Originally published in 1673, and first published as this Cambridge edition in 1932, this text covers a diverse range of topics relating to the Netherlands.

Reveals how the Federal Reserve under Paul Volcker engineered changes in America's economy.

From one of the most admired essayists and novelists at work today: a new collection of essays—his first since Tests of Time, winner of the National Book Critics Circle Award for Criticism. These twenty-five essays speak to the nature and value of writing and to the books that result from a deep commitment to the word. Here is Gass on Rilke and Gertrude Stein; on friends such as Stanley Elkin, Robert Coover, and William Gaddis; and on a company of “healthy dissidents,” among them Rabelais, Elias Canetti, John Hawkes, and Gabriel García Márquez. In the title essay, Gass offers an annotated list of the fifty books that have most influenced his thinking and his work and writes about his first reaction to reading each. Among the books: Ludwig Wittgenstein’s Tractatus Logico-Philosophicus (“A lightning bolt,” Gass writes. “Philosophy was not dead after all. Philosophical ambitions were not extinguished. Philosophical beauty had not fled prose.”) . . . Ben Jonson’s The Alchemist (“A man after my own heart. He is capable of the simplest lyrical stroke, as bold and direct as a line by Matisse, but he can be complex in a manner that could cast Nabokov in the shade . . . Shakespeare may have been smarter, but he did not know as much.”) . . . Gustave Flaubert’s letters (“Here I learned—and learned—and learned.”) And after reading Malory’s Le Morte d’Arthur, Gass writes “I began to eat books like an alien worm.” In the concluding essay, “Evil,” Gass enlarges upon the themes of artistic quality and cultural values that are central to the books he has considered, many of which seek to reveal the worst in people while admiring what they do best. As Gass writes, “The true alchemists do not change lead into gold, they change the world into words.” A Temple of Texts is Gass at his most alchemical.

The late nineteenth and early twentieth century were a brutal time for American wildlife, with many species pushed to the brink of extinction. (Some are endangered to this day.) And yet these decades also saw the dawn of the conservationist movement. Into this contradictory era came William Temple Hornaday, a larger-than-life dynamo who almost uncannily embodies these conflicting threads in our history. In The Most Defiant Devil, a compelling new biography of this complex figure, Gregory Dehler explores the life of Hornaday the hunter, museum builder, zoologist, author, conservationist, and anti-Bolshevist crusader. A deeply religious man, he was nonetheless anything but peaceful and was racist even by his era’s standards, going so far as to display an Mbuti pygmy as a "living specimen" in a zoo. A passionate hunter, Hornaday killed thousands of animals, including some of the last wild buffalo in America, but he was far ahead of his time in his influential views on the protection of wildlife. Hornaday designed and built the New York Zoological Park (which became the Bronx Zoo) and was chief taxidermist for what would later become the Smithsonian Museum of Natural History.In this single, fascinating individual, we can discern some of the Progressive Era's most destructive forces and some of its most enlightened visions.

"Our Vanishing Wild Life: Its Extermination and Preservation" by William T. Hornaday. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.