In this stunning picture book beautifully given form by Indigenous artist Lisa Kennedy, respected Elder Aunty Joy Murphy and Yarra Riverkeeper Andrew Kelly tell the story of one day in the life of the vital, flourishing Birrarung (Yarra River). As ngua rises, Bunjil soars over mountain ash, flying higher and higher as the wind warms. Below, Birrarung begins its long winding path down to palem warreen. Wilam - home. Yarra Riverkeeper Andrew Kelly joins award-winning picture book duo Aunty Joy Murphy and Lisa Kennedy to tell the Indigenous and geographical story of Melbourne's beautiful Yarra River, from its source to its mouth; from its pre-history to the present day.

The studies assembled in this volume are dedicated to the memory of Albert Baldein, a professional numismatist whose chief interest lay in helping other numismatists, professionals, students and collectors alike, some of whom record their appreciations here. The contributions, though they are drawn from a wide variety of fields - Greek, Roman, Dark Age, Byzantine, English, Scottish, Irish and European medieval coins, and medals - are all concerned with one or more facets of the theme set out in the title. Within the general concept, the essays deal with a diversity of subjects: * identification of mints * attribution of coins to specific mints * coinage current in particular periods * composition of groups of coins in a given series * establishment of the correct sequence of issues of such groups. The essays also demonstrate the use of particular numismatic techniques such as die-linking, the analysis of hoards and their statistics, the minute observation of changes in titulature and inscriptions and comparison of portrait styles. There is much new, exciting and well-illustrated material for numismatists, and chapters such as those on Scottish mints and Hadrian's COS III coins will be of interest to historians.

New York Timesbestselling author Ted Dekker brings an exotic tale of adventure and creates his most memorable character ever. The story of how I, Julian Carter, and my precious two-year old son, Stephen, left Atlanta Georgia and found ourselves on a white sailboat, tossed about like a cork on a raging sea off of Australia's northern tip in 1963, is harrowing. But it pales in comparison to what happened deep in the jungle where I was taken as a slave by a savage tribe unknown to the world. Some places dwell in darkness so deep that even God seems to stay away. There, my mind was torn in two by the gods of the earth. There, one life ended so another could begin. Some will say I was a fool for making the choices I made. But they would have done the same. They, too, would have embraced death if they knew what I knew, and saw through my eyes. My name is Julian and this is my story. But more, it is the story of my son who was born to change the world. From deep in the impenetrable jungles where New York Times bestselling author Ted Dekker was born and raised, comes OUTLAW, an epic adventure of two worlds that perhaps only he could write. Full of harrowing twists, sweeping violence, and wild love, Outlaw takes us beyond the skin of this world to another unseen.

Now a Netflix film starring and directed by Chiwetel Ejiofor, this is a gripping memoir of survival and perseverance about the heroic young inventor who brought electricity to his Malawian village. When a terrible drought struck William Kamkwamba's tiny village in Malawi, his family lost all of the season's crops, leaving them with nothing to eat and nothing to sell. William began to explore science books in his village library, looking for a solution. There, he came up with the idea that would change his family's life forever: he could build a windmill. Made out of scrap metal and old bicycle parts, William's windmill brought electricity to his home and helped his family pump the water they needed to farm the land. Retold for a younger audience, this exciting memoir shows how, even in a desperate situation, one boy's brilliant idea can light up the world. Complete with photographs, illustrations, and an epilogue that will bring readers up to date on William's story, this is the perfect edition to read and share with the whole family.

The king is dead! Long live the king! But this king is just ten years old and faces assassination attempts and treachery while his prime minister tries to keep him alive. To complicate things, not one, but two old foes are suddenly offering alliances. It's known that the Eagle practices slavery, but they offer trade. The Dawn is an unknown. Can Edwin of the Wolf survive his turbulent youth? Or does the prophecy speak of the baby brother still at his mother's breast? And who arranged the death of his other brothers?

​This Handbook provides the first comprehensive international overview of significant contemporary Indigenous architecture, practice, and discourse, showcasing established and emerging Indigenous authors and practitioners from Australia, Aotearoa New Zealand, the Pacific Islands, Canada, USA and other countries. It captures the breadth and depth of contemporary work in the field, establishes the historical and present context of the work, and highlights important future directions for research and practice. The topics covered include Indigenous placemaking, identity, cultural regeneration and Indigenous knowledges. The book brings together eminent and emerging scholars and practitioners to discuss and compare major projects and design approaches, to reflect on the main issues and debates, while enhancing theoretical understandings of contemporary Indigenous architecture.The book is an indispensable resource for scholars, students, policy makers, and other professionals seeking to understand the ways in which Indigenous people have a built tradition or aspire to translate their cultures into the built environment. It is also an essential reference for academics and practitioners working in the field of the built environment, who need up-to-date knowledge of current practices and discourse on Indigenous peoples and their architecture.

A revised Greek Text (the first in a century) and English translation (the first in any modern language) of the Art of Political Speech by a writer known as the Anonymous Seguerianus (ca. A.D. 200) and the Art of Rhetoric of Apsines of Gadara (ca. A.D. 230), with introduction, notes, and indices. These works provide evidence of how rhetoric was taught in Greek in the early centuries of the Roman Empire and show the continued development of an Aristotelian tradition before acceptance of the reorganization of the subject by Hermogenes. They complement each other in that the Anonymous was especially interested in debates about rhetorical theory, while Apsines' primary interest was in analysis of speeches of Demosthenes and other orators and in teaching declamation.