Working in the round has never been so easy or enjoyable. From quick projects, to ones that wow, this crochet book has it all. No matter your experience, or the size of project you're looking for, this book has something for everyone; from doilies and table runners to garlands and cushions. These timeless designs allow readers to personalize each pattern to suit them with step by step instructions and detailed charts.

It's Winnie's birthday and she's celebrating in style with a garden party. She uses all sorts of magic to invite the guests and transform her garden into the perfect party venue. There are presents to unwrap and games to play but then things start to go wrong when Winnie toots on the magictrumpet that cousin Cuthbert has given her. All her guests disappear! Winnie's party is suddenly in danger of being a rather bothersome occasion but, true to form, Winnie soon has everything back under control and she ends the party with a stunning edible surprise for all her guests to enjoy.

Mellem 1865 og 1930 skabte de fem forfattere på baggrund af deres egen frustration og længsel efter barndommens uskyld en børnelitterær guldalder

Winnie Lightner (1899–1971) stood out as the first great female comedian of the talkies. Blessed with a superb singing voice and a gift for making wisecracks and rubber faces, she rose to stardom in vaudeville and on Broadway. Then, at the dawn of the sound era, she became the first person in motion picture history to have her spoken words, the lyrics to a song, censored. In Winnie Lightner: Tomboy of the Talkies, David L. Lightner shows how Winnie Lightner's hilarious performance in the 1929 musical comedy Gold Diggers of Broadway made her an overnight sensation. She went on to star in seven other Warner Bros. features. In the best of them, she was the comic epitome of a strident feminist, dominating men and gleefully spurning conventional gender norms and moral values. So tough was she, the studio billed her as “the tomboy of the talkies.” When the Great Depression rendered moviegoers hostile toward feminism, Warner Bros. tried to craft a new image of her as glamorous and sexy. Executives assigned her contradictory roles in which she was empowered in the workplace but submissive to her male partner at home. The new persona flopped at the box office, and Lightner's stardom ended. In four final movies, she played supporting roles as the loudmouthed roommate and best friend of actresses Loretta Young, Joan Crawford, and Mona Barrie. Following her retirement in 1934, Lightner faded into obscurity. Many of her films were damaged or even lost entirely. At long last, this biography gives Winnie Lightner the recognition she deserves as a notable figure in film history, in women's history, and in the history of show business.