The three volumes that comprise this set are facsimile reproductions of contemporary biographical material. They include letters, memoirs, poems and articles on three outstanding Victorian literary partnerships. These are the Brownings, Brontes and the Rossettis.

Unpublished writings of Colin Rowe—letters, essays, lectures, and a postcard—clarify his thinking on key concepts while revealing his wit and erudition. Colin Rowe (1920–1999) was one of the great architectural historians of the twentieth century, publishing the influential works The Mathematics of the Ideal Villa and Other Essays (1976) and Collage City (1978). While his written work was rigorous and authoritative, his lectures and letters were more casual, “carefully careless,” both witty and erudite. I Almost Forgot gathers twenty-three such writings—letters, essays, lectures, a postcard, and a eulogy. Both edifying and entertaining, sometimes tongue-in-cheek, occasionally scathing, they fill in personal details and clarify key concepts in Rowe’s work. In these writings, Rowe tells of the “Corbu superstructure upon a beaux-arts base” that refugee Polish architects and their students introduced to his alma mater, the University of Liverpool, in the early 1940s. He characterizes his controversial essay “The Mathematics of the Ideal Villa” as a “pretty clever but, otherwise, perfectly innocent little article,” and reports that Le Corbusier’s Villa Schwob “played an entirely disproportionate role in my mental life.” Rowe’s voice and opinions are strong in his discussions of architecture, current events, and his own life and work. Each piece begins with a brief introduction by the volume editor. The writings are illustrated by images of Rowe’s drawings, letters, and postcards; photographs and drawings of Rowe’s only built work; and illustrations chosen by Rowe for lectures.

The three volumes that comprise this set are facsimile reproductions of contemporary biographical material. They include letters, memoirs, poems and articles on three outstanding Victorian literary partnerships. These are the Brownings, Brontes and the Rossettis.

A biography of the passionate, contradictory father of William, Henry and Alice James. The author counters the popular view - a view that the James family perpetuated - that Henry James Sr was a benignant man who devoted himself to the good of his children, preached tolerance, and practised self-effacement. Instead, he shows us a man who developed a convoluted personal philosophy to account for his own feelings of pain and guilt, his conviction of his essential sinfulness and capacity for evil, and his fragile sense of self. The work sets Henry James Sr in the broader intellectual and cultural context of his age. As well as throwing light on the development of James's two sons, it is also a study of how families work.

Local/Global: Women Artists in the Nineteenth Century is the first book to investigate women artists working in disparate parts of the world. This major new book offers a dazzling array of compelling essays on art, architecture and design by leading writers: Joan Kerr on art in Australia by residents, migrants and visitors; Ka Bo Tsang on the imperial court in China; Gayatri Sinha on south Asian artists; Mary Roberts on harem portraiture of the Ottoman empire; Griselda Pollock on Parisian studios; Lynne Walker on women patron-builders in Britain; S?shy;ghle Bhreathnach-Lynch and Julie Anne Stevens on Irish women artists; Ruth Phillips on souvenir art by native and settler women; Janet Berlo on North American textiles; Kristina Huneault on white settler identity in Canada; Charmaine Nelson on neo-classical sculpture in North America; and Stacie Widdifield on Mexico. This pioneering collection addresses issues at the heart of feminist and post-colonial studies: the nature of difference, discrepant modernities and cross-cultural encounters. Written in a lively and accessible style, this lavishly illustrated volume offers fresh perspectives on women, art and identity. It is essential reading for anyone interested in the history of women artists and the art of the nineteenth century.