During this story of Princess Nadia’s fun-filled adventure, Princess Nadia learns the meaning of true friendship. While searching for a friend on an African safari, she discovers she’s had one by her side all along. This is a positive and fun story your children will love!

Little Hippo wants to play with his Grandpa, but Grandpa is busy. Lift the flaps to find out just when he'll be ready to play.

It's a story about what you can listen to. So many instrutments has been made to proform the most beautiful music. You can think of all the sound that you can hear from the music that is being made.

Second book in series by authors Sally Miller and Cheri Mueller Inspires mothers to draw closer to God through relationships with their children and each other. Follow up to the successful Walk With Me (FaithWalk 2005). Two young moms, writers, and fellow Wheaton College grads weave personal stories, recipes, and poetry around the theme of seeing God through the eyes of their children. Play With Me inspires women to celebrate the sacred beauty of God in ordinary life by following their children'' simple, playful, forward-tumbling lead. The authors share honestly about their mothering challenges and joys while rejoicing in the shared gift of life with children. Sally Miller is a freelance writer and conference speaker who lives with her husband and three children in a Chicago suburb. She has been published in several publications and is author of: Girl Talk . . . God Talk: What My Friends Have Taught Me About Prayer (Harvest House 2006) and co-author of Walk With Me: Two Friends on a Spiritual Journey Together (FaithWalk 2005). Cheri Mueller is a freelance writer, speaker and teacher who has a passion for people with disabilities.She served in the social work field for over ten years before settling into a Minneapolis suburb with her husband and three children. Cheri is co-author of Walk With Me: Two Friends on a Spiritual Journey Together (FaithWalk 2005).

A Caldecott Honor Book Out in a meadow, a little girl just wants to play, but the animals keep running away. Until she sits still by the pond, and they all come back to her. Teaching patience and gentleness this classic story is wonderful for children of all ages.

Ernest Hemingway is considered as one of the greatest American novelist, short-story writer, and journalist. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fiction, while his adventurous lifestyle and his public image brought him admiration from later generations. Moreover, his prolific and influential writing brought him the much-coveted Nobel Prize in Literature in 1954. The present edition brings to you his world-famous works for your absolute reading pleasure. Contents: Novels & Novellas: The Torrents of Spring The Sun Also Rises A Farewell to Arms For Whom the Bell Tolls Across the River and into the Trees The Old Man and the Sea Short Stories Collection: Three Stories and Ten Poems In Our Time (1924 edition) In Our Time (1930 edition) Men Without Women Winner Take Nothing Non-Fiction: Death in the Afternoon Green Hills of Africa

Who of us cannot remember the pain and humiliation of being rejected by our classmates? However thick-skinned or immune to such assaults we may become as adults, the memory of those early exclusions is as palpable to each of us today as it is common to human experience. We remember the uncertainty of separating from our home and entering school as strangers and, more than the relief of making friends, we recall the cruel moments of our own isolation as well as those children we knew were destined to remain strangers. In this book Vivian Paley employs a unique strategy to probe the moral dimensions of the classroom. She departs from her previous work by extending her analysis to children through the fifth grade, all the while weaving remarkable fairy tale into her narrative description. Paley introduces a new rule—“You can’t say you can’t play”—to her kindergarten classroom and solicits the opinions of older children regarding the fairness of such a rule. We hear from those who are rejected as well as those who do the rejecting. One child, objecting to the rule, says, “It will be fairer, but how are we going to have any fun?” Another child defends the principle of classroom bosses as a more benign way of excluding the unwanted. In a brilliant twist, Paley mixes fantasy and reality, and introduces a new voice into the debate: Magpie, a magical bird, who brings lonely people to a place where a full share of the sun is rightfully theirs. Myth and morality begin to proclaim the same message and the schoolhouse will be the crucible in which the new order is tried. A struggle ensues and even the Magpie stories cannot avoid the scrutiny of this merciless pack of social philosophers who will not be easily caught in a morality tale. You Can’t Say You Can’t Play speaks to some of our most deeply held beliefs. Is exclusivity part of human nature? Can we legislate fairness and still nurture creativity and individuality? Can children be freed from the habit of rejection? These are some of the questions. The answers are to be found in the words of Paley’s schoolchildren and in the wisdom of their teacher who respectfully listens to them.