E. Merton Coulter's biography of William Montague Browne portrays the life of an Irish journalist living in the north who moved south to adopt the Confederate cause. Born in County Mayo, Ireland, Browne moved to the U. S. in 1852 to be an editor at the New York Journal of Commerce. In 1859 he moved to Washington, D.C., where he edited and owned the Washington Constitution. As a journalist, Browne was an ardent champion of the southern cause and when Georgia seceded he moved south. During the Civil War he served as Director of Conscription in Georgia, aide-de-camp to President Davis, and brigadier general. Browne also took part in the defense of Savannah. After the war, Browne moved to Athens, Georgia, where he edited the Southern Banner, studied law, was admitted to the Georgia bar, and tried farming on a plantation in Oglethorpe County. Later he founded and edited the Southern Farm and Home and became secretary of the Carolina Life Insurance Co., of which Jefferson Davis was president. After the failure of this company, Browne returned to Athens and was elected the first Professor of History and Political Science at the University of Georgia.

Anne Rose examines the relationship between American Victorian culture and the Civil War, arguing that Romanticism was at the heart of Victorian culture.

When Jefferson Davis became president of the Confederacy, his wife, Varina Howell Davis, reluctantly became the First Lady. For this highly intelligent, acutely observant woman, loyalty did not come easily: she spent long years struggling to reconcile her societal duties to her personal beliefs. Raised in Mississippi but educated in Philadelphia, and a long-time resident of Washington, D.C., Mrs. Davis never felt at ease in Richmond. During the war she nursed Union prisoners and secretly corresponded with friends in the North. Though she publicly supported the South, her term as First Lady was plagued by rumors of her disaffection. After the war, Varina Davis endured financial woes and the loss of several children, but following her husband's death in 1889, she moved to New York and began a career in journalism. Here she advocated reconciliation between the North and South and became friends with Julia Grant, the widow of Ulysses S. Grant. She shocked many by declaring in a newspaper that it was God's will that the North won the war. A century after Varina Davis's death in 1906, Joan E. Cashin has written a masterly work, the first definitive biography of this truly modern, but deeply conflicted, woman. Pro-slavery but also pro-Union, Varina Davis was inhibited by her role as Confederate First Lady and unable to reveal her true convictions. In this pathbreaking book, Cashin offers a splendid portrait of a fascinating woman who struggled with the constraints of her time and place.

Crafting Infinity is a multi-disciplinary collection of essays that investigates how aspects of traditional Irish culture have been revised, retooled, and repackaged in the interest of maintaining the integrity of Irish myth tales, artistic values, spiritual foundations, and historic icons. From perspectives on early Irish Christianity to national mythology, traditional Irish music, Irish history represented in film, literary inventiveness, and evidence of the Irish diaspora, this study examines how artists, writers, theorists, and emigrants from Ireland re-interpreted, and reshaped Irish traditions, often invoking Ireland’s relationship with other nations before it acquired independence. Because with each retelling of legend, reworking of musical styles, and recreating of historic events, there has been inventiveness and alterations, inconsistencies affirm that the continuators of Irish tradition both preserve and alter their source materials and reshape iconic figures. The end product of these endeavors is tantamount to infinity, for just as Standish O’Grady, William Butler Yeats, James Joyce, Elizabeth Bowen, Jennifer Johnston, and Edna O’Brien craft fiction or rewrite folklore, with Irish characters and themes, while borrowing from other cultural wellsprings (such as Orientalism or French design), so exporters of Irish art forms and dispositions towards musical style, nationalism, and spirituality necessarily reconfigure the original, as no tradition can remain pure indefinitely. Each facet of Irish culture takes on the quality of a Celtic knot, artistically infinite in its circular design, and indestructible in its universal presence and recognition. In Crafting Infinity, each contributor dismantles a quality of Irish history, culture, or the arts, revealing how a multiplicity of interpretations can be applied to Irish traditions.

