"This color book contains images of original postcards from the author's personal collection. In addition, historical accounts and research is provided (if found) pertaining to the subject of the postcard. Also included are a number of old plats from Orange Co. Deeds showing Lakeview, FL or the Town of Osceola, or what we know today as - Winter Park. A detailed index is provided, including indexing of names, places and key search criteria."--Page 4 of cover

"This color book contains images of original postcards from the author's personal collection. In addition, historical accounts and research is provided (if found) pertaining to the subject of the postcard. Also if the details within the postcard image can be discerned (from high-resolution images) addition research is provided-including cropped images (to highlight these details). Orange County deed records were searched to find names and dates to add additional historical information. A detailed index is provided, including indexing of names, places and key search criteria.) -- From cover.

The first history of indigenous photography in the Middle East The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem—photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Frères, Pascal Sébah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha—as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium.

FULLY UPDATED WITH ALL THE INFORMATION YOU NEED TO FIND BUYERS FOR YOUR PHOTOS For more than three decades, photographers have trusted Photographer’s Market as a resource for helping them grow their businesses. Now Photographer’s Market has improved upon this history to provide a comprehensive and 100% up-to-date listing of every must-have market for working photographers today: magazines, book publishers, greeting card companies, stock agencies, advertising firms, contests and more.In addition to the more than 1,500 individually verified market listings, the 2012 Photographer’s Market includes: • Up-to-date information on how to start and run a photography business, including how to find clients, who to contact to submit your photos, what types of photos they need and how to submit both digital and film images • NEW! Special features on selling more photography in 2012, secrets to social media success, exploring new niches, bringing new life to an old business, generating referrals and managing your clients • NEW! Inspiring and informative interviews with successful professionals including sports photographer Rick Wilson, fine art photographer Kathleen McFadden, wedding photographer Marissa Bowers and Harley-Davidson’s chief photographer Brad Chaney • NEW! Q&As with tips and advice from photo rep Norman Maslov and American Photographic Artists CEO Stephen Best • Markets for fine art photographers, including hundreds of galleries and art fairs, as well as tips for maximizing art fair success