This volume provides a comprehensive study of widowhood in Medieval Britain based on literary and historical sources from the seventh to the 15th centuries. It devotes much attention to family structures and to the legal and social aspects of inheritance.

A multi-disciplinary re-evaluation of the role of women religious in the Middle Ages, both inside and outside the cloister. Medieval women found diverse ways of expressing their religious aspirations: within the cloister as members of monastic and religious orders, within the world as vowesses, or between the two as anchorites. Via a range of disciplinary approaches, from history, archaeology, literature, and the visual arts, the essays in this volume challenge received scholarly narratives and re-examine the roles of women religious: their authority and agency within their own communities and the wider world; their learning and literacy; place in the landscape; and visual culture. Overall, they highlight the impact of women on the world around them, the significance of their presence in communities, and the experiences and legacies they left behind.

This new collection of essays brings together brand new research on widowhood in medieval and early modern Europe. The volume opens with an introductory chapter by the Editors which looks generally at the conditions and constructions of widowhood in this period. This is followed by a range of essays which illuminate different dimensions of widowhood across Europe - in England, Italy, France, Germany and Spain. A particular attraction of the volume is the attention given to widowers, and the comparisons made between the male and female experience of widowhood. It is an exciting reinterpretation of the subject which will do much to undo the traditional stereotype of the widow. Contributing to the volume are: Jodi Bilinkoff, Giulia Calvi, Sandra Cavallo, Isabelle Chabot, Julia Crick, Amy Erikson, Dagmar Freist, Elizabeth Foyster, Margaret Pelling, Pamela Sharpe,Tim Stretton, Barbara Todd, and Lyndan Warner.

Gender in Medieval Culture provides a detailed examination of medieval society's views on both gender and sexuality, and shows how they are inextricably linked. Sex roles were clearly defined in the medieval world although there were exceptions to the rules, and this book examines both the commonplace world view and the exceptions to it. The volume looks not only at the social and economic considerations of gender but also the religious and legal implications, arguing that both ecclesiastical and secular laws governed behaviour. The book covers key topics, including femininity and masculinity and how medieval society constructed these terms; sexuality and sex; transgressive sexualities such as homosexuality, adultery and chastity; and the gendered body of Christ, including the idea of Jesus as mother and affective spirituality. Using a clear chapter structure for easy navigation and categorisation, as well as a glossary of terms, the book will be a vital resource for students of medieval history.

This book provides an evocative insight into the property, power, remarriage, and identity of high-ranking widows in two fundamentally different societies, Iceland and Yorkshire. The legal position of widows in each region is examined in light of evidence from charters, royal records and sagas to establish a detailed picture of practice. Comparison and family reconstruction are important elements, enabling the book to emphasize the placement of widows within the context of society and its institutions, and to consider fully the impact of individual circumstances on the widows’ opportunities for action. The result offers a fresh approach that tests widely accepted generalizations about widows’ independence, highlights differences between regions, and suggests the need to reconsider traditional, rigid definitions of kinship systems.

These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.

Gender and the Law provides an ideal introduction to gender and feminist theory for students. Beginning with an overview of traditional notions of gender, the book establishes the key feminist and queer legal theories. It provides a basic structure and overview upon which students can build their understanding of some of the complex and controversial topics and debates around gender. Structured thematically, the book explores many fascinating and controversial legal issues, including issues of transgender rights; equal pay and equality in the workplace; societal changes and challenges within the regulation of personal relationships; the law surrounding consent and sexual offences; the role of gender norms in the criminal courts; legal regulation of prostitution and pornography; and the ways in which the law has responded to societal changes surrounding reproduction. With ‘thinking points’ and ‘further reading’ suggestions within each chapter, the authors encourage an engagement with critique and theory in order to understand this dynamic and challenging field.