[With Bonus Episode !] Including 4 special pages of additional story.Rafe, a businessman based in New York, had received a request from his Italian father. Go to Sicily, meet someone against whom his father had committed a sin and marry that man’s daughter. Surprisingly his usually arrogant father wasn’t ordering him, but asking him! Feeling bound to help, Rafe headed to Sicily but was attacked by a suspicious couple on his way there. When he turned the tables and subdued them, he discovered that they were an old man and a woman so beautiful she made him gasp! Swayed by her beauty, Rafe ended up kissing her before he knew what he was doing!

At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.

Keely can’t believe her own eyes. A new client introduced by her boss is the very person she yelled at over the phone the other day. She can’t absolutely tell anyone about having screamed at this psychologist, Lachlan, on his radio show! Because of her own personal reason, marriage isn’t part of her life plan and her goal is to be successful as a web designer. She’s unsure if he knows about her, but he takes her out and seduces her. If she isn’t careful, he may see through her soul.

This book reveals for the first time the import of a huge network of connections between Tennessee Williams and the country closest to his heart, Italy. America's most thought-provoking playwright loved Italy more than any other country outside the US and was deeply influenced by its culture for most of his life. Anna Magnani's film roles in the 1940s, Italian Neo-realist cinema, the theatre of Eduardo De Filippo, as well as the actual experience of Italian life and culture during his long stays in the country were some of the elements shaping his literary output. Through his lover Frank Merlo, he also had first-hand knowledge of Italian-American life in Brooklyn. Tracing the establishment of his reputation with the Italian intelligentsia, as well as with theatre practitioners and with generations of audiences, the book also tells the story of a momentous collaboration in the theatre, between Williams and Luchino Visconti, who had to defy the unceasing control Italian censorship exerted on Williams for decades.

Intellectually stimulating and a pleasure to read, these essays offer new insights and are essential reading for those who wish to understand fully our national cinema.

Featuring essays by top scholars and interviews with acclaimed directors, this book examines Italian women's authorship in film and their visions of reality. The contributors use feminist film criticism in the analysis of their works and give direct voices to the artists who are constantly excluded by the conventional Italian film criticism.