Combining spirited and philosophical conversations, biographical anecdotes, citations from poetry, and literary analysis, this is a poignant portrait of Jorge Luis Borges in his later years. It presents the poet-storyteller as a figure of paradox and contradictions.

"The face of Borges most widely known is that of the blind, patrician man of letters in whose writings emotion is subjected to the play of ideas. Yet Borges, born in Buenos Aires in 1899, did not become virtually blind until the 1950s, and in the decades before this affliction and before his books were widely translated and internationally celebrated, he wrote, loved and engage in local polemics with adventurous passion." "In Jorge Luis Borges, Jason Wilson explores Borges' tumultuous early life in the streets and cafes of Buenos Aires and charts his literary friendships, love affairs and travels. Borges claimed never to have invented a character: 'It's always me, subtly disguised.' Illuminating the connections running between the biography and the fictions, Wilson reminds us that Borges was always a poet whose life was recreated in his work - but never in confessional ways - and restores his Argentine roots. This book will be an invaluable resource for all who treasure the modern master."--BOOK JACKET.

The acclaimed author of García Márquez delivers “a compulsively readable account of the life and works of our greatest . . . writer of fantasy” (New York Daily News). Since its first publication in 1981, Borges and His Fiction has introduced the life and works of this Argentinian master-writer to an entire generation of students, high school and college teachers, and general readers. Responding to a steady demand for an updated edition, Gene H. Bell-Villada has significantly revised and expanded the book to incorporate new information that has become available since Borges’ death in 1986. In particular, he offers a more complete look at Borges and Peronism and Borges’ personal experiences of love and mysticism, as well as revised interpretations of some of Borges’ stories. As before, the book is divided into three sections that examine Borges’ life, his stories in Ficciones and El Aleph, and his place in world literature. “Of the scores of Borges studies by now published in English, Bell-Villada’s excellent book stands out as one of the freshest and most generally helpful . . . Lay readers and specialists alike will find his book a valuable and highly readable companion to Ficciones and El Aleph.” —Choice

The most European of South American cities, Buenos Aires evokes exile and nostalgia. A nineteenth-century replica of Paris or Madrid set adrift in an alien continent, its identity is neither of the Old World nor the New. The citys rootlessness has famously found expression in the melancholy of tango and, more recently, in a vogue for psycho-analysis even more widespread than New Yorks.

Sarah Roger investigates Jorge Luis Borges's development as an author in light of Franz Kafka's influence, and in consideration of Borges's relationship with his father, a failed author. She explores how reading Kafka helped Borges mediate and make productive use of his own relationship with his father.

The traditional view of Samuel Johnson has been that of a reactionary conservative. Although many have worked to undermine this stereotype, perhaps enough remains to claim Johnson as a representative of modernity. This book aims to demonstrate that Johnson is a figure of modernity, one with an appeal many modernist writers found irresistible.

In Reclaiming Unlived Life, influential psychoanalyst Thomas Ogden uses rich clinical examples to illustrate how different types of thinking may promote or impede analytic work. With a unique style of "creative reading," the book builds upon the work of Winnicott and Bion, discussing the universality of unlived life and the ways unlived life may be reclaimed in the analytic experience. The book examines the role of intuition in analytic practice and the process of developing an analytic style that is uniquely one’s own. Ogden deals with many forms of interplay of truth and psychic change, the transformative effect of conscious and unconscious efforts to confront the truth of experience and how psychoanalysts can understand their own psychic evolution, as well as that of their patients. Reclaiming Unlived Life sets out a new way that analysts can understand and use notions of truth in their clinical work and in their reading of the work of Kafka and Borges. Reclaiming Unlived Life: Experiences in Psychoanalysis will appeal to psychoanalysts and psychoanalytic psychotherapists, as well as postgraduate students and anybody interested in the literature of psychoanalysis.