The Salem Witch Trials, 1692 is the setting for this investigation into a few of the actual cases. The author offers the readers the opportunity to thoroughly examine all the existing written evidence against just four of the accused families and learn everything possible about the witnesses and accusers necessary for investigating their trials. As in any criminal investigation, the reader will find more than suspicion of greed, anger, decades old vengeance and misunderstanding as the basis for accusation and motive. The fingerprints of the religious hands are all over the intense fervor of the community as well as on the judges’ misunderstanding and mishandling of the trials. The reader will also find the apparent abuse of young minds by certain adults as the means in order to set the stage for this travesty. The most disturbing thing you will find is the religious justification for all of it.

This book discusses the role of children in the Salem witch trials through a close reading of the many and varied narratives of the trials, including court records, contemporary and historical documents, fiction, drama, and poetry. Taking a critical theory approach to explore both what we might understand as a child in 1692 New England and to consider our adult investment in reading the child, Kristina West explores narratives of the afflicted girls and the many accused children whom are often absent or overlooked in histories, and considers how the trial structure is continually repeated in attempts to establish the respective guilt and innocence of these and other groups. This book also analyses later manuscripts and fictional rewritings of the trials to question the basis on which assumptions about the child in history are made, and to consider why such narratives of Salem’s children are still relevant now.

Turning an eye to a relatively unknown witchcraft trial in Stamford, Connecticut, Godbeer pens a gripping narrative that captures the mindset of colonial New England.

Tells the story of the victims, the accused witches, and the scheming officials that turned a mysterious illness into a witch hunt.

CARAF Books: Caribbean and African Literature Translated from FrenchThis book has been supported by a grant from the National Endowment for the Humanities, an independent federal agencY

Isabel Sterling's gripping sequel to These Witches Don't Burn is equal parts sweet romance and thrilling mystery. Hannah Walsh just wants to finish high school. It’s her senior year, so she should be focusing on classes and hanging out with her new girlfriend, Morgan. But it turns out surviving a murderous Witch Hunter doesn’t exactly qualify as a summer vacation, and now the rest of the Hunters seem more intent on destroying her magic than ever. Of course, Hannah knows a thing or two about juggling romance and recon missions, so when she learns the Hunters have armed themselves with a serum capable of taking out entire covens at once, she doesn’t think twice about helping. Hannah could be the best shot at finally defeating the Hunters. After all, she’s one of the only Witches to escape a Hunter with her magic intact. Or so everyone believes… As the Hunters get dangerously close to their final target, and Hannah is at risk of losing everything she’s ever known, will all the witches in Salem be enough to stop an enemy determined to destroy magic for good?

The Pulitzer Prize-winning author of Cleopatra, the #1 national bestseller, unpacks the mystery of the Salem Witch Trials. It began in 1692, over an exceptionally raw Massachusetts winter, when a minister's daughter began to scream and convulse. It ended less than a year later, but not before 19 men and women had been hanged and an elderly man crushed to death. The panic spread quickly, involving the most educated men and prominent politicians in the colony. Neighbors accused neighbors, parents and children each other. Aside from suffrage, the Salem Witch Trials represent the only moment when women played the central role in American history. In curious ways, the trials would shape the future republic. As psychologically thrilling as it is historically seminal, The Witches is Stacy Schiff's account of this fantastical story -- the first great American mystery unveiled fully for the first time by one of our most acclaimed historians.