Henry Lawson's poems narrate the rawness of life in the Australian bush between the late 19th and early 20th century, among humble herdsmen, sheep shearers and itinerant labourers, the compassion for the fates of others, the active solidarity, the austerity of the situations in which women and children live at the mercy of an impervious landscape. Lawson portrays them with great empathy and is able to capture the strenuous struggle to survive in a hostile world and the courage to face the unknown.

This path-breaking book explores different ways in which writing about poetry can deepen and extend our critical engagement by deploying creatively the manifold resources of poetic language and form. Through a series of verse-essays, reflective monologues, and inventive variations on topics in literary theory The Winnowing Fan makes a strong case for revising received ideas about the scope and limits of criticism. Norris's poems traverse the full range of European poetic history from Homer's Odyssey, through the work of French symbolists such as Mallarmé, to modern writers such as Yeats, Benjamin, Heaney, Larkin, and Barthes. There are also verse-essays and shorter pieces on philosophers from Hume and Leibniz to Heidegger, Althusser, Derrida, de Man, Rorty, Deleuze, Badiou, and Agamben. In each case Norris seeks to free criticism from conventional academic forms and return it to an active mutual engagement with the practice of literature itself.