived the last five years as an outcast far from his family home. When his sister presumably elopes with a stable hand, Piers joins forces with an unlikely partner—the one woman he thought he’d never see again. Together they launch an investigation that leads to strange nightly meetings in the ruins of an old abbey and disturbing whispers of a secret organization. The more they learn, the more desperate the situation becomes. The house seems determined to keep its secrets. As they struggle to piece together the clues, Charity and Piers also endeavor to rebuild their friendship. One cryptic letter changed everything between them. To find happiness they will have to overcome the grief and shame keeping them apart. But first they must discover why Seline vanished and confront the growing fear that she may never return. Settle in, because once you start The Vanishing at Loxby Manor, you won’t be able to put it down. Praise for The Vanishing at Loxby Manor “Vanishing at Loxby Manor cleverly combines Regency romance with Gothic intrigue, and the result is a suspenseful, thoroughly entertaining read. Charming and lovely.” —Tasha Alexander, New York Times bestselling author of In the Shadow of Vesuvius “Weaving a shadow of mystery among the gilded countryside of Regency England, Wilson's tale of love lost, buried shame, and secret societies is a delicious blend of romance and intrigue. Splash in gorgeous historical Regency details, and murder brewing around every stone, and readers will be burning through the pages until the riveting end.” —J'nell Ciesielski, author of The Socialite “Abigail Wilson’s latest Gothic romance hits the notes readers have come to expect from her talented pen: romance, shadows and intrigue and a brilliantly executed atmosphere. She is a master at her craft and a rare stand-out in a popular genre.” —Rachel McMillan, author of The London Restoration Sweet but mysterious Regency Romance with Gothic tones A stand-alone novel Book length: approximately 90,000 words Includes discussion questions for book clubs

Nothing—and no one—at Croft Towers is what they claim in this Gothic Regency romance. When Sybil Delafield’s coach to Croft Towers was robbed by highwaymen, she should have realized that her new position as companion to old Mrs. Chalcroft would be no ordinary job. Upon Sybil’s arrival, Mrs. Chalcroft sneaks into her room in the dark of night, imploring her to relay messages to town that are to stay hidden from the rest of the family. Who exactly is she working for and what do the messages contain? When fellow passengers of the robbed coach are later murdered, Sybil’s hunt for the truth takes on a new urgency. The only person she can rely on is Mr. Sinclair, Mrs. Chalcroft’s godson, but under all his charms he too leads a double life. Sybil must decide if he is the one honest voice she can trust, or if he is simply using her for his own advances. Croft Towers holds more than its share of secrets . . . and Sybil is determined to uncover them all. Praise for In the Shadow of Croft Towers “In the Shadow of Croft Towers is everything I love in a novel: a classic gothic feel, a regency setting, a mysterious hero . . . and secrets abounding!” —Dawn Crandall, award-winning author of the Everstone Chronicles series “Shades of Gothic romance in a portrait of Regency England . . . if Jane Austen ever met Jane Eyre, it would be at Croft Towers!” —Kristy Cambron, author of Castle on the Rise "Blending the unputdownable Regency flair of Georgette Heyer with the intricate plotting of Julie Klassen, Wilson not only places herself competently amidst beloved authors but carves out a unique place of her own." —Rachel McMillan, author of the Van Buren and DeLuca Mysteries "Beautifully written, suspenseful, and satisfyingly romantic." —Jennifer Beckstrand, author of Home on Huckleberry Hill Full-length Regency romance with a murder mystery (c. 95,000 words) Perfect for fans of Sarah Ladd, Deanna Raybourn, Julie Klassen, Tasha Alexander, and Lauren Willig Also by Abigail Wilson: Midnight on the River Grey Masquerade at Middlecrest Abbey The Vanishing at Loxby Manor (available January 2021) Includes discussion questions for book clubs

