"Countless Michiganian women performed extraordinary acts that challenged and improved the world. Madame Marie-Therese Cadillac served as the medicine woman in the frontier that became Detroit. Annie Taylor survived rolling over Niagara Falls in a barrel. After suffragist Anna Howard Shaw fought to vote, the state saw an influx of women running for office. In the 1970s, East Lansing's Patricia Beeman aided in efforts to end apartheid in South Africa. Suellen Finatri showcased an extreme side of equestrian sports by riding more than four thousand miles from St. Ignace to Skagway, Alaska. And World War II army flight nurse Aleda Lutz evacuated more than 3,500 wounded soldiers and is still recognized as one of America's most decorated servicewomen. Author and historian Norma Lewis commemorates the women who boldly left their marks."--Back cover.

Wild Women of Michigan commemorates the women of this state who boldly left their marks. Countless Michiganian women performed extraordinary acts that challenged and improved the world. Madame Marie-Therese Cadillac served as the medicine woman in the frontier that became Detroit. Annie Taylor survived rolling over Niagara Falls in a barrel. After suffragist Anna Howard Shaw fought to vote, the state saw an influx of women running for office. In the 1970s, East Lansing's Patricia Beeman aided in efforts to end apartheid in South Africa. Suellen Finatri showcased an extreme side of equestrian sports by riding more than four thousand miles from St. Ignace to Skagway, Alaska. And World War II army flight nurse Aleda Lutz evacuated more than 3,500 wounded soldiers and is still recognized as one of America's most decorated servicewomen. Author and historian Norma Lewis commemorates the women who boldly left their marks.

Includes author's note, a reading group guide with discussion questions, and an excerpt from Blackbirds.

Pays tribute to the women behind the local, sustainable, and quality foods of northwestern Michigan. Northern Harvest: Twenty Michigan Women in Food and Farminglooks at the female culinary pioneers who have put northern Michigan on the map for food, drink, and farming. Emita Brady Hill interviews women who share their own stories of becoming the cooks, bakers, chefs, and farmers that they are today—each even sharing a delicious recipe or two. These stories are as important to tracing the gastronomic landscape in America as they are to honoring the history, agriculture, and community of Michigan. Divided into six sections, Northern Harvest celebrates very different women who converged in an important region of Michigan and helped transform it into the flourishing culinary Eden it is today. Hill speaks with orchardists and farmers about planting their own fruit trees and making the decision to transition their farms over to organic. She hears from growers who have been challenged by the northern climate and have made exclusive use of fair trade products in their business. Readers are introduced to the first-ever cheesemaker in the Leelanau area and a pastry chef who is doing it all from scratch. Readers also get a sneak peek into the origins of Traverse City institutions such as Folgarelli’s Market and Wine Shop and Trattoria Stella. Hill catches up with local cookbook authors and nationally known food writers. She interviews the founder of two historic homesteads that introduce visitors to a way of living many of us only know from history books. These oral histories allow each woman to tell her story as she chooses, in her own words, with her own emphasis, and her own discretion or indiscretions. Northern Harvest is a celebration of northern Michigan’s rich culinary tradition and the women who made it so. Hungry readers will swallow this book whole.

A delightful collection of 150 profiles of women who refused to confine themselves to the nineteenth-century Victorian model for proper womanhood. During the Victorian era, a woman’s pedestal was her prison . . . “Women should not be expected to write, or fight, or build, or compose scores. She does all by inspiring man to do all.” —Ralph Waldo Emerson “There is nothing more dangerous for a young woman than to rely chiefly upon her intellectual powers, her wit, her imagination, her fancy.” —Godey’s Lady’s Book magazine But, scores of nineteenth-century American women chose to live life on their terms. In this book you will meet women who refused to remain on a Victorian pedestal. In San Francisco, a courtesan appeared as a plaintiff in court, suing her clients for fraud. In Montana, a laundress in her seventies decked a gentleman who refused to pay his bill. A forty-three-year-old schoolteacher plunged down Niagara Falls in a wooden barrel. A frail lighthouse keeper pulled twenty-two sinking sailors out of the ocean off Rhode Island. A pair of Colorado madams fought a public pistol duel over their mutual beau. Two lady lovebirds were legally wed in Michigan. An ad hoc abolitionist spirited away scores of slaves on the Underground Railroad. A Secessionist spy swallowed a secret message as she was arrested, claiming that no one could capture her soul. Featuring fifty black-and-white photos from the era. Perfect for fans of Women Who Run with the Wolves or Badass Affirmations. Praise for Wild Women “A fantastic read with unforgettable woman from across the world. I love this groundbreaking and fascinating book of wonderful women!” —Becca Anderson, author of The Book of Awesome Women

Henrietta's parents call her the "Wild Woman of Borneo, " so she decides to have herself mailed there for a visit.

Winner of the Walt Whitman Award of the Academy of American Poets, selected by Harryette Mullen By turns aggressively reckless and fiercely protective, always guided by faith and ancestry, Threa Almontaser’s incendiary debut asks how mistranslation can be a form of self-knowledge and survival. A love letter to the country and people of Yemen, a portrait of young Muslim womanhood in New York after 9/11, and an extraordinarily composed examination of what it means to carry in the body the echoes of what came before, Almontaser’s polyvocal collection sneaks artifacts to and from worlds, repurposing language and adapting to the space between cultures. Half-crunk and hungry, speakers move with the force of what cannot be contained by the limits of the American imagination, and instead invest in troublemaking and trickery, navigate imperial violence across multiple accents and anthems, and apply gang signs in henna, utilizing any means necessary to form a semblance of home. In doing so, The Wild Fox of Yemen fearlessly rides the tension between carnality and tenderness in the unruly human spirit.