Churchill is today remembered as a great leader, a war hero, a literary heavyweight and a renowned wit. This incarnation of Churchill is the latest in a long-evolving identity, which at various times has sustained his power, enhanced his popularity and enabled him to personify aspects of British national identity. Indeed Churchill was more aware than most of the performative power of his public life. He lived in an age of the illustrated mass-produced newspaper, with its cartoons and 'Kodak-snappers'. He was well-known for his readiness to appear in uniform for photo opportunities during the Second World War and he not only wrote about the art of political caricature, but collected cartoons of himself, his allies and opponents. In this heavily-illustrated book, Jonathan Black considers the changing image of Churchill in visual art, from cartoons and paintings to photographs and sculptures. He asks how and why his image developed right up to the present day and examines the extent to which Churchill was complicit in its production.

“[The book’s] power lies in a vivid re-creation not only of Churchill’s public roles but also his private life—of good fortune but also family tragedy.” —The Wall Street Journal An engaging and original account of 1921, a pivotal year for Churchill that had a lasting impact on his political and personal legacy After the tragic consequences of his involvement in the catastrophic Dardanelles Campaign of World War I, Churchill’s political career seemed over. He was widely regarded as little more than a bombastic and unpredictable buccaneer until, in 1921, an unexpected inheritance heralded a series of events that laid the foundations for his future success. Renowned Churchill scholar David Stafford delves into the statesman’s life in 1921, the year in which his political career revived. From his political negotiations in the Anglo-Irish treaty that created the Irish Free State to his tumultuous relationship with his “wild cousin” Clare Sheridan, sculptor of Lenin and subject of an MI5 investigation, this is an engaging portrait of this overlooked yet pivotal year in the great man’s life. “Sheds dazzling new light on both the man and the epoch.” —Piers Brendon, author of The Decline and Fall of the British Empire 1781–1997 “A brilliant portrayal of the triumphs and tribulations of Churchill’s middle age.” —Paul Addison, author of Churchill: The Unexpected Hero “Vividly adds perspectives and colour to a busy yet little known year of Churchill’s life that most biographies can only treat in monochrome.” —David Lough, author of No More Champagne: Churchill and His Money “A fascinating and fluent account of Churchill’s efforts to win the peace and hold together the Empire.” —Lawrence James, author of Churchill and Empire

Although remembered and even lauded in the public mind as the British prime minister during the Second World War who played a major role in Allied victory over the Axis Powers and Japan, Winston Churchill had a life and political career before 1939 conditioned by fighting other wars and, in peacetime, thinking about war. While historians debate his achievements and failures between 1939 and 1945, a less explored dimension is Churchill’s earlier connexion with war and warfare. This book explores Churchill’s earlier experience in fighting wars as a soldier and politician.

The leader's portrait, produced in a variety of media (statues, coins, billboards, posters, stamps), is a key instrument of propaganda in totalitarian regimes, but increasingly also dominates political communication in democratic countries as a result of the personalization and spectacularization of campaigning. Written by an international group of contributors, this volume focuses on the last one hundred years, covering a wide range of countries around the globe, and dealing with dictatorial regimes and democratic systems alike. As well as discussing the effigies that are produced by the powers that be for propaganda purposes, it looks at the uses of portraiture by antagonistic groups or movements as forms of resistance, derision, denunciation and demonization. This volume will be of interest to researchers in visual studies, art history, media studies, cultural studies, politics and contemporary history.

A New York Times Notable Book of the Year A major reassessment of Winston Churchill that examines his lasting influence in politics and culture. Churchill is generally considered one of the greatest leaders of the twentieth century, if not the greatest of all, revered for his opposition to appeasement, his defiance in the face of German bombing of England, his political prowess, his deft aphorisms, and his memorable speeches. He became the savior of his country, as prime minister during the most perilous period in British history, World War II, and is now perhaps even more beloved in America than in England. And yet Churchill was also very often in the wrong: he brazenly contradicted his own previous political stances, was a disastrous military strategist, and inspired dislike and distrust through much of his life. Before 1939 he doubted the efficacy of tank and submarine warfare, opposed the bombing of cities only to reverse his position, shamelessly exploited the researchers and ghostwriters who wrote much of the journalism and the books published so lucratively under his name, and had an inordinate fondness for alcohol that once found him drinking whisky before breakfast. When he was appointed to the cabinet for the first time in 1908, a perceptive journalist called him “the most interesting problem of personal speculation in English politics.” More than a hundred years later, he remains a source of adulation, as well as misunderstanding. This revelatory new book takes on Churchill in his entirety, separating the man from the myth that he so carefully cultivated, and scrutinizing his legacy on both sides of the Atlantic. In effervescent prose, shot through with sly wit, Geoffrey Wheatcroft illuminates key moments and controversies in Churchill’s career—from the tragedy of Gallipoli, to his shocking imperialist and racist attitudes, dealings with Ireland, support for Zionism, and complicated engagement with European integration. Charting the evolution and appropriation of Churchill’s reputation through to the present day, Churchill’s Shadow colorfully renders the nuance and complexity of this giant of modern politics.

An entirely new perspective on Churchill and his paintings told in his own words and including material never before published, edited and introduced by David Cannadine. Across almost 50 years, Winston Churchill produced more than 500 paintings. His subjects included his family homes at Blenheim and Chartwell, evocative coastal scenes on the French Riviera, and many sun-drenched depictions of Marrakesh in Morocco, as well as still life pictures and an extraordinarily revealing self-portrait, painted during a particularly troubled time in his life. In war and peace, Churchill came to enjoy painting as his primary means of relaxation from the strain of public affairs. In his introduction to Churchill: The Statesman as Artist, David Cannadine provides the most important account yet of Churchill's life in art, which was not just a private hobby, but also, from 1945 onwards, an essential element of his public fame. The first part of this book brings together for the first time all of Churchill's writings and speeches on art, not only 'Painting as a Pastime', but his addresses to the Royal Academy, his reviews of two of the Academy's summer exhibitions, and an important speech he delivered about art and freedom in 1937. The second part of the book provides previously uncollected critical accounts of his work by some of Churchill's contemporaries: Augustus John's hitherto unpublished introduction to the Royal Academy exhibition of Churchill's paintings in 1959, and essays and reviews by Churchill's acquaintances Sir John Rothenstein, Professor Thomas Bodkin and the art critic Eric Newton. The book is lavishly illustrated with reproductions of many of Churchill's paintings, some of them appearing for the first time. Here is Churchill the artist more fully revealed than ever before.

This is not a book about Winston Churchill. It is not principally about his politics, nor his rhetorical imagination, nor even about the man himself. Instead, it addresses the varied afterlives of the man and the persistent, deeply located compulsion to bring him back from the dead, capturing and explaining the significance of the various Churchill myths to Britain's history and current politics. The authors look at Churchill's portrayal in social memory. They demonstrate the ways in which politicians have often used the idea of Churchill as a means of self-validation - using him to show themselves as tough and honest players. They show the man dramatized in film and television - an onscreen persona that is often the product of a gratuitous mixing of fact and fantasy, one deliberately shaped to meet the preferences of the presumed audience. They discuss his legacy in light of the Brexit debate - showing how public figures on both sides of the Leave/Remain debate were able to use elements of Churchill's words and character to argue for their own point-of-view.