Witnessing the death of a Tanoah man during a buffalo stampede, Bureau of Land Management agent Jamaica Wild begins to suspect that the man's demise may not have been accidental and evaluates the evidence at the side of her Pueblo surrogate grandmother and an adopted wolf cub. Reprint.

Enter the colourful world of Indigo Wilde and the magical creatures who live at Jellybean Crescent. When a highly dangerous new arrival goes missing, the race is on to catch it before disaster strikes ... A wonderfully wild new series for readers of 7+ and fans of Pippi Longstocking and Amelia Fang. 'Vibrant and spectacular' The Sunday Times Discovered in the Unknown Wilderness when she was just a baby, Indigo Wilde was adopted by World-Famous Explorers, Philomena and Bertram, who are always off adventuring. Home for Indigo and her little brother, Quigley, is 47 Jellybean Crescent, a crazy and colourful house full of magical creatures that her parents have taken in over the years. There's Fishkins, a purrmaid - half-cat, half-fish, and ALWAYS grumpy; Graham, a llama-corn with a particular taste for tinsel; Olli and Umpf - bright pink and blue yetis who can't blend in to the snow, and that's to name just a few of the creatures. And now Indigo's parents have sent another Monster Mail delivery to Indigo and Quigley. But this time, the box is empty, and the escaped creature is running rampage around the house. The race is on to catch the creature before it's too late ... First in a new series by Pippa Curnick, this is gorgeously illustrated in full colour throughout.

The Indigo Scarf chronicles the crossing lives of escaped slaves Jedediah James and George Sharpe as they flee with their white wives into the wilderness of Pennsylvania's Sinnemahone country, on the upper reaches of the West Branch of the Susquehanna River, during the frontier decades after Pennsylvania's last Indian purchase. The novel opens, however, in 1882 in Washington's Baltimore and Potomac Railroad station. Narrator Anna Maria Sharpe is departing for the backwoods of north-central Pennsylvania, which she fled in her teens doubtful of her identity. She encounters Benjamin James, now a drifting, alcoholic longshoreman, who'd been implicated in the murder of his brother during Anna Maria's childhood. Benjamin decides to join her on the journey. Along the way, we follow the tale of the founders of their sordid hideaway settlement: his father, the infamous ex-slave Jedediah James; George Sharpe, a former indentured grist-miller whom Anna Maria believes was her grandfather; and the white women they had escaped with to the wild Sinnemahone country, Sarah James and Rosanna Sharpe. Through the story, Anna Maria learns that the man Benjamin had been accused of murdering had been her father, and the murderer, her half-brother. Benjamin's account of the life of Jedediah James reveals a fatal obsession with ownership driving this freed slave toward his reckoning. Hostilities build to a head between James and his wife's father-the august revolutionary war veteran Samson Starret-as well as Sarah's ex-suitor, Williamsport's Thomas Tillman, a man fixated on this woman whom an ex-slave stole from him on the eve of their arranged marriage. The scenes of The Indigo Scarf take the reader from a plantation in Virginia's tidewater region to the tragic end of a whiskey and timber-pirating operation on the Susquehanna's un-peopled and feral West Branch during the frontier decades after Pennsylvania's last Indian purchase.

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Love's Spirit To the Cherokee who raised her she was "Wanders Lost," a white orphan in a land ravaged by revolution. To the Moravains of Salem, North Carolina, she was Mary Margaretha, a spirited young woman barely civilized by her years among their prim sisters. To rugged Jacob Blum she was Retha, his new bride, a blazing beauty who stirred his blood. Love's Promise Drawn by a passion that matched Jacob's own, Retha wanted nothing more than to be a loving wife. Yet before she could completely give herself to Jacob, she had to overcome the ghost of her mysterious past, a past whose memories made her tremble at the very touch she so deeply craved.

'One of the best books I've read in the last five or ten years... Wild is angry, brave, sad, self-knowing, redemptive, raw, compelling, and brilliantly written, and I think it's destined to be loved by a lot of people, men and women, for a very long time.' Nick Hornby