A hilarious and heartwrenching story about surviving middle school--and an unthinkable diagnosis--while embracing life's weirdness. Ross Maloy just wants to be a normal seventh grader. He doesn't want to lose his hair, or wear a weird hat, or deal with the disappearing friends who don't know what to say to "the cancer kid." But with his recent diagnosis of a rare eye cancer, blending in is off the table. Based on Rob Harrell's real life experience, and packed with comic panels and spot art, this incredibly personal and poignant novel is an unforgettable, heartbreaking, hilarious, and uplifting story of survival and finding the music, magic, and laughter in life's weirdness.

In this brilliant culmination of his seminal Powers Trilogy, now reissued in a twenty-fifth anniversary edition, Walter Wink explores the problem of evil today and how it relates to the New Testament concept of principalities and powers. He asks the question, "How can we oppose evil without creating new evils and being made evil ourselves?" Winner of the Pax Christi Award, the Academy of Parish Clergy Book of the Year, and the Midwest Book Achievement Award for Best Religious Book.

The intrigue of The Raven Boys and the "supernatural or not" question of The Unbecoming of Mara Dyer coalesce in this young adult mystery, where nothing is quite as it seems, no one is quite who you think, and everything can change on a dime. Every story needs a hero. Every story needs a villain. Every story needs a secret. Wink is the odd, mysterious neighbor girl, wild red hair and freckles. Poppy is the blond bully and the beautiful, manipulative high school queen bee. Midnight is the sweet, uncertain boy caught between them. Wink. Poppy. Midnight. Two girls. One boy. Three voices that burst onto the page in short, sharp, bewitching chapters, and spiral swiftly and inexorably toward something terrible or tricky or tremendous. What really happened? Someone knows. Someone is lying. For fans of Holly Black, We Were Liars, and The Virgin Suicides, this mysterious tale full of intrigue, dread, beauty, and a whiff of something strange will leave you utterly entranced.

A boy coming of age in a part of the country that’s being left behind is at the heart of this dazzling novel—the first by an award-winning author of short stories that evoke the American West. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “August reads like early Hemingway, retooled for the present.”—William Finnegan, Pulitzer Prize–winning author of Barbarian Days Callan Wink has been compared to masters like Jim Harrison and Thomas McGuane. His short stories have been published in The New Yorker and have won numerous accolades. Now his enormous talents are showcased in a debut novel that follows a boy growing up in the middle of the country through those difficult years between childhood and adulthood. August is an average twelve-year-old. He likes dogs and fishing and doesn’t mind early-morning chores on his family’s Michigan dairy farm. But following his parents’ messy divorce, his mother decides that she and August need to start over in a new town. There, he tries to be an average teen—playing football and doing homework—but when his role in a shocking act of violence throws him off course once more, he flees to a ranch in rural Montana, where he learns that even the smallest communities have dark secrets. Covering August's adolescence, from age twelve to nineteen, this gorgeously written novel bears witness to the joys and traumas that irrevocably shape us all. Filled with unforgettable characters and stunning natural landscapes, this book is a moving and provocative look at growing up in the American heartland.

'Raising your consciousness to the 'God Winks' that often go by unnoticed, and recognising them as tremendously personal, will affirm that your existence is not random and that you have a role to play in life's grand plan' Squire Rushnell Have you ever thought about someone who hasn't crossed your path or mind in years and then bumped into them? Are there such things as coincidences? Do they mean anything? According to Rushnell, 'coincidences, like winks from God, are encouraging signposts along your universal path.' In WHEN GOD WINKS he explains that a 'God Wink' is a message of reassurance that comes our way whenever we need it and that coincidences are the best way for God to establish a presence in our lives. Rushnell shows how to retrace crossroads (a new job, a death, change in relationships) that took us in an entirely different direction, showing how to map the turning points made by coincidences that have guided us throughout our lives. Best of all, WHEN GOD WINKS shows us how to create our own coincidences and turn wishes into winks. He explains his compelling theory of coincidences through a series of incredible stories and motivational writing on how coincidences play a role in all facets of our life, including career, love, history, medicine, entertainment, sports and politics with telling comments from Oprah Winfrey, Barbara Streisand, Mark Twain, Kevin Costner and other celebrities. WHEN GOD WINKS is a fascinating bridge to self-discovery.

