First in the Wild series from the New York Times-bestselling author, a captivating tale of forbidden—but irresistible—love in the Old West. Stephanie Helton has long heard tales of the white boy the Navaho kidnapped and called Runner, impressed by his speed. Now he is a man, destined to be his adopted people's leader. Thanks to her father's status with the Santa Fe Railroad, Stephanie has been hired to photograph the enchanting Southwest—and will soon meet Runner in the flesh. An inexplicable thrill runs through her at the idea—but the reason becomes clear the moment she and the powerful, darkly sensual man lock eyes. The force between them can only lead to stolen kisses and overwhelming desire . . . But as the railroad betrays the Navaho nation, Runner soon finds his soul in torment. Can he lead his people yet join his destiny with this woman? Stephanie knows only that her heart may break. For how can she be both Runner's love, and his enemy . . . Praise for Cassie Edwards “Breathtaking . . . Cassie Edwards is one of the leading writers of historical Native American romance.” —Fresh Fiction “Cassie Edwards captivates with white hot adventure and romance.” —Karen Harper “A sensitive storyteller who always touches readers' hearts.” —RT Book Reviews “Edwards moves readers with love and compassion.” —Bell, Book & Candle

First He Drove Her Mad In what feels like a moment, Beatrice Edmund goes from being a proper lady cooped up in a stuffy Scottish castle to traveling miles from anything she's ever known, in the midst of the wildest adventure of her life. And at the center of that adventure is the most infuriating, puzzling scoundrel on earth. She cannot take her eyes off him. Then He Drove Her Wild Colin Fitch cannot deny he's drawn to Beatrice--but lust is all he could possibly feel for the sharp-tongued minx. Still, if there's a chance she can help him stop the madman he pursues, he must withstand her obvious disapproval. Yet withstanding the longing he feels for her is growing more troublesome by the second. . . And Colin has never been terribly good at staying out of trouble. . .

In Wild Things Jack Halberstam offers an alternative history of sexuality by tracing the ways in which wildness has been associated with queerness and queer bodies throughout the twentieth century. Halberstam theorizes the wild as an unbounded and unpredictable space that offers sources of opposition to modernity's orderly impulses. Wildness illuminates the normative taxonomies of sexuality against which radical queer practice and politics operate. Throughout, Halberstam engages with a wide variety of texts, practices, and cultural imaginaries—from zombies, falconry, and M. NourbeSe Philip's Zong! to Maurice Sendak's Where the Wild Things Are and the career of Irish anticolonial revolutionary Roger Casement—to demonstrate how wildness provides the means to know and to be in ways that transgress Euro-American notions of the modern liberal subject. With Wild Things, Halberstam opens new possibilities for queer theory and for wild thinking more broadly.

I'm not supposed to want him, but I do. I'm not supposed to need him, but I can't stop. I'm not supposed to love him, but my heart won't listen. Most of all? I'm definitely, under no circumstances, supposed to sleep with him. Grant "Wrecker" Harrison spent three years of his life locked away. He's out and he's tired of hiding. He wants everyone, even his father Judge President of the Death Lords MC, to know she's his. Chelsea Weaver loves Grant even though she knows its wrong. She knew it was wrong when she gave him her virginity and she knows it's still wrong three years later...because Grant's her stepbrother and Judge is the only father she's ever known.

Cliff Azaria’s Collection contains four books by Cliff Azaria: 1. The Second Mozart. A Practical Guide to Becoming Successful and Wealthy 2. How to Make $100 000 000 with the Covered Fire Method. A Practical Guide 3. The Pact with the God of Success. A Practical Guide for Reaching Success and Wealth 4. The Touch. A Novel The first three items in the Collection are self-development books, while the fourth one is a captivating novel. Download the Collection on your phone, tablet, laptop or desktop and start reading immediately. Enjoy!

Love letters are potent. They breathe. They speak. They can arouse, comfort, captivate. They can also cut deep. The powerful, deeply personal letters collected here reveal the painful underside of love. Witness Winston Churchill 'growl with anger to be treated with benevolent indifference' and Edith Piaf reel in the throes of a 'terrible' passion. Through the letters of literary icons Charlotte Brontë, Oscar Wilde and Virginia Woolf, Hollywood stars Elizabeth Taylor and Richard Burton and statesmen Henry VIII and Franklin D. Roosevelt, Yours Always offers an unusually intimate insight into the lives of such illustrious figures. Love is revealed here in its many shades of disharmony and confusion: unrequited, uncertain, imbalanced, unconventional, thwarted, failed and forbidden. Love is not always rose-tinted, and Yours Always illuminates the sorrows that can accompany falling in, falling out, and staying in love. Includes letter to and from: Charlotte Brontë, Richard Burton, Lord Byron, Winston Churchill, Marie Curie, Charles Dickens, Ernest Hemingway, Henry VIII, Ted Hughes, Graham Greene, Franz Kafka, Marilyn Monroe, Iris Murdoch, Edith Piaf, Franklin D. Roosevelt, Elizabeth Taylor, Oscar Wilde, Virginia Woolf, W.B. Yeats

Focusing on the turbulent years between the execution of Charles I and the triumph of William III, Steven N. Zwicker reads English literature as a series of brilliant and deeply engaged polemical contests. Zwicker juxtaposes overtly polemical writings—pamphlets, broadsides, and ballads—with canonical works, including epic, historical verse, tragedy, and satire, in order to demonstrate how literature not only reflected on political action but also formed an important site of political exchange. Zwicker maintains that the sources of Restoration culture lay within the civil war years of the 1640s and that the memory of those years shaped writing and politics for the remainder of the century. In sensitive readings of such classic texts as Walton's Compleat Angler, Marvell's First Anniversary and Last Instructions, Milton's Paradise Lost, Dryden's Annus Mirabilis and Absalom and Achitophel, and Locke's Two Treatises of Government, he shows how these texts both engaged with pamphlet, squib, and broadside and challenged one another over the possession of cultural authority. Zwicker's analysis provides a new understanding of the connections between politics and aesthetics in the later seventeenth century and an appreciation for the texture of this culture. Successfully integrating literary history and political analysis, Lines of Authority will be valuable reading for a broad audience in the fields of Restoration and Protectorate literature, literary history, cultural and intellectual history, and the history of political thought.