Readers gain insight into the life of the Hutterites, who live on the prairies of Montana far from mainstream America, shunning worldly temptations, and carefully protecting their spiritual life. Wilson not only photographed the Hutterites and their communal life, she also interviewed their members over a 14-year period. 109 tritones.

The TSHA is pleased to announce the return of a classic in this second edition of Watt Matthews of Lambshead by renowned photographer Laura Wilson. In this new edition, Wilson adds an afterword to her original award-winning photographic essay, published in 1989 when Watt Matthews was ninety years old and the vital force behind a vast West Texas ranch. Watt was the ninth and last child of pioneering parents who had established the ranch on the banks of the Clear Fork of the Brazos in 1858, and, in the words of historian David McCullough, "created a family kingdom so large and still so true to its traditional way of life that visitors sometimes have to remind themselves that it is all real." Except for four years at Princeton, Watt spent his entire life on the ranch, which had remained its own separate world into the late twentieth century. Those days are beautifully chronicled in Wilson's photographs and, in this new edition, she brings the story of Lambshead Ranch up to the present by writing of Watt's funeral and what has happened to the ranch since Watt's death in 1997.

The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.