As with many young artists of the Santa Fe art colony, Willard Clark, the recognized American printmaker, was on his way to somewhere else when he landed in Santa Fe in 1928. He ended up spending a lifetime there creating a unique body of wood engravings. Carving his own wood blocks as illustrations for commercial job printing, Clark's illustrations and original typographic design came to define the look of Santa Fe as a destination for travelers in the 1930s and '40s seeking southwestern experiences and colorful locales. Originally released in a hand-bound limited edition, Willard Clark: Printer & Printmaker is being reissued in an expanded trade edition that includes numerous black-and-white and color illustrations of the beautiful woodblock illustrations that made Clark famous. This is the definitive work on Clark and explores both his life and his printmaking. Clark trained at the Grand Central School of Art in New York City and then studied with Charles W. Hawthorne, founder of the Cape Cod School of Art in Provincetown, before moving to study commercial art in Indianapolis. Clark's training served him well when he became Santa Fe's fulltime job printer, handling the commercial work for the local hotels, restaurants, and the social and business scene. Included in Willard Clark: Printer & Printmaker are illustrations of his menus, "do not disturb" signs, letterhead, and advertisements, all created with the finely crafted artistic sensibility that came to define the look of Santa Fe and record some of its richest cultural moments. His images: burros laden with wood, Spanish women clad in shawls, adobe churches and village became synonymous with the city, but also developed a newcategory in American art as well. Collectors vigorously seek Clark's prints because of their beauty of subject, their artistry, and the technical precision Clark applied to his craft. This book is a must for anyone interested in folk art, printmakers and printmaking, New Mexican art and culture, and the beautiful renderings of internationally renowned artist Willard Clark.

The Collector’s Guide strives to be a trusted partner in the business of art by being the most knowledgeable, helpful and friendly resource to New Mexico’s artists, art galleries, museums and art service providers. Through a printed guidebook, the World Wide Web and weekly radio programs, we serve art collectors and others seeking information about the art and culture of New Mexico.

This volume presents 48 hand-carved woodcuts depicting daily activities suchs weaving, baking, building, singing, and worship as observed in Santa Fe,ew Mexico during the period 1928 to 1943. Each etching is accompanied byeminiscences of the artist. Willard Clark (1910-1992) was a printmaker a

This fascinating collection examines murder jurisprudence—the social rules that govern the arrest, trial, and punishment of people accused of murder—in the United States from the colonial period to the present. The contributors show how changing social mores have influenced the application of murder law by highlighting the ways cultural biases like racism, changing ideas about childhood and insanity, and the ameliorative effects of middle class status and paternal imagery both helped and handicapped persons accused of murder. Such famous cases as the Lizzie Borden axe murder and African American activist Abu-Jamal's murder trial are included.

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