Reproduction of the original: Wieland, or The Transformation by Charles Brockden Brown

John Wieland is the first to admit his success is baffling. When an average joe turns a bankrupt company into a 30-branch business that now earns over $300 million in revenue and gives 10% of the company profits to ministries across the world, Wieland is the first to ask the question anyone who knows him is asking: how did that happen?His conclusion: business, family and faith affect each other in ways that few realize. Unlike many books that discuss faith, Wieland never preaches perfection. It's his honesty about his own struggles-between worship and human instinct, between sacrifice and indulgence, between sharing his love of God with others and appreciating people right where they are-that makes Uncommon Threads so unique. In it, Wieland uses the lens of his own life to tackle important topics such as hypocrisy, racism, abortion, parenting, religion and even what happens when you take someone into your home only to later find out that he shot a lady in the head and left her for dead.In the end, Wieland shows that family, business and faith are inescapably woven together and that the lessons you learn growing up can provide the values that serve you well throughout the rest of your life.His is the story of a life well-spent-thanks to its blending together of family, business and faith. The combination of self-deprecating tales of his foibles and touching moments of inspiration received from both his successes and failures make Uncommon Threads a must read.

The Far Shore (1976), made under the direction of celebrated visual artist and experimental filmmaker Joyce Wieland, is one of Canada's most innovative contributions to cinema. The film borrows elements from the life of Canadian painter Tom Thomson, who is represented by the character of Tom McLeod. The main character, however, is not Tom, but the fictional creation of Eulalie de Chicoutimi, the married Québécoise woman who loves him. Using Eulalie's perspective, Wieland was able to re-frame Thomson's life and story as a romantic melodrama while infusing it with subversive commentary on gender, nature and nationalism, and ultimately, on the value of art. Here, Wieland specialist Johanne Sloan offers a fascinating new perspective on The Far Shore, making it more accessible by discussing Wieland's utopian fusion of art and politics, the importance of landscape within Canadian culture, and the on-going struggle over the meaning of the natural environment.

Establishes the attitude which Weiland assumed with women during the various periods of his spiritual and intellectual growth and to give due prominence to the liberality of thought of his efforts to raise the cultural and social status of women.