An Unholy Alliance offers a dissenting view to the claim by a growing number of scholars that Sports are a new religion. The last few years have seen a spate of books that might be classified by a genre called "Sports Apologetics," that is, arguments defending or celebrating in one way or another the familiar and ongoing alliance in America between sports and religion. Recently, claims have been made by scholars that sports are an authentic religion in and of themselves. They make this startling assertion not by showing connections with the teachings of Buddha, Jesus, Mohammed, or Moses, but by parallels between the rites of modern games and those of preliterate man that were "religious" in nature because they were designed to propitiate powers and to ward off evil for the tribes employing them. In this evocative book, Higgs and Braswell suggest that while sports may often be good things, they are not inherently divine. They do not focus on wide-spread abuse in sports as evidence for their counterargument. Rather, they question the use of mythological parallels from prehistory as justification for viewing sports as a religion.

The humor of the Old South—tales, almanac entries, turf reports, historical sketches, gentlemen's essays on outdoor sports, profiles of local characters—flourished between 1830 and 1860. The genre's popularity and influence can be traced in the works of major southern writers such as William Faulkner, Erskine Caldwell, Eudora Welty, Flannery O'Connor, and Harry Crews, as well as in contemporary popular culture focusing on the rural South. This collection of essays includes some of the past twenty five years' best writing on the subject, as well as ten new works bringing fresh insights and original approaches to the subject. A number of the essays focus on well known humorists such as Augustus Baldwin Longstreet, Johnson Jones Hooper, William Tappan Thompson, and George Washington Harris, all of whom have long been recognized as key figures in Southwestern humor. Other chapters examine the origins of this early humor, in particular selected poems of William Henry Timrod and Washington Irving's "The Legend of Sleepy Hollow," which anticipate the subject matter, character types, structural elements, and motifs that would become part of the Southwestern tradition. Renditions of "Sleepy Hollow" were later echoed in sketches by William Tappan Thompson, Joseph Beckman Cobb, Orlando Benedict Mayer, Francis James Robinson, and William Gilmore Simms. Several essays also explore antebellum southern humor in the context of race and gender. This literary legacy left an indelible mark on the works of later writers such as Mark Twain and William Faulkner, whose works in a comic vein reflect affinities and connections to the rich lode of materials initially popularized by the Southwestern humorists.

The rural folk humor written by Arkansas writer C. F. M. Noland beginning in 1837 is brought together in a collection of semiautobiographical letters that tell tall tales in dialect, reflecting the peculiar characteristics of the people of a backwoods region. Original.

One of the most entertaining genres of American literature is the bold, masculine, wildly exaggerated, and highly imaginative frontier humor of the Old Southwest, produced between 1835 and 1861 in an area that extended from Virginia, the Carolinas, and Georgia westward to Lousiana, Arkansas, Missouri, and Texas. Hennig Cohen and William B. Dillingham have tapped the wealth of this region to produce a collection that over the last three decades has become the standard anthology of Old Southwestern humor. This new, extensively revised edition includes an expanded introduction, a dozen replacement sections, an updated bibliography, and works by three new writers--Phillip B. January, Matthew C. Field, and John Gorman Barr. Most generously represented are George Washington Harris, Augustus Baldwin Longstreet, Johnson Jones Hooper, and Thomas Bangs Thorpe. Selections from twenty-five authors are featured along with brief biographical essays that combine historical and political analysis with perceptive literary criticism. These selections document important facets of antebellum American culture and provide the background of the literary achievement of Mark Twain and William Faulkner.

"Stott finds that male behavior could be strikingly similar in diverse locales, from taverns and boardinghouses to college campuses and sporting events. He explores the permissive attitudes that thrived in such male domains as the streets of New York City, California during the gold rush, and the Pennsylvania oil fields, arguing that such places had an important influence on American society and culture. Stott recounts how the cattle and mining towns of the American West emerged as centers of resistance to Victorian propriety. It was here that unrestrained male behavior lasted the longest, before being replaced with a new convention that equated manliness with sobriety and self-control.".

"Contents"--"Editors' Note" -- ""I Am Nothing But A Poor Scribbler": A Foreword" -- "Introduction" -- "I. Emigrant Indians And Plain Folk" -- "II. First Families" -- "The Coker Clan" -- "The Turnbo Neighborhood" -- "III. The County Seats And Outlying Settlements" -- "IV. Man And Wildlife" -- "Tales Of Buffalo" -- "Tales Of Bear" -- "Tales Of Elk And Deer" -- "Tales Of Wolves" -- "Tales Of Panther" -- "Tales Of Varlous Species" -- "Tales Of Snakes And Centipedes" -- "V. "Hearts Of Stone": The War At Home" -- "Appendix: Selected Genealogies Of The Coker And The Turnbo Families" -- "Notes" -- "Works Cited

This critical interpretation of the origins of modern fiction follows the transformation of the picaresque novel over four centuries through the literature of Spain, France, England, Germany, Russia, and the United States. Blackburn uses for the first time the resources of myth criticism to demonstrate how the picaresque masterpieces of the Spanish Golden Age founded a narrative structure that was continued by Defoe, Smollett, Melville, Twain, and Mann. Originally published in 1979. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.