A sci-fi classic returns to print in its true, best, and original form! With renewed interest in Alexander Key's extraordinary 1968 novel, fans can dive into Escape to Witch Mountain as it was meant to be read. The powerful, thrilling story of Tony and Tia—twins joined by their paranormal gifts, on the run from evil forces that seek to suppress their forgotten pasts—is more gripping and relevant than ever. Praise for Escape to Witch Mountain: "Action, mood, and characterization never falter in this superior science fiction novel..."—Library Journal "Fantasy, science fiction, mystery, adventure—the story is all of these, with enough suspense and thrills to keep young readers glued to its pages from first to last."—Book World "Fascinating science fiction."—Elementary School Library Collection, Bro-Dart Foundation

Welcome to Witches Mountain. Streetwise Rick Johnson takes a detour suggested by a strange hillbilly, forcing him to leave the trusted highway and onto a virtually unknown mountain road. This leads him to the Black Mountain, a part of the world he has never before visited. The path of his journey challenges everything he thinks he knows of the world. Who would ever contemplate traveling back into the history of a mountain and its people? Who would expect to meet and talk to people long dead or nearly get himself killed by a phantom truck or come face-to-face with unworldly creatures intent on tasting his blood? Then there is his experience of a supernatural cleansing inferno. How can he deal with traveling back and forth in time without going just a little crazy? Maybe its Kate, the beautiful green-eyed blonde in the old township who makes it possible, or is it the influence of the Spirit of Good on the mountain in its battle with the evil forces there? What is all the talk of a direct line of females since the seventeenth century who have the Talent, and does the lovely Kate have it too? Who is Granma Roberta? What has she to do with things? Is there really a contact back to Salem? Things soon become apparent as to why Rick finds himself on The Mountain, as its residents reverentially refer to it. To the distant valley dwellers, it is known as something rather more mysterious: Witches Mountain.

Mountain Witches is a comprehensive guide to the complex figure of yamauba—female yōkai often translated as mountain witches, who are commonly described as tall, enigmatic women with long hair, piercing eyes, and large mouths that open from ear to ear and who live in the mountains—and the evolution of their roles and significance in Japanese culture and society from the premodern era to the present. In recent years yamauba have attracted much attention among scholars of women’s literature as women unconstrained by conformative norms or social expectations, but this is the first book to demonstrate how these figures contribute to folklore, Japanese studies, cultural studies, and gender studies. Situating the yamauba within the construct of yōkai and archetypes, Noriko T. Reider investigates the yamauba attributes through the examination of narratives including folktales, literary works, legends, modern fiction, manga, and anime. She traces the lineage of a yamauba image from the seventh-century text Kojiki to the streets of Shibuya, Tokyo, and explores its emergence as well as its various, often conflicting, characteristics. Reider also examines the adaptation and re-creation of the prototype in diverse media such as modern fiction, film, manga, anime, and fashion in relation to the changing status of women in Japanese society. Offering a comprehensive overview of the development of the yamauba as a literary and mythic trope, Mountain Witches is a study of an archetype that endures in Japanese media and folklore. It will be valuable to students, scholars, and the general reader interested in folklore, Japanese literature, demonology, history, anthropology, cultural studies, gender studies, and the visual and performing arts.

Isabel liked the way her life was, not looking for a change. Though life seems to have something else in mind as dark magic starts flying throughout the air. As the storm of battle rattles on, it takes a unique plan to get the village out of the witches' line of sight. All the while trying to keep the secrets of her little cabin. Suddenly responsible for more than she would have ever thought, her quiet life seems to be rocked more than the shaking ground. Damien has come to offer aid once he heard about the attack of dark witches. Only to find himself surrounded by children and tripping over his feet, waiting to get the attention of one little she-wolf that had more secrets under her skin than anyone knew. Trying to win the battle for the mountains and win over Isabel seems to be a harder task than he would have thought. Fighting magic with magic seems to be the only option. Though Isabel has to find the courage to show her own powers and admit who she was, she couldn't hide behind the walls she built around herself. As the dark magic tries to destroy everything in its path, the wolves find themselves outnumbered as lightning bolts rain down around them. The only way out seems to be the sprits of the warriors that had once faced these powers from beyond. Though are the spirits going to answer the call? Or is the pack on its own? With spells flying throughout the air, the only hope is the anger of the spirits and the strength of the trees to hold out with assaults. As the smoke clears, Isabel finds herself standing there, realizing everything had come to an end. Well, the celebration is going on. Isabel and Damien know saying goodbye isn't an option. He accepts her the way she is.

This collection of seventeen essays by James R. Hightower and Florence Chia-ying Yeh contains three chapters on shih poetry, ten chapters on Sung tz'u, and four chapters on the works of Wang Kuo-wei. It includes ten previously unpublished works, including Hightower's now classic work on T'ao Ch'ien and Yeh's studies of Subg tz'u, as well as seven important additions to the literature on Chinese poetry. The essays treat individual poets, particular poetic techniques (for example, allusion), and general issues of period style and poetry criticism. The previoulsy published items have been updated to include the Chinese texts of all poems presented in translation. Although authored separately by Professors Hightower and Yeh, the essays presented here are the result of theor thirty years of collaboration in working on Chinese poetry. Through close readings of individual texts, the two authors explicate the stylistic and psychological components of the work of the poets they study and present compelling interpretations of their poems.

This anthology is a book-length study of China's ecosystem through the lens of cinema. Proposing 'ecocinema' as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world.