“Readers will be entranced by this exceptional offering.” —Publishers Weekly (starred review) “By turns a mystery, a thriller, and an adventure, this richly woven story will provide much for readers to tease apart long after it’s finished.” —Booklist (starred review) “Thought-provoking and intense.” —Kirkus Reviews “A survival story in its truest sense.” —BCCB The threat of two escaped convicts and a missing friend lead Lizzie on a harrowing journey through the wilds of the Adirondacks in this captivating mystery from National Book Award finalist Beth Kephart. Thirteen-year-old Lizzie’s favorite place in the world is her uncle’s cabin. Uncle Davy’s renovated schoolhouse cabin, filled with antiques and on the edge of the Adirondacks, disconnected from the rest of the world, is like something out of a fairy tale. And an escape from reality is exactly what Lizzie needs. Life hasn’t been easy for Lizzie lately. Her father abandoned their family, leaving Lizzie with her oftentimes irresponsible mother. Now, her mom has cancer and being unable to care for Lizzie during her chemotherapy, asks Lizzie where she’d like to spend the summer. The answer is simple: Uncle Davy’s cabin. Lizzie loves her uncle’s home for many reasons, but the main one is Matias, Uncle Davy’s neighbor and Lizzie’s best friend. Matias has proportionate dwarfism, but that doesn’t stop him and Lizzie from wandering in the woods. Every day they go to their special spot where Matias paints with watercolors and Lizzie writes. Until one day when Matias never arrives. When news breaks about two escaped convicts from the nearby prison, Lizzie fears the worst. And when Uncle Davy goes missing, too, Lizzie knows she’s the only one who knows this area of woods well enough to save them. Armed with her trusted Keppy survival book, Lizzie sets out into the wilds of the Adirondacks, proving just how far she’ll go to save the people she loves.

Discusses the development of Tucson, Arizona, and its impact on local environment, describes the beauty and fragility of the Catalina Mountains, and argues that they must be protected

To do with the calling of loons, with northern lights, and the great silences of land lying northwest of Lake Superior. It is concerned with the simple joys, the timelessness and perspective found in a way of life which is close to the past. I have heard the singing in many places, but I seem to hear it best in the wilderness lake country of the Quetico-Superior, where travel is still by pack and canoe over the ancient trails of the Indians and voyageurs." Thus the author sets the theme and tone of this enthralling book of discovery about one of the few great primitive areas in our country which have withstood the pressures of civilization. Acute natural perceptivity and a profound knowledge of the relationships to be found in nature combine here in vivid evocations of the sights, the sounds, the vast stillnesses, and the events of the wilderness as the seasons succeed each other. But Mr. Olson is not content merely to "describe; he probes for meanings that will lead the reader to a different and more revealing way of looking at the out-of-doors and to a deeper sense of its eternal values. In each of the thirty-four chapters of The Singing Wilderness he has sought to capture an essential quality of our magnificent lake and forest heritage. He shows us what can be read from the rocks of the great Canadian Shield; he offers a delightful essay on the virtues of pine knots as fuel; he writes of the ways of a canoe, of flashing trout in the pools of the Isabella, of tamarack bogs, caribou moss, the flight of wild geese, timber wolves, and the birds of the ski trails. And much more, with something to satisfy every taste for wilderness experience. Superbly illustrated with 38 black-and-white drawings by Francis Lee Jaques, The Singing Wilderness is a book that no lover of nature will want to be without. To anyone who contemplates a vacation in the lake country of northern Minnesota and adjoining Canada, it is the perfect vade mecum.

In her early thirties and an aspiring literary journalist, Sarah Menkedick joins her baby brother Jackson and his precious Honda, the ”Jackwagon,” for fourteen transformative days on an east-coast backpacking adventure. The two cross mountains and by the end—exhausted to the core and unshowered—they reflect on the trajectory of their lives, the music they make and listen to, the principles to which they strive, and the disillusionment one can encounter after years of doggedly pursuing a passion. With only each other for company, they escape the trappings of their material lives. Together, they learn to heal, to love, and finally—to listen to one another. A Vintage Shorts Original. A ebook short.

China Bayles isn't happy when a Texas wind blows her husband's ex-wife, and the mother of China's stepson, into her herb shop. Sally is known to have a split personality and fall into constant trouble with the law, but she claims she has nowhere else to turn. Now its up to China to weed out whatever it is Sally's running from before the truth catches up to them all.

The personal diaries of one of America’s best-loved naturalists, revealing his difficult and inspiring path to finding his voice and becoming a writer Few writers are as renowned for their eloquence about the natural world, its power and fragility, as Sigurd F. Olson (1899–1982). Before he could give expression to The Singing Wilderness, however, he had to find his own voice. It is this struggle, the painstaking and often simply painful process of becoming the writer and conservationist now familiar to us, that Olson documented in the journal entries gathered here. Written mostly during the years from 1930 to 1941, Olson’s journals describe the dreams and frustrations of an aspiring writer honing his skills, pursuing recognition, and facing doubt while following the academic career that allowed him to live and work even as it consumed so much of his time. But even as he speaks with immediacy and intensity about the conditions of his apprenticeship, Olson can be seen developing the singular way of observing and depicting the natural world that would bring him fame—and also, more significantly, alert others to the urgent need to understand and protect that world. Author of Olson’s definitive biography, editor David Backes brings a deep knowledge of the writer to these journals, providing critical context, commentary, and insights along the way. When Olson wrote, in the spring of 1941, “What I am afraid of now is that the world will blow up just as I am getting it organized to suit me,” he could hardly have known how right he would prove to be. It is propitious that at our present moment, when the world seems once more balanced on the precipice, we have the words of Sigurd F. Olson to remind us of what matters—and of the hard work and the wonder that such a reckoning requires.