The fifth installment in the beloved Fairy Tale Reform School series where the teachers are (former) villains Be careful what you wish for... With big-time villains Rumpelstiltskin and Alva still on the loose and the citizens of Enchantasia on high alert, things at Fairy Tale Reform School have been a little...stressed. So when Maxine finds an old lamp that turns out to house an overly-enthusiastic genie, she knows exactly what to do; wish for everyone to be happy! But the wish has some unexpected consequences...suddenly, ex-villains are singing, trolls and ogres are getting along, and the whole school is more focused on putting on a musical than figuring out how to deal with Rumpelstiltskin. Can Gilly help Maxine break the spell before it's too late? This series is perfect for read-alongs between parents and kids and engaging reluctant readers.

"A coin for passage to your heart's desire," says Agnes, Guardian of the Wishing Well in the village of Bishop Mayne. "That is the first rule." But Nuria doesn't think she needs a wish. Wishing on the Well is dangerous. Wishes often go wrong. That's why there are no other children around. A wish-gone-wrong took them all away. But now, because her grandfather, the Avy, has wished for them to come back, Nuria is sure that the one thing she wants -- a friend her own age -- will soon be there. "One wish each lifetime," says Agnes. "One cycle of the moon to repent and call it back. That is the second rule." Only a fool would make a wish that needs to be called back, Nuria thinks. But that's before she meets Catty Winter, who cannot walk, whose legs are mysteriously crippled. "Make a wish for me," Catty pleads. And Nuria is tempted. But what if the wish goes wrong? "And for that cycle of the moon your lips are locked in this: To no one may you speak of your wish. To no one but to me, for your wish is my wish too. That is the third rule." Nuria has given little thought to the third rule. But there come moments when she wishes it did not exist. The Wishing Well, she is trickier than anyone has known. The Wishing Well in Bishop Mayne has a mind of its own and creates problems for all who try to use its power. Few have gotten anything but misery from it. Knowing this, however, does not keep Nuria, in a time of dire need, from trying to accomplish what few others have managed. Beauty and greed, warmth and cold, walk hand in hand in this unusual fantasy to create an adventure filled with friendship, challenge, and the magic of love.

“I started writing books about and for my friend George Miles because whenever I would speak about him honestly like I am doing now I felt a complicated agony beneath my words that talking openly can’t handle.” For most of his life, Dennis Cooper believed the person he had loved the most and would always love above all others was George Miles. In his first novel in ten years, Dennis Cooper writes about George Miles, love, loss, addiction, suicide, and how fiction can capture these things, and how it fails to capture them. Candid and powerful, I Wished is a radical work of shifting forms. It includes appearances by Santa Claus, land artist James Turrell, sentient prairie dogs, John Wayne Gacy, Nick Drake, and George, the muse for Cooper’s acclaimed novels Closer, Frisk, Try, Guide, and Period, collectively known as “The George Miles Cycle.” In revisiting the inspiration for the Cycle, Dennis has written a masterwork: the most raw, personal, and haunted book of his career.

"Mama," said Barley. "Tell me again how I'm your wish come true."Thus begins this beautiful story for adoptive families. I Wished for You: An Adoption Story follows a conversation between a little bear named Barley and his Mama as they curl up in their favorite cuddle spot and talk about how they became a family. Barley asks Mama the kinds of questions many adopted children have, and Mama lovingly answers them all. With endearing prose and charming watercolor illustrations, I Wished for You is a cozy read that affirms how love is what truly makes a family.

“I started writing books about and for my friend George Miles because whenever I would speak about him honestly like I am doing now I felt a complicated agony beneath my words that talking openly can’t handle.” For most of his life, Dennis Cooper believed the person he had loved the most and would always love above all others was George Miles. In his first novel in ten years, Dennis Cooper writes about George Miles, love, loss, addiction, suicide, and how fiction can capture these things, and how it fails to capture them. Candid and powerful, I Wished is a radical work of shifting forms. It includes appearances by Santa Claus, land artist James Turrell, sentient prairie dogs, John Wayne Gacy, Nick Drake, and George, the muse for Cooper’s acclaimed novels Closer, Frisk, Try, Guide, and Period, collectively known as “The George Miles Cycle.” In revisiting the inspiration for the Cycle, Dennis has written a masterwork: the most raw, personal, and haunted book of his career.

Ed and his sister Roo are faced with the most boring half-term holiday in history: five days spent in the company of their elderly neighbour Miss Filey, and her ancient, smelly cat. But when they find a box of birthday candles in a cupboard in Miss Filey's house, their world is changed completely. These are no ordinary candles, every single one of them comes with a wish.There's only one problem: some of those wishes actually belong to someone else . . .

The Wished For Country is set during the founding of the Maryland colony in the mid-seventeenth century. It traces the entwined lives of James Hallam, a carpenter and indentured servant; Ezekiel, an African slave brought to Maryland from Barbados; and Tawzin, a Piscataway Indian, kidnapped to England when a child, and now back in America. While Hallam goes on to become a soldier and a player in the politics of the Maryland colony, Ezekiel and Tawzin become the center of an outcast group of Blacks, poor whites, and Native Americans, who find themselves striving to reinvent themselves and their world. The stories of these three men, the women who love them, and the community they form, bring to vivid life the experiences of those who came to America pulled by a dream of what could be shaped from an emptiness that embodied promise, of those who were unwillingly brought to be the instruments of that dream, and of those who saw the shape of their world forever changed by the coming of the Europeans.