A Companion to British Literature is a comprehensive guide to British literature and the contexts and ideas that have shaped and transformed it over the past thirteen centuries. Its four volumes cover literature from all periods and places in Britain and demonstrate the wide variety of approaches to studying the subject. Provides an authoritative reference on British literature, and the contexts, writers, and ideas that have shaped and transformed it over the past thirteen centuries Spans historical, social, political, domestic, linguistic, institutional, and material contexts Offers the most inclusive and far-reaching overview available of British literature from 700-2,000,across four volumes and over 100 chapters Written by an internationally diverse range of expert contributors including both distinguished academics and up-and-coming young stars Comprises readings from across geographical, cultural, institutional, economic and mediological contexts Features a general index and a thematic table of contents to enable readers to navigate the development of British Literature 4 Volumes www.britishliteraturecompanion.com

Robert Bertholf and Annette Levitt have assembled thirteen essays that establish Blake as a "central voice molding modern literature and thought." The essays in this volume examine Blake's influence on modern poetry, the modern novel, and modern thought from various critical approaches. This collection maps out the lines of direct literary influences and indirect intellectual affinities that make up the tradition of enacted form. Through the use of various aspects of Blake's form and ideas, this book reasserts the idea of continuity, the drive for wholeness, and the arrival of new poetic forms. Blake is considered one of the major and most modern of Romantics. This collection positions him as a precursor of the modern, using his vision and poetry as a base for discussing a central issue in literary theory today—influence and the literary tradition—just how is the legacy of a literary artist passed on, and how is it resurrected in the works of subsequent generations.

Modern scholars often find it difficult to account for the profound eccentricities in the work of William Blake, dismissing them as either ahistorical or simply meaningless. But with this pioneering study, Saree Makdisi develops a reliable and comprehensive framework for understanding these peculiarities. According to Makdisi, Blake's poetry and drawings should compel us to reconsider the history of the 1790s. Tracing for the first time the many links among economics, politics, and religion in his work, Makdisi shows how Blake questioned and even subverted the commercial, consumerist, and political liberties that his contemporaries championed, all while developing his own radical aesthetic.

The writings of William Blake were not understood by his contemporaries or the Victorians, and it was only in 1910, with the publication of Joseph Wicksteed's Blake's Vision of the Book of Job, that the long process of comprehending Blake's works seriously began. Part 1 of the present work consists of twelve chapters that are primarily intended to lead the reader who has little or no acquaintance with Blake's more difficult works through all his books. These consist of Poetical Sketches, Songs of Innocence and of Experience, three early prose tractates, the eleven shorter prophetic books (including The Marriage of Heaven and Hell), the lyrics of the Pickering Manuscript, The Four Zoas, Milton, Jerusalem, The Gates of Paradise, The Ghost of Abel and Illustrations of The Book of Job. The reader who wishes to explore a work more fully can proceed to Part II, where a headnote outlines the main scholarly views of its structure and meaning. There are two indexes providing ready access to explanations of terms and proper names.

'Fascinating' The Times 'Blakeian in its singularity' New Statesman 'A wonderful adventure' Irish Times 'Rich, complex and original' Tom Holland 'A crisp, ambitious and thoroughly contemporary introduction' Times Literary Supplement Poet, artist, visionary and author of the unofficial English national anthem 'Jerusalem', William Blake is an archetypal misunderstood genius. In this radical new biography, we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion to look afresh at Blake's life and work - and, crucially, his mind. Taking the reader on wild detours into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into context and shows us how Blake can help us better understand ourselves.

William Blake, poet and artist, is a figure often understood to have 'created his own system'. Combining close readings and detailed analysis of a range of Blake's work, from lyrical songs to later myth, from writing to visual art, this collection of thirty-eight lively and authoritative essays examines what Blake had in common with his contemporaries, the writers who influenced him, and those he influenced in turn. Chapters from an international team of leading scholars also attend to his wider contexts: material, formal, cultural, and historical, to enrich our understanding of, and engagement with, Blake's work. Accessibly written, incisive, and informed by original research, William Blake in Context enables readers to appreciate Blake anew, from both within and outside of his own idiom.