Forty of the Victorian master's most famous designs for wallpapers, chintzes, velveteens, tapestries, tiles, carpets, and more. Reproduced from original color plates of The Art of William Morris.

A true Renaissance man, William Morris mastered every art and craft to which he set his hand, revelling in designs, patterns, colours and textures, and placing his stamp on sumptuous books, rugs, embroidery, wallpaper, stained glass, tapestries, curtains and furniture. The patterns and designs drawn together here show both the nuances and breadth of William Morris's visions, combining intricacy and simplicity; alternatingly dramatic and demure, dark and light, curved and angular, in a virtual dance of superb interwoven shapes.

A miniature edition of William Morris designs.

The twenty-six plates in this collection have been chosen to represent a broad cross-section of Morris's patterns for furnishing textiles and wallpapers, and the large format makes it possible to study the designs as they were first created. Norah Gillow's Introduction provides an informative background to the artist and the work of his company, Morris and Co.

A beautiful and informative gift book devoted to designs by William Morris that incorporate flowers—a central motif in his oeuvre and one that played a part in the majority of his designs. The leading figure of the Arts and Crafts Movement, William Morris (1834–1896) is one of the best-known and most popular of all British designers. A passionate advocate of craftsmanship over mass production, he designed a huge variety of objects, but it is his spectacular carpet, fabric, and wallpaper patterns that have continued to capture the popular imagination and influence interior designers and the decorative arts. Around six hundred such designs are attributed to Morris, most of which are based on nature, including trees, plants, and flowers. This beautifully designed, accessibly priced gift book offers a wealth of designs by Morris where flowers are the principal motif. The text traces the origins of Morris’s flower-based designs: his own gardens at the Red House in Kent; sixteenth- and seventeenth-century herbals; illuminated medieval manuscripts; late medieval and Renaissance tapestries; and the range of decorated objects, particularly from the Islamic world, that Morris studied at the South Kensington Museum, now the Victoria and Albert Museum. Authored by Rowan Bain, senior curator at the William Morris Gallery, and lavishly illustrated with over one hundred color illustrations, William Morris’s Flowers will both inform and delight.