i-D began as a fanzine dedicated to the street style of punk-era London in 1980 and quickly earned its position at the vanguard of fashion and style, abiding by the premise of “originate—don’t imitate.” This anniversary volume is the ultimate tribute to the irreverent and forward-thinking magazine that revolutionized not only the world of fashion publishing but fashion itself. Over the 40 years since its launch, i-D has grown from a hand-stapled zine to one of the world’s leading international style titles with two million Instagram followers. Founded by Terry Jones in 1980, i-D began as a chronicle of style and attitude as much as a fashion bible, and over the years it has kept to that ethos, in the process becoming a nurturing ground for gener-ations of fashion talents, from David Sims to Juergen Teller, Edward Enninful to Wolfgang Tillmans, Tyler Mitchell to Harley Weir. This celebratory volume commemorates the 40th anniversary of i-D through the prism of different cultural eras, with each chapter focusing on a decade of the magazine’s history and featuring a mix of original rephotographed spreads from the magazine, reprinted text pieces, archival imagery, covers, and new essays exploring both the history of i-D and the wider cultural contexts of the era it was created in. It’s a magazine that has given Greta Thunberg, Madonna, Naomi Campbell, and Sonic the Hedgehog their first covers; that invented the emoticon; and that, across 40 years and 500 cover winks, has had one defining message: that fashion should be inclusive, fun, diverse, and—always—original.

In the tradition of Richard Ford, Annie Proulx, and Kent Haruf comes a dazzling debut story collection by a young writer from the American West who has been published in The New Yorker, Granta, and The Best American Short Stories. SHORTLISTED FOR THE DYLAN THOMAS PRIZE • 2017 PEN/HEMINGWAY AWARD HONORABLE MENTION A construction worker on the run from the shady local businessman whose dog he has stolen; a Custer’s Last Stand reenactor engaged in a long-running affair with the Native American woman who slays him on the battlefield every year; a middle-aged high school janitor caught in a scary dispute over land and cattle with her former stepson: Callan Wink’s characters are often confronted with predicaments few of us can imagine. But thanks to the humor and remarkable empathy of this supremely gifted writer, the nine stories gathered in Dog Run Moon are universally transporting and resonant. Set mostly in Montana and Wyoming, near the borders of Yellowstone National Park, this revelatory collection combines unforgettable insight into the fierce beauty of the West with a powerful understanding of human beings. Tender, frequently hilarious, and always electrifying, Dog Run Moon announces the arrival of a bold new talent writing deep in the American grain. Praise for Dog Run Moon “[An] excellent first book of stories . . . One of the great things about Dog Run Moon is how resilient and funny [the characters] are. They’re at the end of their ropes, but they can still howl about the joy and pain each day brings, as if the young Levon Helm were singing their stories. . . . This is Thomas McGuane territory, and also that of writers like Joy Williams and Jim Harrison.”—The New York Times “Wink is definitely not a writer of half measures; each of these stories demonstrates his ability to lay life bare. A significant collection highly deserving of the spotlight.”—Library Journal (starred review) “Myth and history color these highly satisfying fictions about the way men and women struggle to shape their lives.”—Kirkus Reviews (starred review) “The perils of work and the weight of bequeathal fuel these stories, and each one holds a lasting, unshakable image. Sometimes grace is bestowed upon the characters in a sidewindering, not altogether fabulous fashion; sometimes it’s not bestowed at all. Callan Wink seems to know well the stratagems and delusions of men’s hearts. He also seems born and bred to short-story mastery.”—Joy Williams, author of The Visiting Privilege “Callan Wink’s debut is impressive indeed. Fine, old-fashioned, rich and juicy fiction. Weeks later I’m still living with the characters.”—Jim Harrison, author of Legends of the Fall “Callan Wink’s fresh, urgent stories have an energy and propulsion that set them well apart from the cerebral finger painting of so much literary fiction. Here is a writer with a great big horizon.”—Thomas McGuane, author of Crow Fair “Callan Wink’s stories remind me of expertly tied trout flies—beautifully crafted, true to reality, and barbed. What a fine young writer.”—Ron Rash, author of Above the Waterfall “As in all the best collections, each and every story in Dog Run Moon sings in the essential registers of love and death, work and nature. Callan Wink has the wisdom to write only of the things that matter, and the talent to make these stories as fresh as the literary headwaters from which they come.”—Smith Henderson, author of Fourth of July Creek