A laugh-out-loud romantic comedy from top 10 bestseller Portia MacIntosh When life goes off track sometimes the only thing you can do is go back to where it all began... Emmy Palmer is the star of Bragadon Forest, the biggest fantasy series on TV; adored by the public, living the life of glamour and luxury in London. But when scandal breaks, Emmy must escape the city and return to her seaside hometown to lie low and wait for the storm to pass. And as tragedy strikes for her family, it is good timing to go back to her roots. Emmy's agent decides it would be a good look to star in the community Christmas pantomime, but who else could be playing her leading man but her ex-boyfriend who she may or may not have ditched to move to London a decade ago... As the show approaches, love and friendships blossom and the real question is - Will they? Won't they? The brand new laugh-out-loud romantic comedy from top 10 bestseller Portia MacIntosh, guaranteed to put a smile on your face this winter. Praise for Portia MacIntosh: 'A hilarious, roaringly fun, feel good, sexy read. I LOVED it!' Holly Martin 'This is a heartwarming fun story, perfect for several hours of pure escapism.' Jessica Redland 'Super-romantic and full of festive spirit. I loved it!' Mandy Baggot

Onscreen, they’re in love. Offscreen, they can’t stand each other. From the author of How to Fake It in Hollywood comes “a sexy lovers-to-enemies-to-lovers romance that smolders then bursts into flames” (Abby Jimenez, New York Times bestselling author of Part of Your World). “Wilder takes readers behind the scenes of a television shoot in this fun contemporary romance. . . . Fans of Emily Henry and Christina Lauren should check this out.”—Publishers Weekly Lilah Hunter and Shane McCarthy are madly in love—at least, their characters are. As the stars of the hit paranormal TV show Intangible, Lilah and Shane spent years pining for each other onscreen . . . until Lilah ditched the show at the end of season five in hopes of becoming a movie star. With no such luck, she’s back to film the much-hyped ninth and final season, in which Lilah and Shane’s characters will get together at last. But coming back means facing one of the biggest reasons she left: Shane. Ever since their secret behind-the-scenes fling imploded at the end of season one, the two of them have despised each other. Now reunited on set for the first time in years—with the world’s eyes on them and their post-show careers on the line—they’ll have to grit their teeth and play nice. But under pressure to give Intangible’s fans the happy ending they’ve been waiting for, Lilah and Shane are forced to get closer than ever. And if they’re not careful, they might just get blindsided by one final twist: a real-life happy ending of their own.

ONCE YOU LET THEM IN The lights are on at the Singleton vacation home on Lopez Island, Washington, illuminating the horror within. Scott Singleton, former NFL star turned television evangelist, lies dead. The bodies of his wife and four of their five children are found on the second floor, bound, gagged, and stabbed repeatedly. The oldest daughter was shot downstairs. And the police’s main suspect—the property caretaker—has disappeared. THEY WILL NEVER In her secluded vineyard home two hours away, Laura Gretchell is on edge. Her husband is out of town on business, and the children are understandably shaken. Laura tries to tell herself there’s no reason to fear. Then the door handle rattles, and the real terror begins. LET YOU GO They’re in her house, holding her children hostage, and Laura has only one option: do exactly what the intruders say. But as Laura races to find the information they seek, she realizes that the enemies within her own home are only part of the nightmare. Because someone wants to keep the truth hidden at any cost, no matter how many more must die . . . Praise for Kevin O’Brien’s You’ll Miss Me When I’m Gone “The suspense builds from page one and ends with a climax you won’t see coming.” —Suspense Magazine

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...

Lyrical and radical, a debut novel that created a sensation in France Winner of the Prix Goncourt for first novel, one of the most prestigious literary awards in France A young revolutionary plants a bomb in a factory on the outskirts of Algiers during the Algerian War. The bomb is timed to explode after work hours, so no one will be hurt. But the authorities have been watching. He is caught, the bomb is defused, and he is tortured, tried in a day, condemned to death, and thrown into a cell to await the guillotine. A routine event, perhaps, in a brutal conflict that ended the lives of more than a million Muslim Algerians. But what if the militant is a “pied-noir”? What if his lover was a member of the French Resistance? What happens to a “European” who chooses the side of anti-colonialism? By turns lyrical, meditative, and heart-stoppingly suspenseful, this novel by Joseph Andras, based on a true story, was a literary and political sensation in France, winning the Prix Goncourt for First Novel and being acclaimed by Le Monde as “vibrantly lyrical and somber” and by the journal La Croix as a “masterpiece”.

Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! What's a contraction? You'll find the answer inside this book―it's brimming with contractions! Brian P. Cleary's playful rhymes and Brian Gable's humorous illustrations don't shy away from creatively clarifying the concept of contractions. For easy identification, we've printed the contractions in color. You won't want to miss the comical cats that reinforce each idea. I'm and Won't, They're and Don't: What's a Contraction? turns traditional grammar lesson on end. Read this book aloud and share in the delight of the sense―and nonsense―of words.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.