This collection of short, action-filled stories of the Old West’s most egregiously badly behaved female outlaws, gamblers, soiled-doves, and other wicked women by offers a glimpse into Western Women’s experience that's less sunbonnets and more six-shooters. Pulling together stories of ladies caught in the acts of mayhem, distraction, murder, and highway robbery, it will include famous names like Belle Starr and Big Nose Kate, as well as lesser known characters.

Challenges the common stereotypes of African women as either victims or unrestrained resisters.

The story of freedom pivots on the choices black women made to retain control over their bodies and selves, their loved ones, and their futures. The story of freedom and all of its ambiguities begins with intimate acts steeped in power. It is shaped by the peculiar oppressions faced by African women and women of African descent. And it pivots on the self-conscious choices black women made to retain control over their bodies and selves, their loved ones, and their futures. Slavery's rise in the Americas was institutional, carnal, and reproductive. The intimacy of bondage whet the appetites of slaveowners, traders, and colonial officials with fantasies of domination that trickled into every social relationship—husband and wife, sovereign and subject, master and laborer. Intimacy—corporeal, carnal, quotidian—tied slaves to slaveowners, women of African descent and their children to European and African men. In Wicked Flesh, Jessica Marie Johnson explores the nature of these complicated intimate and kinship ties and how they were used by black women to construct freedom in the Atlantic world. Johnson draws on archival documents scattered in institutions across three continents, written in multiple languages and largely from the perspective of colonial officials and slave-owning men, to recreate black women's experiences from coastal Senegal to French Saint-Domingue to Spanish Cuba to the swampy outposts of the Gulf Coast. Centering New Orleans as the quintessential site for investigating black women's practices of freedom in the Atlantic world, Wicked Flesh argues that African women and women of African descent endowed free status with meaning through active, aggressive, and sometimes unsuccessful intimate and kinship practices. Their stories, in both their successes and their failures, outline a practice of freedom that laid the groundwork for the emancipation struggles of the nineteenth century and reshaped the New World.

'Wicked, wayward or otherwise, Carter's classic collection is a very erudite expression of girl power' MINA HOLLAND, GUARDIAN 'One of the century's greatest writers' SUNDAY TIMES This bestselling collection of stories extols the female virtues of discontent, sexual disruptiveness and bad manners. These are subversive tales by Ama Ata Aidoo, Jane Bowles, Angela Carter, Colette, Bessie Head, Jamaica Kincaid and Katherine Mansfield among others. They all have one thing in common; the wish to restore adventuresses and revolutionaries to their rightful position as models for all women. Reflecting the wide-ranging intelligence and deliciously anarchic taste of Angela Carter, some of these stories celebrate toughness and resilience, some of them low cunning: all of them are about not being nice.

An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters

What can Jezebel, the Bible’s wickedest queen, reveal about God’s holiness and power and even about his sense of humor? What about the Woman at the Well—the one with five husbands and a live-in lover? And what of the prostitute whose tears bathe the feet of Jesus in front of people who despise her? There are also “wicked good” women like Deborah, Ruth, Hannah, Abigail, Esther, Mary, and more. What do their lives tell us about God’s invincible love and his determined plan to save us? In Wicked Women of the Bible Ann Spangler tells the stories of twenty wicked and “wicked good” women in greater detail. At the end of each story, Ann provides a brief section including additional historical and cultural background as well as a brief Bible study in order to enhance the book’s appeal to both individuals and groups. The stories of these women of the Bible reveal a God who is not above it all but who stoops down to meet us where we are in order to extend his love and mercy.

Chronicles the romantic escapades of three former sorority sisters--Amy Bryce, who is out to escape her reputation as a good girl; codebreaker Jennifer Clark, who finds love with a fellow agent; and former college brainiac Caroline Mitchell. Reprint.