This volume collects seventeen new essays by well-established and junior scholars on the philosophical relevance of metaxological philosophy and its main proponent, William Desmond. The volume mines metaxological thought for its salience in contemporary discussions in Continental philosophy, specifically in the fields of metaphysics, philosophy of religion, ethics, and aesthetics. Among others, topics under discussion include the goodness of being, the existence and nature of God, and the aesthetic dimensions of human becoming. Interest in metaxological philosophy has been on the rise in recent years, and this volume provides both a practical introduction and thorough engagements with it by experts in the field. The volume concludes with a series of responses by William Desmond on the issues raised by the contributors.

Known especially for his original system of metaphysics in a trilogy of books published between 1995 and 2008, and for his scholarship on Hegel, William Desmond has left his mark on the philosophy of religion, ethics, and aesthetics. The William Desmond Reader provides for the first time in a single book a point of entry into his original and constructive philosophy, including carefully chosen selections of his works that introduce the key ideas, perspectives, and contributions of his philosophy as a whole. Also featured is an original essay by Desmond himself reflecting synthetically on the topics covered, as well as an interview by Richard Kearney.

An original work which rethinks the question of God in a constructive spirit, drawing its conclusions by considering ideas received from both philosophy and religion. Makes an important new contribution to the ongoing scholarly debates surrounding the intersection of philosophy and religion Suggests that this junction is not just dictated by religion having to prove its credentials to rational philosophy, but that it is also a matter of philosophy wondering if religion is the ultimate partner in dialogue Includes discussion of a wide range of significant thinkers, both traditional and contemporary, such as Plotinus, Spinoza, Kant, Hegel, and Nietzsche and his successors Completes a trilogy of works by William Desmond, complementing its companion volumes, Being and the Between and Ethics and the Between.

William Desmond sees religion, art, philosophy, and politics as essential and distinctive modes of human practice, manifestations of an intimate universality that illuminates individual and social being. They are also surprisingly permeable phenomena, and by observing their relations, Desmond captures notes of a clandestine conversation that transforms ontology.

This is the culmination of a systematic metaphysics written by a world-class philosopher, demonstrating the need for a renewal of metaphysics.

In contemporary philosophy the status, indeed the very viability of metaphysics is a much contested issue. The reflections offered here explore diverse aspects of this contested status and offer a defense of metaphysics. In other works, perhaps most fully in Being and the Between, William Desmond has tried to develop what he calls a metaxological metaphysics in response to different skeptical, if not hostile approaches to metaphysics quite common in our time. The Voiding of Being complements the systematic dimensions of this metaxological metaphysics outlined in Being and the Between. It presents a set of studies which amplify important themes in the unfolding of modern metaphysics, in relation to major earlier and contemporary thinkers, while adding nuance to what is involved in the more systematic articulation of a metaxological metaphysics. There is what the author calls a voiding of being in modernity, expressed in diverse developments of thought. “The Voiding of Being,” might seems to conjure up too negative associations but the aim of the thoughts gathered here is not at all negative. While attempting to understand the voiding of being in modern thought, our appreciation of the promise of metaphysical thinking can also be renewed and indeed extended – extended beyond skepticism and hostility to metaphysics. Desmond engages many interlocutors along the way, from the long tradition, such as Heraclitus, Aquinas and Hegel, as well as more contemporary thinkers like Heidegger and Marion. As the book’s subtitle suggests, it is concerned with the continued doing of metaphysics and not only the contemporary undoing of it.

Art and the Absolute restores Hegel's aesthetics to a place of central importance in the Hegelian system. In so doing, it brings Hegel into direct relation with the central thrust of contemporary philosophy. The book draws on the astonishing scope and depths of Hegel's Lectures on Aesthetics, exploring the multifaceted issue of art and the absolute. Why does Hegel ascribe absoluteness to art? What can such absoluteness mean? How does it relate to religion and philosophy? How does Hegel's view of art illuminate the contemporary absence of the absolute? Art and the Absolute argues that these aesthetic questions are not mere theoretical conundrums for abstract analysis. It argues that Hegel's understanding of art can provide an indispensable hermeneutic relevant to current controversies. Art and the Absolute explores the intricacies of Hegel's aesthetic thought, communicating its contemporary relevance. It shows how for Hegel art illuminates the other areas of significant human experience such as history, religion, politics, literature. Against traditional, closed views, the result is a challenge to re-read Hegel's aesthetic philosophy.