Consists of the text of the WIPO Copyright Treaty (1996), and the relevant provisions of the Berne Convention (1971).

Consists of the text of the WIPO Performances and Phonograms Treaty (1996), and the relevant provisions of the Berne Convention (1971) and of the Rome Convention (1961).

This work is the leading guide to the WIPO Copyright Treaty (WCT), the WIPO Performances and Phonograms Treaty (WPPT), and the Beijing Treaty on Audiovisual Performances and includes a chapter on the Marrakesh Treaty of 2013. More than ten years have passed since the entry into force of the WCT and the WPPT. This revised commentary on the treaties reflects on the impact of their implementation and illustrates how they have come to be applied in different ways in particular through national legislation. It gives a detailed analysis of the development and meaning of all articles of these treaties and integrates current debates on copyright and neighbouring rights protection in the digital age. Written by two leading experts in copyright law, both closely involved in the evolution of the treaties and their implementation into national and EU law, this work is the definitive guide to the recently adopted international copyright treaties.

This booklet provides an introduction for newcomers to the subject of copyright and related rights. It explains the fundamentals underpinning copyright law and practice, and describes the different types of rights which copyright and related rights law protects, as well as the limitations on those rights. It also briefly covers transfer of copyright and provisions for enforcement.

Nobody denies that the traditional territorial approach to copyright and other intellectual property rights has come under pressure. Yet it persists. Faced with the need to determine the applicable law in cross-border cases, lawyers everywhere wrestle with the implications of the territorial nature of copyright and related rights. In this book Mireille van Eechoud clears the way to the formulation of conflict rules that reflect the purpose of copyright law- to protect creators and stimulate the production and use of information- without reverting to old-fashioned notions of territoriality. She shows how the applicable law can be determined for four distinct legal avenues of intellectual property law: Which exclusive rights exist in an intellectual creation and for how long; Who is considered to own such right; How can these rights be transferred; and What continues infringement of copyright and related rights. Mireille van Eechoud shows how, when each of these questions is approached in the light of the different allocation principles used in modern choice of law, a new clarity begins to emerge that promises in time to build a set of conflict rules well suited to the unprecedented copyright and related rights issues that we find so difficult to resolve today. Her in-depth analysis draws in the classis multilateral conventions and treaties, underlying policies, technological and economic developments, utilitarian grounds versus justice considerations, and issues of infringement in the digital environment. INFORMATION LAW SERIES 12.

Consists of the text of the WIPO Copyright Treaty (1996), and the relevant provisions of the Berne Convention (1971).

The aim of this Guide is to present, as simply and clearly as possible, the contents of the Berne Convention and to provide a number of explanations as to its nature, aims and scope.