In a world where humans do not exist, dark magick has been used to bring an early winter down upon the land. It falls to a young Water Nix named Avari to seek out the source of this magick and put a stop to it. As his journey progresses, he encounters a myriad of other beings, some friends, some notâ¦

This facsimile edition collects all 19 issues of 'Art-Rite' magazine, edited by art critics Walter Robinson and Edit DeAk from 1973 to 1978. Robinson, DeAk and a third editor, Joshua Cohn, met as art history students at Columbia University, and were inspired to found the magazine by their art criticism teacher, Brian O'Doherty. 'Art-Rite', cheaply produced on newsprint, served as an important alternative to the established art magazines of the period. 'Art-Rite' ran for only five years, and published only 19 issues. But in that time the magazine featured contributions from hundreds of artists, a list that now reads like a who's-who of 1970s art: Yvonne Rainer, Gordon Matta-Clark, Alan Vega (Suicide), William Wegman, Nancy Holt, Jack Smith, Dorothea Rockburne, Robert Morris, Adrian Piper, Laurie Anderson, Carolee Schneemann and Carl Andre; critics such as Lucy Lippard contributed writing. Through its single-artist issues and its thematic issues on performance, video and artists' books, 'Art-Rite' championed the new art of its era.

After seven hundred thousand years underground, a tribe emerges to a frozen Earth, in this novel from the Hugo and Nebula Award–winning author. The time of falling death stars ushered in the Long Winter—eons of cold that caused plants and animals to vanish from Earth and drove people to take refuge in underground cocoons. Human ingenuity had never faced a greater challenge. For seven hundred thousand years, generation after generation was born and died below the Earth’s surface. But now, one small tribe is sensing change. Chieftain Koshmar is sure that the New Springtime is near, so she leads her people above ground to explore the new world that awaits. The unfamiliar Earth, still a frozen shell of its former self, will test their mettle in every way, leading the people of the tribe to the brink of their destiny—or to their doom. At Winter’s End is the first book of the New Springtime series, which continues with The Queen of Springtime. This ebook features an illustrated biography of Robert Silverberg including rare images and never-before-seen documents from the author’s personal collection.

Let the Wild Hunt begin! Tortured. Broken. Laurence and Quentin need time to heal. A layover in New York offers just that, but then Quentin vanishes in the worst blizzard the city has ever seen, and all Laurence’s Hunter gifts aren’t enough to track him down. Two gods have warred for centuries. One is trapped in Manhattan, and needs Laurence’s aid if he’s to continue his vendetta. The other is confined to Annwn, the Land of the Dead. He needs Quentin’s help if he’s to win once and for all. Unlike gods they’ve encountered before, these ones aren’t frail. Not even close. But there really can be only one, and Laurence must fight to save Quentin before they both get trampled into dust. He can’t do it alone.

This book is a fascinating exploration of one of the four cycles in the ancient Etruscan system known as the saecula. Winter is the final cycle of endings before the time of renewal and rebirth. With hands-on exercises and rituals, author Jo Graham invites you to find the spirit of heroism within as you transform your life and soul in this challenging era. Building on the foundation that was established in The Great Wheel, this book reveals how the energy of this era influences your spiritual life, your relationships, and your community. Welcome the classical deities including Diana Nemorensis, Mercury, Athena Strategos, Mars, Father Dis, and others as you: Find your purpose when the world seems out of control Create a haven for those who are in need Protect yourself and your loved ones as the crisis deepens Use your unique talents to help save your corner of the world Preserve the things you treasure for the season of Spring to come Exploring the powerful cycles of generations, life spans, and seasons, Winter offers specific techniques and support to help you see that the era of Winter is only temporary and Spring will come again.

One of Shakespeare's later plays, best described as a tragi-comedy, the play falls into two distinct parts. In the first Leontes is thrown into a jealous rage by his suspicions of his wife Hermione and his best-friend, and imprisons her and orders that her new born daughter be left to perish. The second half is a pastoral comedy with the "lost" daughter Perdita having been rescued by shepherds and now in love with a young prince. The play ends with former lovers and friends reunited after the apparently miraculous resurrection of Hermione. John Pitcher's lively introduction and commentary explores the extraordinary merging of theatrical forms in the play and its success in performance. As the recent Sam Mendes production at the Old Vic shows, this is a play that can work a kind of magic in the theatre.

Shakespearean Genealogies of Power proposes a new view on Shakespeare’s involvement with the legal sphere: as a visible space between the spheres of politics and law and well able to negotiate legal and political, even constitutional concerns, Shakespeare’s theatre opened up a new perspective on normativity. His plays reflect, even create, "history" in a new sense on the premises of the older conceptions of historical and legal exemplarity: examples, cases, and instances are to be reflected rather than treated as straightforwardly didactic or salvific. Thus, what comes to be recognized, reflected and acknowledged has a disowning, alienating effect, whose enduring aftermath rather than its theatrical immediacy counts and remains effective. In Shakespeare, the law gets hold of its normativity as the problematic efficacy of unsolved – or rarely ever completely solved – problems: on the stage of the theatre, the law has to cope with a mortgage of history rather than with its own success story. The exemplary interplay of critical cultural and legal theory in the twentieth-century – between Carl Schmitt and Hans Kelsen, Walter Benjamin and Ernst Kantorowicz, Hans Blumenberg and Giorgio Agamben, Robert Cover and Niklas Luhmann – found in Shakespeare’s plays its speculative instruments.