As a carpenter employs tools to build a home, so G-d utilized twenty-two letters of the Alef-Bais to form the heaven and earth. They are the metaphorical wood, stone and nails, the cornerposts and crossbeams of our earthly and spiritual existence.In Letters of Light, Rabbi Aaron Raskin explores the essence of these holy letters, and how by their very nature they continue to be a source of creation, reflection, prayer and inspiration in our everyday lives. Each letter is examined in terms of its graphic design, its Gematria and its Hebrew meaning. Rabbi Raskin?s insights are themselves guided by the rich foundation of Chassidus and particularly by the illuminations of Rebbe Menachem Mendel Schneerson, the 7th Lubavitcher Rebbe. The result is an original and insightful examination of how Torah ? indeed the very letter of the law ? can inform every aspect of our lives, both religious and secular.

This collection of essays is a tribute to Rachel Elior’s decades of teaching, scholarship and mentoring. If a Festschrift reflects the individuality of the honoree, then this volume offers insights into the scope of Rachel Elior’s interests and scholarly achievements in the study of the Dead Sea Scrolls, Jewish apocalypticism, magic, and mysticism from the Second Temple period to the later rabbinic and Hekhalot developments. The majority of articles included in the volume deal with Jewish and Christian apocalyptic and mystical texts constituting the core of experiential dimension of these religious traditions.

Arabic script remains one of the most widely employed writing systems in the world, for Arabic and non-Arabic languages alike. Focusing on naskh—the style most commonly used across the Middle East—Letters of Light traces the evolution of Arabic script from its earliest inscriptions to digital fonts, from calligraphy to print and beyond. J. R. Osborn narrates this storied past for historians of the Islamic and Arab worlds, for students of communication and technology, and for contemporary practitioners. The partnership of reed pen and paper during the tenth century inaugurated a golden age of Arabic writing. The shape and proportions of classical calligraphy known as al-khatt al-mansub were formalized, and variations emerged to suit different types of content. The rise of movable type quickly led to European experiments in printing Arabic texts. Ottoman Turkish printers, more sensitive than their European counterparts to the script’s nuances, adopted movable type more cautiously. Debates about “reforming” Arabic script for print technology persisted into the twentieth century. Arabic script continues to evolve in the digital age. Programmers have adapted it to the international Unicode standard, greatly facilitating Arabic presence online and in word processing. Technology companies are investing considerable resources to facilitate support of Arabic in their products. Professional designers around the world are bringing about a renaissance in the Arabic script community as they reinterpret classical aesthetics and push new boundaries in digital form.

The world was startled in 2007 by revelations that Mother Teresa of Calcutta's spiritual life was full of serious doubts and personal suffering for nearly 50 years. The other great saint of the last half century - Padre Pio - offers similar revelations of his own in this enlightening collection of short excerpts from his letters. Many books have been written on the life and works of Padre Pio, but Words of Light is not a book about what others think or say about him. Here, he speaks for himself. If you are interested in the complexities and challenges of contemporary faith, you will benefit from these short teachings, counsels, and recollections culled from some of Padre Pio's most personal writings. In these letters I quickly discovered the same states of soul that were described by the great mystics. Padre Pio's own 'dark night' was in no way inferior to that described by John of the Cross, and equally the 'living flame' of his love for God dazzles the reader and allows them to catch a glimpse of another world. - Fr. Raniero Cantalamessa, from the Introduction

Letters of Light is a translation of over ninety passages from a well-known Hasidic text, Ma'or va-shemesh, consisting of homilies of Kalonymus Kalman Epstein of Krakow, together with a running commentary and analysis by Aryeh Wineman. With remarkable creativity, the Krakow preacher recast biblical episodes and texts through the prism both of the pietistic values of Hasidism, with its accent on the inner life and the Divine innerness of all existence, and of his ongoing wrestling with questions of the primacy of the individual vis-a-vis that of the community. The commentary traces the route leading from the Torah-text itself through various later sources to the Krakow preacher's own reading of the biblical text, one that often transforms the very tenor of the text he was expounding. Though composed almost two centuries ago, Ma'or va-Shemesh comprises an impressive spiritual statement, many parts of which can speak to our own time and its spiritual strivings.

As an "omniscient and obnoxious" teenager in 1969, Alan Richardson wrote to the occult author William G. Gray in pursuit of instant magical enlightenment. While he didn't quite get that, it was the beginning of a correspondence lasting many years in which Gray generously shared his magical knowledge and experience. Gray's letters, witty, ascerbic and blunt, contain a wealth of hints and tips on working and using Qabalah, his views on Dion Fortune, sex magic, initiation, joining magical groups, and how to stay on the straight and true path to Light regardless of what life flings at you. How does free-will relate to Destiny? Why do many great Adepts behave like idiots if they're in contact with Higher Powers? Is sex incompatible with a spiritual path? He addresses the questions which weigh on the mind of every magical seeker - always with the proviso that true wisdom can only be reached from within oneself. The letters are a delight to read and show the humour and understanding which shine through Gray's famously unsentimental character. They will be of direct practical value to anyone pursuing a magical path of any kind, Qabalistic or otherwise, and his advice to his young apprentice is every bit as pertinent today as it was back then.

Including the original text and a new introduction telling how the book was discovered by the editor, a first-person account of life after death reveals what the author learned from a dead man through "automatic writing." IP.