Critically-acclaimed author Leah Thomas blends a small-town setting with the secrets of a long-ago crime, in a compelling novel about breaking free from the past. In Samsboro, Kentucky, Kalyn Spence's name is inseparable from the brutal murder her father committed when he was a teenager. Forced to return to town, Kalyn must attend school under a pseudonym . . . or face the lingering anger of Samsboro's citizens, who refuse to forget the crime. Gus Peake has never had the luxury of redefining himself. A Samsboro native, he's either known as the "disabled kid" because of his cerebral palsy, or as the kid whose dad was murdered. Gus just wants to be known as himself. When Gus meets Kalyn, her frankness is refreshing, and they form a deep friendship. Until their families' pasts emerge. And when the accepted version of the truth is questioned, Kalyn and Gus are caught in the center of a national uproar. Can they break free from a legacy of inherited lies and chart their own paths forward?

Following up her acclaimed debut, Because You'll Never Meet Me, Leah Thomas continues the stories of Ollie and Moritz in another heart-warming story of unique friendship

William C. Morris YA Debut Award finalist Leah Thomas crafts a wholly unique and compelling story about the aftermath of a family’s alien encounter.

The bestselling story of a real-life Crocodile Dundee. the bestselling story of a real-life Crocodile Dundee. In this remarkable memoir, tom Cole tells the stories of his life in the outback during the 1920s and 1930s. With great humour and drama, he recounts his adventures as a drover and stockman in the toughest country in Australia and later on as a buffalo shooter and crocodile hunter in the Northern territory before the war. First published in 1988 and having sold over 100 000 copies, Hell West and Crooked is perfect for anyone who enjoys a classic outback yarn. 'A real-life story of the pioneering days of the top End that out-adventures anything fiction writers could hope to produce.' - tHE WESt AUStRALIAN 'tom Cole is a living legend, a real-life Crocodile Dundee. His stories paint a vivid picture of wild and exciting times in the Australian outback.' - MELBOURNE SUNDAY EXPRESS 'A story of the outback and cattlemen and women, stripped of glamour, that will become an Australian classic to rub covers with authors like Ion Idriess.' - GOLD COASt BULLEtIN

Into the Crooked Place begins a gritty two-book YA fantasy series from Alexandra Christo, the author of To Kill a Kingdom. The streets of Creije are for the deadly and the dreamers, and four crooks in particular know just how much magic they need up their sleeve to survive. Tavia, a busker ready to pack up her dark-magic wares and turn her back on Creije for good. She’ll do anything to put her crimes behind her. Wesley, the closest thing Creije has to a gangster. After growing up on streets hungry enough to swallow the weak whole, he won’t stop until he has brought the entire realm to kneel before him. Karam, a warrior who spends her days watching over the city’s worst criminals and her nights in the fighting rings, making a deadly name for herself. And Saxony, a resistance fighter hiding from the very people who destroyed her family, and willing to do whatever it takes to get her revenge. Everything in their lives is going to plan, until Tavia makes a crucial mistake: she delivers a vial of dark magic—a weapon she didn’t know she had—to someone she cares about, sparking the greatest conflict in decades. Now these four magical outsiders must come together to save their home and the world, before it’s too late. But with enemies at all sides, they can trust nobody. Least of all each other.

From the #1 New York Times bestselling authors: Racing to uncover the mystery of several severed feet found floating in the Gulf of Mexico, Agent Pendergast is faced with the most inexplicable challenge of his career. A startling crime with dozens of victims. Appearing out of nowhere to horrify the quiet resort town of Sanibel Island, Florida, dozens of identical, ordinary-looking shoes float in on the tide and are washed up on the tropical beach—each one with a crudely severed human foot inside. A ghastly enigma with no apparent solution. Called away from vacation elsewhere in the state, Agent Pendergast reluctantly agrees to visit the crime scene—and, despite himself, is quickly drawn in by the incomprehensible puzzle. An early pathology report only adds to the mystery. With an ocean of possibilities confronting the investigation, no one is sure what happened, why, or from where the feet originated. And they desperately need to know: are the victims still alive? A worthy challenge for a brilliant mind. In short order, Pendergast finds himself facing the most complex and inexplicable challenge of his career: a tangled thread of evidence that spans seas and traverses continents, connected to one of the most baffling mysteries in modern medical science. Through shocking twists and turns, all trails lead back to a powerful adversary with a sadistic agenda and who—in a cruel irony—ultimately sees in Pendergast the ideal subject for their malevolent research.

“May be destined to become one of the great underground classics of the twenty-first century.” —Lansing State Journal Burned-out private dick Michael McGill needs to jump-start his career. What he gets instead is a cattle prod to the crotch. The president’s heroin-addicted chief of staff wants McGill to find the Constitution—the real one the Founding Fathers secretly devised for the time of gravest crisis. And with God, civility, and Mom’s homemade apple pie already dead or dying, that time is now. But McGill has a talent for stumbling into every imaginable depravity—and this case is driving him even deeper into America’s darkest, dankest underbelly, toward obscenities that boggle even his mind. “Combines the noir sensibilities of Raymond Chandler with the grotesqueness of Chuck Palahniuk’s infamous short story ‘Guts’ and the acerbic social commentary of William S. Burroughs’s Naked Lunch.” —Chicago Tribune “Laugh-out-loud funny . . . a deeply inventive look at the undercurrents beneath the mainstream popular culture.” —Charlotte Observer “Not for the faint of heart.” —Entertainment Weekly