This tongue-in-cheek dictionary of Southern words and phrases offers a hilarious spoof of the Southern accent. This book is dedicated to all Yankees* in the hope that it will teach them how to talk right. *Yankee: Anyone who is not from Kentucky, Virginia, Tennessee, North Carolina, South Carolina, Georgia, Florida, Mississippi, Alabama, Louisiana, Arkansas, Texas, and possibly Oklahoma and West-by-God-Virginia. A Yankee may become an honorary Southerner, but a Southerner cannot become a Yankee, assuming any Southerner wanted to.

Are you considered a "dingbatter," or outsider, when you visit the Outer Banks? Have you ever noticed a picture in your house hanging a little "sigogglin," or crooked? Do you enjoy spending time with your "buddyrow," or close friend? Drawing on over two decades of research and 3,000 recorded interviews from every corner of the state, Walt Wolfram and Jeffrey Reaser's lively book introduces readers to the unique regional, social, and ethnic dialects of North Carolina, as well as its major languages, including American Indian languages and Spanish. Considering how we speak as a reflection of our past and present, Wolfram and Reaser show how languages and dialects are a fascinating way to understand our state's rich and diverse cultural heritage. The book is enhanced by maps and illustrations and augmented by more than 100 audio and video recordings, which can be found online at talkintarheel.com.

Featuring the work of sixty artists and including 300 illustrations, the catalog Southern Accent accompanies a major contemporary art exhibition that questions and explores the complex and contested space of the American South. This unprecedented exhibition investigates the many realities, fantasies, and myths of the South that have long captured the public's imagination, while presenting a wide range of perspectives that create a composite portrait of southern identity through contemporary art. It looks at the South as an open-ended question and concept in itself by encompassing a broad spectrum of media and approaches, demonstrating that southernness is more of a shared sensibility than any one definable culture or style. While the exhibition includes artwork from the 1950s to the present, it primarily focuses on the past thirty-five years. With numerous contributions by artists, scholars, musicians, and poets, a music-listening library, and a timeline of scholarship on southern art, this catalog redefines the way we look at the South in contemporary art. Southern Accent will be on display at the Nasher Museum of Art at Duke University from September 1, 2016 to January 8, 2017 and at the Speed Art Museum in Louisville, Kentucky, from April 29, 2017, to August 20, 2017. Contributors. Diego Camposeco, Mel Chin, Brittney Cooper, John T. Edge, William Fagaly, Carter Foster, Brendan Greaves, Harrison Haynes, Patterson Hood, Miranda Lash, Ada Limón, Mark Anthony Neal, Catherine Opie, Fahamu Pecou, Richard J. Powell, Tom Rankin, Dario Robleto, Trevor Schoonmaker, Bradley Sumrall, Natasha Trethewey, Kara Walker, Jeff Whetstone Selected Artists: Walter Inglis Anderson, Benny Andrews, Radcliffe Bailey, Romare Bearden, Sanford Biggers, Mel Chin, William Christenberry, Robert Colescott, William Cordova, Thorton Dial, Sam Durant, William Eggleston, Minnie Evans, Howard Finster, Theaster Gates, Jeffrey Gibson, Deborah Grant, Barkley L. Hendricks, James Herbert with R.E.M., Birney Imes, George Jenne, Deborah Luster, Kerry James Marshall, Jing Niu, Tameka Norris, Catherine Opie, Gordon Parks, Ebony G. Patterson, Dario Robleto, Xaviera Simmons, Jimmy Lee Sudduth, Hank Willis Thomas, Kara Walker, Andy Warhol, Carrie Mae Weems Publication of the Nasher Museum of Art at Duke University

It's almost midnight, bitterly cold, snowing, when a beautiful young girl, Tabitha Willard, throws herself off the Walnut Street Bridge into the icy waters of the Tennessee. Harry Starke is there, on the bridge. Wrong time, wrong place? Maybe. He tries, but is unable to stop her. Thus begins a series of events and an investigation that involves a local United States congressman, a senior lady senator from Boston, a local crime boss, several very nasty individuals, sex, extortion, high finance, corruption, and three murders. Harry has to work his way through a web of deceit and corruption until finally.... Well, as always, there's a twist in the tale, several in fact. Harry Starke is a big fish in a small pond. He's a tough individual with a past and a conscience. He has friends in high places. He's single, successful, wealthy, a womanizer, well educated, and he will hurt you if he needs to. This is the first book in the series of Harry Starke novels.

The English of the southern United States is possibly the most studied of any regional variety of any language because of its rich internal diversity, its distinctiveness among regional varieties in the United States, its significance as a marker of regional identity, and the general folkloric appeal of southern culture. However, most, if not all, books about Southern American English have been directed almost exclusively toward scholars already working in the field. This 2003 volume, written by a team of experts, many of them internationally known, provides a broad overview of the foundations of and research on language variation in the southern United States designed to invite inquiry and inquirers. It explores historical and cultural elements, iconic contemporary features, and changes in progress. Central themes, issues and topics of scholarly investigation and debate figure prominently throughout the volume. The extensive bibliography will facilitate continued research.

A bestselling linguist takes us on a lively tour of how the English language is evolving before our eyes -- and why we should embrace this transformation and not fight it Language is always changing -- but we tend not to like it. We understand that new words must be created for new things, but the way English is spoken today rubs many of us the wrong way. Whether it’s the use of literally to mean “figuratively” rather than “by the letter,” or the way young people use LOL and like, or business jargon like What’s the ask? -- it often seems as if the language is deteriorating before our eyes. But the truth is different and a lot less scary, as John McWhorter shows in this delightful and eye-opening exploration of how English has always been in motion and continues to evolve today. Drawing examples from everyday life and employing a generous helping of humor, he shows that these shifts are a natural process common to all languages, and that we should embrace and appreciate these changes, not condemn them. Words on the Move opens our eyes to the surprising backstories to the words and expressions we use every day. Did you know that silly once meant “blessed”? Or that ought was the original past tense of owe? Or that the suffix -ly in adverbs is actually a remnant of the word like? And have you ever wondered why some people from New Orleans sound as if they come from Brooklyn? McWhorter encourages us to marvel at the dynamism and resilience of the English language, and his book offers a lively journey through which we discover that words are ever on the move and our lives are all the richer for it.