What miracles do we miss when we close our eyes to the wonder of everyday moments? In this busy, jaded world of ours, we often take for granted what we see every day. We may set aside time to spend with God in a quiet room, but we struggle to see his hand in a traffic jam or while walking the dog. But for Karen Wingate, sight itself is something extraordinary, and what our eyes can reveal is even more astounding. Karen lived most of her life with severely limited sight due to a cluster of disorders stemming from a genetic defect. But through the chance outcome of a surgery, she regained sight in one eye that doubled her visual acuity—and allowed her to see things she had never seen before. And as she discovered a more detailed world for the first time, she also began to see God in every new discovery—from the prosaic numbers of a bathroom scale to the glory of sunsets. With Fresh Eyes invites readers to not only celebrate the gift of their own sight but also reawaken the wonder of what they observe in creation—great and small—and how God is working in everyday moments. In each of her sixty meditations, Karen's humor and whimsy draw a connection between physical sight and spiritual understanding that will leave readers with a renewed joy and delight in what is good and beautiful, and will reassure them that God still works in the lives of his people.

What can readers learn about personal transformation from Jesus turning water to wine? How does His feeding of the five thousand refocus their own call to serve? In Fresh Eyes on Jesus’ Miracles, Pastor Doug Newton finds hidden truths in the gospels’ most familiar stories. From the wedding at Cana to Peter’s miraculous catch, Newton offers cultural context, modern-day insights, and spiritual depth to awaken even the most seasoned reader’s heart and mind. Most importantly, he equips readers to study Scripture with a fresh perspective—and join God’s miraculous work in their most ordinary moments.

This book teaches photographers how to connect fully with the visual richness present in their ordinary, daily experiences. According To The authors, photography is not purely a mechanical process. You need to know how to look, As well as where to point the camera, and when to press the button. Then as you develop your ability to see, your appreciation and inspiration from the world around you become enhanced. Filled with practical exercises and techniques inspired by mindfulness meditation, this book teaches photographers how to "see what's in front of them". It offers a system of training and exercises that draw upon Buddhist concepts, As well as on insights of great photographic masters such as Alfred Stieglitz, Edward Weston, and Henri Cartier-Bresson. There is a series of visual exercises and assignments for working with texture, light, and colour, As well as for developing mindfulness, As a way of bringing the principles of contemplative photography into ordinary experience.

Martin may have seen his sister, Cassie, to safety at the end of The Sky Inside, but his adventure is far from over. There’s still a totalitarian regime in place, murderous game shows on the air, and a couple of government agents on Martin’s tail. When Martin and his AllDog, Chip, go back to his old suburbs to check up on Mom, they get a lot more than they bargained for when they end up escaping with both parents. But the biggest surprise is yet to come—the heart of the government’s central power is closer to Martin than he ever suspected.

DIVLee Alexander McQueen (1969†“2010), whose design combined visionary aesthetics, emotional power, and extraordinary craft, was known for staging provocative shows that were as much performances as venues to display his couture creations. Charged with energy, informed by history and culture, and filled with fresh concepts, McQueen’s shows have become legends not only of fashion but also of art. Anne Deniau was the only photographer allowed backstage by McQueen for 13 years, beginning in September 1997 and ending with the final show in March 2010. She captured McQueen working with his close circle of collaborators—including designer Sarah Burton, milliner Philip Treacy, jewelry designer Shaun Leane, and model Kate Moss—to create his meticulously produced spectacles. Her book offers an inspiring homage, through the art of photography, to the work of a great artist. Praise for Love Looks Not With the Eyes: Thirteen Years With Lee Alexander McQueen: The pictures are evocative of the torture, the toughness and, most of all, the tenderness of Mr. McQueen.†? —New York Times “Deniau’s close connection to McQueen and her appreciation for his formidable talent is like many of the pieces he created: breathtaking.†? —San Francisco Chronicle “Thekinetic color and black-and-white photographs document the fantastical,shocking spectacle of a McQueen show in action: hairdos trussed up with birdsof prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrialcheek prostheses. The images are sensual, spooky, and whimsical, playing up thedrama of McQueen’s vision; like one of the designer’s fabulous garments, thephotographs transform fashion into high art. The book is both an homage and amemorial; this celebration of McQueen’s vast, unique talent is also a eulogyfor his tragic loss.†? — “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969†“2010).†? —Wall Street Journal “Lush, previously unpublished backstage photographs from many of the late designer’s provocative fashion shows.†?—The Los Angeles Times “The kinetic color and black-and-white photographs document the fantastical, shocking spectacle of a McQueen show in action: hairdos trussed up with birds of prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrial cheek prostheses. The images are sensual, spooky, and whimsical, playing up the drama of McQueen’s vision; like one of the designer’s fabulous garments, the photographs transform fashion into high art. The book is both an homage and a memorial; this celebration of McQueen’s vast, unique talent is also a eulogy for his tragic loss.†? —Publishers Weekly “Love Looks Not with the Eyes document[s] the intense work and equally intense emotions that played out behind the scenes of McQueen’s poetic, passionate, and provocative shows. . . . The intimacy is evident in the pictures.†? —Vogue “The haunting images offer a rarefied glimpse into the designer’s inner world.†? —Harper’s Bazaar “Deniau, in the process of documenting 26 McQueen presentations, captured images which, too, transcend photography—matching the decadent and grand world created by the hands of McQueen.†? —Time.com “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969†“2010).†? —Wall Street Journal /div