The final volume of The Papers of Jefferson Davis follows the former president of the Confederacy through the completion of his two monumental works on the history of the Confederate States of America. In the first, The Rise and Fall of the Confederate Government (1881), Davis sought to recast the Confederacy as a just and moral nation that was constitutionally correct in standing up for its rights. Himself the subject of heated debates about why the Confederacy lost, Davis also used the book to castigate Confederate government and military officials who he believed had failed the cause. Later, A Short History of the Confederate States (1890) attempted to burnish the image of the former Confederacy and to refute accusations of intentional mistreatment of Union prisoners. While completing these books, Davis attended and spoke at numerous Confederate memorial services and monument dedications, all the while waging a bitter feud with two of his former top generals-Joseph E. Johnston and P. G. T. Beauregard-over the reasons for the fall of the Confederacy. In late 1889, having returned to New Orleans from a trip to his plantation, Brierfield, Davis succumbed to pneumonia. His funeral procession attracted an estimated 150,000 mourners, a testament to the lasting popularity of the Confederacy's only president. In volume 14 of The Papers of Jefferson Davis, the editors have drawn from over one hundred manuscript repositories and private collections, in addition to numerous published sources, to offer a compelling portrait of Davis over the last decade of his life.

Joseph Brown was a pivotal figure in southern history and a prototype of a new breed of southern politician in the mid-nineteenth century-the hill country newcomer who was considered to represent the “common man.” As governor of Georgia from 1857 to 1865, Brown enthusiastically supported the Confederacy in the early years of the war, though he refused to sacrifice what he considered states’ rights to the interest of a Confederate victory. Brown was constantly at odds with Jefferson Davis concerning Georgia’s supply of Confederate troops and was openly hostile, to the .point of urging Davis’ removal over the matters of conscription and the suspension of habeas corpus. When defeat came for the South, Brown accepted the collapse of the old economic order as quickly as he did the loss of slavery and states’ rights. He advocated a new South and amassed a fortune in the development of real estate, mining, and railroads. He turned Republican and promoted congressional Reconstruction measures, temporarily losing his influence in Georgia. But in 1871 he rejoined the Democratic party and served in the United States Senate from 1880 to 1891. Here is the first full-scale biography of a man of meager education and limited political experience who worked his way from the North Georgia mountains to the positions of governor and United States senator. Drawing on previously unavailable documents, Parks captures the mood of Georgia as well as the personality of this astute and controversial politician.

According to the 1860 census, nearly 350,000 native northerners resided in a southern state by the time of the Civil War. Although northern in birth and upbringing, many of these men and women identified with their adopted section once they moved south. In this innovative study, David Ross Zimring examines what motivated these Americans to change sections, support (or not) the Confederate cause, and, in many cases, rise to considerable influence in their new homeland. By analyzing the lives of northern emigrants in the South, Zimring deepens our understanding of the nature of sectional identity as well as the strength of Confederate nationalism. Focusing on a representative sample of emigrants, Zimring identifies two subgroups: “adoptive southerners,” individuals born and raised in a state above the Mason-Dixon line but who but did not necessarily join the Confederacy after they moved south, and “Northern Confederates,” emigrants who sided with the Confederacy during the Civil War. After analyzing statistical data on states of origin, age, education, decade of migration, and, most importantly, the reasons why these individuals embarked for the South in the first place, Zimring goes on to explore the prewar lives of adoptive southerners, the adaptations they made with regard to slavery, and the factors that influenced their allegiances during the secession crisis. He also analyzes their contributions to the Confederate military and home front, the emergence of their Confederate identities and nationalism, their experiences as prisoners of war in the North, and the reactions they elicited from native southerners. In tracing these journeys from native northerner to Confederate veteran, this book reveals not only the complex transformations of adoptive southerners but also the flexibility of sectional and national identity before the war and the loss of that flexibility in its aftermath. To Live and Die in Dixie is a thought-provoking work that provides a novel perspective on the revolutionary changes the Civil War unleashed on American society.