Winslow Homer (1836-1910) devoted much of his life to a study of the ocean and the people whose lives were intertwined with it. This book is the first to focus on the full range of Homer's coastal subjects, with thirty-six reproductions of his most powerful works. Carl Little's essay discusses Homer's development as a painter; quotations from writers such as Homer scholar Philip C. Beam and poet Gerard Manley Hopkins add a further dimension to the thorough and enlightening text. Third printing.

When Winslow Homer watches the sea, he studies it patiently, making sure to notice every detail before bringing it to life again in his paintings. The fabled painter Winslow Homer always had a deep respect for the elemental power and beauty of the ever-changing ocean. Whenever he set up his easel, he was drawn back to its frothing waves smashing against rocks, gleaming like mirrors in the sunlight. He knew it took patience to get his painting just right to capture the life of the ocean. Breaking Waves: Winslow Homer Paints the Sea describes the artist's process from season to season, readers are shown the many blues, greys, browns, and golds that Winslow Homer used to depict the changing sea. Additional content in the back of the book further explains his work and passion for the ocean. A Junior Library Guild Gold Standard Selection

Exceptional works ranging from charming country scenes to dramatic, emotionally charged subjects: The Artist's Studio in an Afternoon Fog, Dad's Coming, The Gale, Girl with Laurel, Peach Blossoms, School Time, Snap the Whip, A Summer Night, Sunlight on the Coast, Weatherbeaten, West Point, Prout's Neck, and more.

American painter Winslow Homer talks about his life and work as if entertaining the reader for the weekend. Includes reproductions of the artist's works and a list of museums where they are on display.

A revelatory exploration of Winslow Homer’s engagement with photography, shedding new light on his celebrated paintings and works on paper One of the greatest American painters of the 19th century, Winslow Homer (1836–1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer’s art, this volume exposes Homer’s own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer’s understanding of the camera’s ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America’s most original painters.

Homer's luminous watercolors and outdoor portraits are some of the most recognizable works in art history. This collection paints Homer as an integral part of the New York art scene who both embraced, and challenged, the American aesthetic of art. Color illustrations.

This is a new release of the original 1961 edition.