In this Gothic Regency romance Rebecca fears she has developed feelings for the man she swore to see hanged, her brother's murderer. After her brother’s mysterious death, Rebecca Hunter vows to expose the man she believes responsible: Mr. Lewis Browning—known by the locals as the Midnight Devil and by Rebecca as her new guardian. Summoned to his reclusive country estate to await her London season, Rebecca plans her own secret investigation among the darkened corridors of the mysterious Greybourne Hall. Yet Lewis Browning is not as she once imagined, and his motivation is horribly unclear. Recurrent nightmares and Rebecca’s restless feelings are further complicated by the shadow of her mother’s prior descent into madness and wondering if she, too, will follow the same heartbreaking path. Even as midnight rides, strange injuries, and further murders lead back to Mr. Browning, Rebecca can’t ignore the subtle turn of her heart. Has she fallen for the man she swore would pay for her brother’s death? And moreover, can she trust him with her uncertain future? Praise for Abigail Wilson: “In the Shadow of Croft Towers is everything I love in a novel: a classic gothic feel, a regency setting, a mysterious hero . . . and secrets abounding!” —Dawn Crandall, award-winning author of the Everstone Chronicles series “Shades of Gothic romance in a portrait of Regency England . . . if Jane Austen ever met Jane Eyre, it would be at Croft Towers!” —Kristy Cambron, author of Castle on the Rise, of In the Shadow of Croft Towers "Blending the unputdownable Regency flair of Georgette Heyer with the intricate plotting of Julie Klassen, Wilson not only places herself competently amidst beloved authors but carves out a unique place of her own." —Rachel McMillan, author of the Van Buren and DeLuca Mysteries "Beautifully written, suspenseful, and satisfyingly romantic." —Jennifer Beckstrand, author of Home on Huckleberry Hill “Murder is far from no one’s thoughts in this delicious new romantic mystery from Abigail Wilson. With scandal dodging every turn of the page, mystery hiding behind the visage of each character, and a romance brewing with an English rake of the worse—and best—sorts, readers will find nothing lacking! I was entranced, mesmerized, addlepated, and not a little bit bewildered as I wandered the halls of Middlecrest Abbey.” —Jaime Jo Wright, author of the Christy Award–winning novel, The House on Foster Hill Full-length Regency romance with a murder mystery (c. 90,000 words) Perfect for fans of Sarah Ladd, Deanna Raybourn, Julie Klassen, Tasha Alexander, and Lauren Willig Also by Abigail Wilson: In the Shadow of Croft Towers Masquerade at Middlecrest Abbey The Vanishing at Loxby Manor (available January 2021) Includes discussion questions for book clubs

She's a high-fashion realtor; he's a low-maintenance mechanic. What on earth could they have in common? Dressed in designer labels and cruising around town in her red Mercedes, workaholic realtor Harper Wilson presents the picture of success in charming Maple Falls. But Harper's carefully cultivated image is resting on a shaky foundation. With a sudden drought in sales, she's starting to see her professional dreams—along with her posh lifestyle—slipping away. Car trouble brings her to mechanic Rusty Jenkins, and their unlikely friendship is taken to the next level when the laid-back Rusty allows her to give him a makeover for a charity bachelor auction. Harper soon discovers that beneath the town mechanic's wild beard and grease-stained clothing lies a true Southern gentleman—someone with a kind heart and dreams of his own. Their chemistry is undeniable, but as they get closer, past fears and relationships start to creep in, reminding them of just how much is at stake when carefully constructed facades fall apart. Praise for Sold On Love: "The sweet third entry in Fuller's Maple Falls series (after Much Ado About a Latte) follows an unlikely romance between an ambitious realtor and an affable mechanic... their friends-to-lovers arc charms. Fans of wholesome romance will be eager to return to Maple Falls." -- Publishers Weekly Third book in the Maple Falls contemporary romance series Book One: Hooked on You Book Two: Much Ado About a Latte Book Three: Sold on Love Can be read as a stand-alone novel

Religious imagery was ubiquitous in late-nineteenth-century American life: department stores, schoolbooks, postcards, and popular magazines all featured elements of Christian visual culture. Such imagery was not limited to commercial and religious artifacts, however, for it also found its way into contemporary fine art. In Signs of Grace, Kristin Schwain looks anew at the explicitly religious work of four prominent artists in this period--Thomas Eakins, F. Holland Day, Abbott Handerson Thayer, and Henry Ossawa Tanner--and argues that art and religion performed analogous functions within American culture. Fully expressing the concerns and values of turn-of-the-century Americans, this artwork depicted religious figures and encouraged the beholders' communion with them.Describing how these artists drew on their religious beliefs and practices, as well as how beholders looked to art to provide a transcendent experience, Schwain explores how a modern conception of faith as an individual relationship with the divine facilitated this sanctified relationship between art and viewer. This stress on the interior and subjective experience of religion accentuated the artist's efforts to engage beholders personally with works of art; how better to fix the viewer's attention than to hold out the promise of salvation? Schwain shows that while these new visual practices emphasized individual encounters with art objects, they also carried profound social implications. By negotiating changes in religious belief--by aestheticizing faith in a new, particularly American manner--these practices contributed to evolving debates about art, ethnicity, sexuality, and gender.