Stemming from the Desiring God 2009 National Conference, Julius Kim, Douglas Wilson, Marvin Olasky, Mark Talbot, Sam Storms, and John Piper invite us to sit with Calvin in the theater of God, marveling at his glory.

John Calvin saw this world as God's theater where his glory is always on display. Just as "day and night pour forth speech," the universe and history are not silent either; they tell the glory of God. Reflecting on over 500 years of Calvin's legacy, John Piper and this book's other contributors invite us to join Calvin in the theater of God. Stemming from the Desiring God 2009 National Conference, this volume includes chapters by Julius Kim, Douglas Wilson, Marvin Olasky, Mark Talbot, Sam Storms, and John Piper. It touches on topics such as Calvin's life, the Christian meaning of public life, sin and suffering, the joy of the last resurrection, and Jesus Christ as the dénouement of God's story. Editors John Piper and David Mathis, along with the contributors, make John Calvin's Christ-exalting perspective on the glory of God accessible to today's readers. Both Calvinists and other evangelicals interested in the life and work of Calvin will find these essays refreshing and instructive, leading to a robust understanding of the world as the theater of God.

A theological framework for the liturgical arts rooted in John Calvin Both detractors and supporters of John Calvin have deemed him an enemy of the physical body, a pessimist toward creation, and a negative influence on the liturgical arts. But, says W. David O. Taylor, that only tells half of the story. Taylor examines Calvin's trinitarian theology as it intersects his doctrine of the physical creation in order to argue for a positive theological account of the liturgical arts. He does so believing that Calvin's theology can serve, perhaps surprisingly, as a rich resource for understanding the theological purposes of the arts in corporate worship. Drawing on Calvin's Institutes, biblical commentaries, sermons, catechisms, treatises, and worship orders, this book represents one of the most thorough investigations available of John Calvin's theology of the physical creation—and the promising possibilities it opens up for the formative role of the arts in worship.

This volume outlines a Christian theology that takes worship as its basic framework, as the occasion of not only an approach toward God in piety but also separation from God in sin. Drawing on Luther, Calvin, and especially Karl Barth, Matthew Myer Boulton builds a Reformed liturgical theology, maintaining that the God of Jesus Christ is a "God against religion," one who saves human beings from religion by entering it, transforming it, and ultimately ending it.

An extensive study of Calvin's theology of the natural order exploring five key themes: providence, angels, the image of God, societal life, and the redemption of creation.

In this careful study of John Calvin's Institutes of the Christian Religion, Reformed theologian Yudha Thianto sets Calvin's writings in their historical context and outlines the significant aspects of his theology for those who would know more about Calvin's works and through it, the God who inspired them.

John Calvin saw this world as God's theater where his glory is always on display. Just as "day and night pour forth speech," the universe and history are not silent either; they tell the glory of God. Reflecting on over 500 years of Calvin's legacy, John Piper and this book's other contributors invite us to join Calvin in the theater of God. Stemming from the Desiring God 2009 National Conference, this volume includes chapters by Julius Kim, Douglas Wilson, Marvin Olasky, Mark Talbot, Sam Storms, and John Piper. It touches on topics such as Calvin's life, the Christian meaning of public life, sin and suffering, the joy of the last resurrection, and Jesus Christ as the dénouement of God's story. Editors John Piper and David Mathis, along with the contributors, make John Calvin's Christ-exalting perspective on the glory of God accessible to today's readers. Both Calvinists and other evangelicals interested in the life and work of Calvin will find these essays refreshing and instructive, leading to a robust understanding of the world as the theater of God.