A restatement of Aquinas's natural theology that takes account of the controversies in which Maritain, Gilson, and Rahner engaged has been badly needed for quite some time. So has an extended and creative reply to Heidegger's accusations of ontotheology. To have met both needs in one book is an impressive and unexpected achievement. This book should become a focus for discussions within and about Thomism from now on. -Alasdair Macintyre, University of Notre Dame

The Light of Christ provides an accessible presentation of Catholicism that is grounded in traditional theology, but engaged with a host of contemporary questions or objections. Inspired by the theologies of Iranaeus, Thomas Aquinas and John Henry Newman, and rooted in a post-Vatican II context, Fr. Thomas Joseph White presents major doctrines of the Christian religion in a way that is comprehensible for non-specialists: knowledge of God, the mystery of the Trinity, the Incarnation and the atonement, the sacraments and the moral life, eschatology and prayer. At the same time, The Light of Christ also addresses topics such as evolution, the modern historical study of Jesus and the Bible, and objections to Catholic moral teaching. Touching on the concerns of contemporary readers, Fr. White examines questions such as whether Christianity is compatible with the findings of the modern sciences, do historical Jesus studies disrupt or confirm the teaching of the faith, and does history confirm the antiquity of Catholic claims. This book serves as an excellent introduction for young professionals with no specialized background in theology who are interested in learning more about Catholicism, or as an introduction to Catholic theology. It will also serve as a helpful text for theology courses in a university context. As Fr. White states in the book’s introduction: “This is a book that offers itself as a companion. I do not presume to argue the reader into the truths of the Catholic faith, though I will make arguments. My goal is to make explicit in a few broad strokes the shape of Catholicism. I hope to outline its inherent intelligibility or form as a mystery that is at once visible and invisible, ancient and contemporary, mystical and reasonable.”

This vigorous and incisive critique of modernity lights the path to recovering the revitalizing heritage of classical Christianity.

The Incarnate Lord, then, considers central themes in Christology from a metaphysical perspective. Particular attention is given to the hypostatic union, the two natures of Christ, the knowledge and obedience of Jesus, the passion and death of Christ, his descent into hell, and resurrection. A central concern of the book is to argue for the perennial importance of ontological principles of Christology inherited from patristic and scholastic authors. However, the book also seeks to advance an interpretation of Thomistic Christology in a modern context. The teaching Aquinas, then, is central to the study, but it is placed in conversation with various modern theologians, such as Karl Barth, Karl Rahner and Hans Urs von Balthasar. Ultimately the goal of the work is to suggest how traditional Catholic theology might thrive under modern conditions, and also develop fruitfully from engaging in contemporary controversies.

Taking as his starting point the collapse of the medieval world, Gillespie argues that from the very beginning moderns sought not to eliminate religion but to support a new view of religion and its place in human life- and that they did so not out of hostility but in order to sustain certain religious beliefs. He goes on to explore the ideas of such figures as William of Ockham, Petrarch, Erasmus, Luther, Descartes, and Hobbes, showing that modernity is best understood as the result of a series of attempts to formulate a new and coherent metaphysics or theology.

This study offers a theological analysis of, and response to, the modern world, and is at once a theology of culture and of creation. In the first half of the book, Gunton expounds some of the distinctive and often contradictory features of modern culture. It emerges that modern culture, far from being unique in its difficulties, reflects similar inadequacies in ancient thought. The distinctive pathos of modernity is to be found in one unique feature, namely the displacement of God that is a mark of all realms of life. The roots of the problem are sought beyond the Enlightenment, where they are often located, in the combination of platonism and Christian theology which dominated medieval Christian thought. At the heart of the matter is a deficient - because of an inadequately trinitarian - understanding of creation and creation's God. The second half of the book develops a powerful theology of creation where due weight can be given to both universal and particular, both society and the individual.

DIVAn analysis of Western attitudes toward war from a subaltern perspective that brings new insights into Western philosophical paradigms. /div